Extreme volume is nerd-macho. I couldn’t bench-press 250 pounds—actually, I couldn’t bench-press half of 250 pounds—but my band was much louder than yours. I sneered at those who wore earplugs at their shows. Earplugs turned the picture to black-and-white. Why would you do that? Onstage, your eyesight whiting out from the stage lights and your ears roasting from the decibels, the air seemed suffused with pure adrenaline. It lit you up like a city at night.
I finally started wearing earplugs onstage in 2002, after playing a particularly deafening show. When I went to bed that night, I heard not one but two distinct tones ringing in my right ear. Others have worse stories.
“I had a really weird experience playing our penultimate show,” says Pat Mahoney, the drummer for the just-disbanded LCD Soundsystem. “We started playing a song we hadn’t played in a long time. And it was so loud and my ears were so fatigued, it was like being snow-blind. I could tell there was tremendous noise, but I couldn’t identify any of it … It was fucking terrifying.” (Mahoney, as you may have guessed, wasn’t wearing earplugs.)
I haven’t experienced anything that dramatic, aside from that feedback-induced near-emesis. But I have to lean in, far in, to hear people in noisy rooms. A meal or a drink somewhere loud means I lose my voice, especially if my wife isn’t there to remind me that I’m shouting in order to hear myself.
When I visit an audiologist, Dr. Andrew Resnick, a guitarist who treats many New York musicians, he asks if I have trouble hearing: Left ear, right ear, both ears? (With background noise, both.) Ears ring? (Yes. But that doesn’t bother me too much.) How many hours a week on an iPod? (Maybe four.) Do I have a history of loud-noise exposure? (Heh. Yes. Lots.)
Over to the soundproof booth, where Dr. Resnick has me strap on some form-fitting headphones. The room is still and quiet. The ongoing symphony in my ears isn’t. This won’t work, I think nervously. I won’t hear anything over this ringing. The doctor plays a bunch of tones, low to high, quiet and quieter. He turns on background noise, like you’d hear at a bar or a party, and runs voices against it. He plays with the volume until the conversation I am supposed to decipher disappears in the clatter.
Here is where I’m supposed to say I’m sorry. Here is where I say we must respect the delicate membranes within our ears. Here is where I beg, in cloying tones, that we teach the children to learn from these mistakes.
Screw it. I don’t regret a thing. Sound transported us to places most people never get to see. When my old band got asked to reunite this year at the All Tomorrow’s Parties festival in the U.K., our concerns centered on practice logistics and plane schedules, not on our battered eardrums. The old basketball star walks gingerly on aching knees. Me? My ears ring. I can’t hear a thing you’re saying in this noisy bar. And it turns out that my left ear’s hearing is noticeably weaker in certain frequencies—it has what ear docs call the “noise notch” that afflicts those exposed to serious sound. But I’m okay enough. If not, well, I accept the physical penalty without complaint. For now, at least.