Last month, a source emailed a colleague of mine with a complicated theory that, the source claimed, proved Pete Buttigieg had been in the CIA. “The American people have the right to know if he was ever an agent or officer,” the person wrote, with the kind of baseless confidence that lives on the internet.

By then, Buttigieg’s critics on the left had started to focus more on what the South Bend, Indiana, mayor could have been doing at McKinsey, a company that seems to look worse with each passing week. Progressives, and in particular the Elizabeth Warren campaign, pounced: What was Buttigieg doing at McKinsey for two and a half years? How many people had lost their jobs because of him? How shady was the work conveniently hidden behind a standard McKinsey nondisclosure agreement?

In the latest turn in a long, ugly saga, George Zimmerman, the volunteer neighborhood watchman who was acquitted of second-degree murder after shooting Trayvon Martin in Florida in 2012, recently filed a lawsuit in which he presents himself as the victim of injustice and seeks recompense for his losses. The killing of Trayvon, who was 17, led to a national outpouring of anger—over Florida’s “stand your ground” law, which offers legal protections to those who use lethal force instead of retreating from confrontations, and over a broader pattern in which African Americans die at the hands of shooters who claim to have feared for their own lives.

Zimmerman’s lawsuit reflects a different kind of indignation. Six years after his trial, he is now accusing Trayvon’s parents; their attorney, Benjamin Crump; the state of Florida; and others of colluding in what the suit portrays as an unfair prosecution. His lawsuit seeks an eye-popping $100 million in damages for the personal losses he claims to have sustained. “Plaintiff Zimmerman,” his complaint says, “has suffered severe loss of reputation, goodwill, and past, present, and future loss of income, earning, and other financial damage.”

The United States is a fortress of gerontocracy besieged by a youth rebellion. America’s leaders are old—very old. The average age in Congress has never been higher, and our national leaders are all approaching 80. Nancy Pelosi was born in 1940, Mitch McConnell came along in 1942, and Donald Trump, the baby of this power trio, followed in 1946, making him several weeks older than his predecessors Bill Clinton and George W. Bush. The two leading candidates for the Democratic presidential nomination, Joe Biden and Bernie Sanders, are 77 and 78 years old, respectively. Every individual in this paragraph came into the world before the International Monetary Fund and the CIA; before the invention of the transistor and the Polaroid camera; before the Roswell UFO incident and the independence of India.

The 80 percent of Americans who supported the war in Afghanistan back in 2001 were wrong. And the tiny anti-war faction that opposed the conflict was correct in warning that an invasion and occupation would turn into a bloody quagmire.

That was my thought as I read the long-suppressed war documents that The Washington Post published yesterday after a three-year fight to make them public. Officials under Presidents George W. Bush, Barack Obama, and Donald Trump “failed to tell the truth about the war in Afghanistan throughout the 18-year campaign,” the Post showed, “making rosy pronouncements they knew to be false and hiding unmistakable evidence the war had become unwinnable.”

Observers will differ on whether U.S. officials could have been more effective or honest, or whether their failures were foreordained by perverse incentives and hard choices. A shorter war that struck al-Qaeda members but eschewed occupation can be imagined.

If you are following mainstream news outlets, you know that in 2016, Donald Trump benefited from a Russian hacking and disinformation campaign designed to help him get elected, even as he sought permission from the Russian government to build a hotel in Moscow. You know that he deflected blame from Russia for that campaign, even as he sought to benefit from it politically. You know that shortly after the election, Trump told Russian officials in the Oval Office that he didn’t mind their efforts on his behalf, inviting further interference. And you know that while those acts may not have amounted to criminal conspiracy, the president’s insistence that there was “no collusion” flies in the face of established facts.

Not long ago, I stopped by the Morgan Library, in Manhattan, to pay a visit to the Gutenberg Bible on display within a cube of glass in the Morgan’s tower­ing East Room. Gutenberg Bibles are among the rarest of printed books—about 50 copies are scattered around the world. At the time of their production, in Mainz in the 1450s, Gutenberg Bibles were of course the most common printed books—they were among the only ones. If a Gutenberg Bible were to come on the market today, it would sell for as much as $35 million, according to some estimates. But who knows? Sheikhs and oligarchs might launch a bidding war. The Morgan has three Gutenbergs. The copy on display was bought by J. P. Morgan in 1911 at Sotheby’s, which was acting for the family of a Wiltshire banker, who had bought it from the British bookseller Bernard Quaritch, who had bought it from the family of a Middlesex brewer, who had bought it from a member of the aristocratic Sykes family, who in 1824 had sold off his brother’s famed library in order to buy hunting dogs. The Sykes copy can be traced to a Scottish monk, antiquarian, and spy who lived in Germany in the late 18th century, and it is probably the copy that was lodged for centuries in the Augustinian monastery 
at Rebdorf.

