january 1998

The election of the elders of an evangelical church is usually an uncontroversial, even unifying event. But this summer, at an influential megachurch in Northern Virginia, something went badly wrong. A trio of elders didn’t receive 75 percent of the vote, the threshold necessary to be installed.  

“A small group of people, inside and outside this church, coordinated a divisive effort to use disinformation in order to persuade others to vote these men down as part of a broader effort to take control of this church,” David Platt, a 43-year-old minister at McLean Bible Church and a best-selling author, charged in a July 4 sermon.

Platt said church members had been misled, having been told, among other things, that the three individuals nominated to be elders would advocate selling the church building to Muslims, who would convert it into a mosque. In a second vote on July 18, all three nominees cleared the threshold. But that hardly resolved the conflict. Members of the church filed a lawsuit, claiming that the conduct of the election violated the church’s constitution.

Before I tell you what happened at exactly 2:28 p.m. on Wednesday, January 6, 2021, at the White House—and how it elicited a very specific reaction, some 2,400 miles away, in Menlo Park, California—you need to remember the mayhem of that day, the exuberance of the mob as it gave itself over to violence, and how several things seemed to happen all at once.

At 2:10 p.m., a live microphone captured a Senate aide’s panicked warning that “protesters are in the building,” and both houses of Congress began evacuating.

At 2:13 p.m., Vice President Mike Pence was hurried off the Senate floor and out of the chamber.

At 2:15 p.m., thunderous chants were heard: “Hang Mike Pence! Hang Mike Pence!”

At the White House, President Donald Trump was watching the insurrection live on television. The spectacle excited him. Which brings us to 2:28 p.m., the moment when Trump shared a message he had just tweeted with his 35 million Facebook followers: “Mike Pence didn’t have the courage to do what should have been done to protect our Country and our Constitution … USA demands the truth!”

Your social life has a biological limit: 150. That’s the number—Dunbar’s number, proposed by the British psychologist Robin Dunbar three decades ago—of people with whom you can have meaningful relationships.

What makes a relationship meaningful? Dunbar gave The New York Times a shorthand answer: “those people you know well enough to greet without feeling awkward if you ran into them in an airport lounge”—a take that may accidentally reveal the substantial spoils of having produced a predominant psychological theory. The construct encompasses multiple “layers” of intimacy in relationships. We can reasonably expect to develop up to 150 productive bonds, but we have our most intimate, and therefore most connected, relationships with only about five to 15 closest friends. We can maintain much larger networks, but only by compromising the quality or sincerity of those connections; most people operate in much smaller social circles.

It’s rare to see a bad photo today. If, by chance, a bad photo is taken and cannot be filtered, edited, or otherwise enhanced into something visually acceptable, it is swiftly deleted. Why hold on to anything less than perfect? Why, when with a cost-free click you can disappear it from your digital life, lest it ever inadvertently make its way onto someone else’s social feed, where it might be screengrabbed for eternity.

It wasn’t always like this. Bad pictures used to abound in what could seem like an almost deliberate, karmic attempt to humiliate and haunt their imperfect subjects. Back when the one-click Kodak dominated, most pictures—unflattering, off-center, accidental, overexposed, and everyone as red-eyed as vermin—were not worth keeping. No one could figure out how to operate the focus. Hardly anyone knew when to turn off the flash, or how. Few people had any aesthetic sense. You could sift through a roll’s worth of fresh prints, their chemical scent almost wetting the air, and not find a single picture aimed anywhere less ominous than the region directly below your chin.

President Joe Biden’s long career can be measured in decades, in legislative achievements, and in Saturday Night Live impersonations: Seven different actors have played him over the years. His first send-up on the show happened in 1991, when Kevin Nealon portrayed him as a straight-faced inquisitor of Anita Hill’s sexual-harassment allegations against Clarence Thomas during the the judge’s Supreme Court confirmation hearings. Throughout the most recent presidential campaign, Jim Carrey and Woody Harrelson brought star wattage to the job while painting candidate Biden as, essentially, a collection of tics and catchphrases.

Earlier this month, yet another Biden joined the annals. SNL’s Season 47 premiere opened with the rookie cast member James Austin Johnson flashing a strained smile under a white wig, his hairline so high it made Biden’s forehead seem like the National Mall. Johnson’s low-energy performance seemed designed to satirize a president without much presence: “Like an oil change, you don’t think about me until you absolutely have to,” went one line. This impersonation returned in last night’s cold open, but so did other Bidens, through inexplicable feats of time travel. The sketch offered a jarring reminder of the instability and haziness of the president’s public persona.