october 1870

In Manhattan, the homeless shelters are full, and the luxury skyscrapers are vacant.

Such is the tale of two cities within America’s largest metro. Even as 80,000 people sleep in New York City’s shelters or on its streets, Manhattan residents have watched skinny condominium skyscrapers rise across the island. These colossal stalagmites initially transformed not only the city’s skyline but also the real-estate market for new homes. From 2011 to 2019, the average price of a newly listed condo in New York soared from $1.15 million to $3.77 million.

But the bust is upon us. Today, nearly half of the Manhattan luxury-condo units that have come onto the market in the past five years are still unsold, according to The New York Times.

There’s an elegant symmetry to traditional wedding vows: for better or for worse. But love is not symmetrical, and most of us don’t realize how lopsided it can be. The worse matters far more than the better in marriage or any other relationship. That’s how the brain works.

Our thoughts and feelings are skewed by what researchers call the negativity effect, which is our tendency to respond more strongly to negative events and emotions than to positive ones. When we hear a mix of compliments and criticism, we obsess over the criticism instead of enjoying the praise. This imbalance, also known as the negativity bias, evolved in the brain because it kept our ancestors alert to deadly threats, but too often it warps our perspective and behavior. A slight conflict can have ruinous consequences when the power of bad overwhelms your judgment, provoking you to actions that further alienate your partner. You’d fare better by using your rational brain to override your irrational impulses, but to do that you need first to understand just how powerful bad can be.

Hollywood makes bad movies all the time. Sometimes they’re highly enjoyable pieces of schlock that divert your attention for 90 minutes before vanishing from memory. Sometimes they’re unwatchable slogs, similarly not worth remembering. Then there are the debacles of the release calendar: genuine catastrophes such as Dolittle, the likes of which are rarer than a talking dragonfly. The newest adaptation of Hugh Lofting’s whimsical 1920s stories about a doctor who can commune with animals stars Robert Downey Jr. and a boatload of CGI critters, and clearly no expense has been spared in bringing it to the big screen. But that doesn’t keep it from being one of the worst cinematic fiascos I’ve seen in years.

BURLINGTON, Iowa—Not long ago, Andrew Yang would have considered his presidential campaign a success just for having injected a discussion of job automation into the race. He was a novelty candidate, a single-issue candidate, known as much for joking around on the debate stage and for viral videos (like the one that shows him squirting whipped cream into the mouths of two kneeling volunteers) as for his signature policy position, the Freedom Dividend, a universal basic income of $1,000 a month.

But now that Yang has outlasted a number of more conventional and better known rivals—and achieved surprisingly robust poll numbers and fundraising totals—his campaign has started to dream about what could happen if their candidate could transcend his novelty status. So when Yang’s top staff gathered at the end of December, his campaign chief, Nick Ryan, made clear that the strategy for the final weeks before voting starts would be to “present our guy as President Yang, Commander in Chief Yang.” How do you do that when Yang is the $1,000-a-month guy—not the bilateral-summit guy or the Situation Room guy? He’s the candidate who loves to crowd-surf, whose fans meme him into Obi-Wan Kenobi robes (“He is our only hope”), who wears his thick blue-and-red campaign scarf everywhere he goes. Can he convince voters he’s commander-in-chief material while continuing to indulge in the oddball routine to which he ascribes much of his success so far?

The photograph above shows Andrew Lisdahl and his fiancée, Theresa, at their home, along with Andrew's daughter with his ex-wife (left) and one of Theresa's daughters (right).

Andrew Lisdahl was mad. His wife, Gretchen, had smoked a cigarette, a habit he detested. They fought, and Gretchen spent the night at a friend’s house. The next day, Andrew drank a bottle of tequila and hitched a ride to the stained-glass studio where Gretchen, an artist, gave lessons. When Andrew found her, he grabbed her left hand and tried to remove her wedding ring, but Gretchen fought him off. As Andrew stumbled away, he took Gretchen’s car keys and phone.

After work, Gretchen’s father drove her back home to retrieve her things. Inside, Andrew had been passed out on the couch, but he woke up and yelled at Gretchen, “Get the fuck out!” When she didn’t, he grabbed her by the hair, dragged her into the living room, threw her on the carpet, kicked her in the chest, and pinned her to the ground. As Gretchen’s father approached the house, Andrew let her go and she was able to escape.