Though Kanye West hovered over 2019 like a sentient burial shroud, other artists took a less self-hagiographic approach to their projects and personas. This has been a year of longing, unease, and collective reaches toward a more hopeful future. So perhaps fittingly, our three music writers’ picks on this best-albums list shift between total doom and quiet optimism.

FKA Twigs, Magdalene

FKA Twigs’s electronic operas progress at the pace of dying embers, include passages of trash-compactor noise, and are so, so sad. None of those factors would seem to suggest the sort of cultural phenomenon that creates stans and gossip and memes. Yet search “FKA Twigs” on Twitter and you find a trove of joy: guys blubbering to their girlfriends about Twigs’s live show, or folks celebrating Twigs’s cathartic pole-dancing. Twigs sings that she’s a “fallen alien,” and that she’s “never seen a hero like me in a sci-fi,” but Magdalene makes one idiosyncratic woman’s lamentation into a shared, almost uplifting spectacle. The key is that she knows how tension can be its own entertainment, and sobs a kind of relief. — Spencer Kornhaber

When Donald Trump Jr.’s book, Triggered, leapt to the top of The New York Times’ best-seller list a few weeks ago, alert observers noticed something odd—odder even than the thought of Donald Trump Jr. writing a book. Next to the listed title was the image of a dagger. What it signified was unclear. Was it a sly commentary by the Times’ obsessively Trumpophobic editorial staff? I had read the book already and had a guess: A dagger was the first thing readers would reach for when they finished Triggered—something sharp and lethal that could be used to slit throats, our own or someone else’s, to obliterate the experience of having read the whole thing.

Weirdly, I was wrong. The Times explained that the dagger serves as a kind of asterisk. It warns readers that some portion of a book’s sales came in the form of bulk orders by institutions rather than through individual purchases by ordinary, humble book buyers such as ourselves. The implication is to question the book’s status as a boffo smash. In the case of Triggered, thousands of copies were bought by the Republican National Committee and then passed along as premiums to donors. A pro-Trump youth group called Turning Point USA and several Republican congressional candidates did the same, the Times reported in a news story.

Speaking with George Stephanopoulos on ABC this weekend, Representative Matt Gaetz—one of President Donald Trump’s most relentlessly enthusiastic congressional supporters—had an unexpected suggestion for how the president should proceed in the impeachment inquiry. Mick Mulvaney, the director of the Office of Management and Budget and acting White House chief of staff, should testify before Congress, Gaetz argued—along with Secretary of State Mike Pompeo and perhaps even the president’s personal lawyer Rudy Giuliani. All three men have so far refused to cooperate with House requests for information. But, said Gaetz, “I think it would inure to the president’s advantage to have people testify who could exculpate him.”

The first spike in Google searches for the term drunk text came in May 2009, three months after the launch of a website called Texts From Last Night.

Lauren Leto and Ben Bator were recent college graduates living in Detroit and thinking about law school. The city’s mayor, Kwame Kilpatrick, was at the center of one of politics’ first big sexting scandals (unrelated to the corruption charges that later put him in prison), and the pair were inspired. They made a Blogspot site and started posting screenshots of the weirdest texts they got from their friends, anonymized but tagged with one clue: an area code.

“Three months after it launched was finals week everywhere,” Bator says. “I think people were condensed in libraries at different colleges around the country. It was also Cinco de Mayo week. People started reposting the texts with a link to the website, and it blew up. By that point, everybody had something up there from their area code. That made it relatable. You felt like you knew the people who submitted, or you wished you did, or you were glad you didn’t.” At its peak, Texts From Last Night regularly had up to 20 million unique viewers a month, Bator says. But most of the company’s revenue came from selling a 99-cent app—mobile websites were so bad in 2010 that people actually paid for it. It was a million-dollar idea at a time when the country was flailing.