Launched in 2005 by Harvey Levin (the longtime host and legal reporter on The People’s Court), TMZ has crushed its competitors by means of (a) scoops—being first, for example, with the news of Michael Jackson’s death; (b) astute branding—its cool-sounding name stands for “Thirty Mile Zone,” referring to the “studio zone” around Hollywood; and (c) the cross-platform synergistic whammy of its TV show. In half-hour weekday segments plus an hour-long weekend special, the nationally syndicated TMZ on TV tracks the latest showbiz crapola, cutting back and forth between staff meetings at TMZ HQ and street clips from the TMZ “videographers” as they accost celebrities outside restaurants. The show is diabolical—and I think I mean that literally, insofar as I am persuaded that certain lower-order demons (poorly trained, cheesed-off, regularly denied their lunch break) have a hand in its production, and that exposure to it constitutes a genuine spiritual hazard. Having said that, Genuine Spiritual Hazard is my middle name. So earlier this summer, I watched TMZ on TV for two weeks straight. Here’s what I saw.
I saw, first of all, an office. This is the interior portion of the TMZ show: cubicles, sallow light, layers of human sourness in the carpet-crackle. Like all offices, it reminds one of The Office (U.K. version), with the part of David Brent played in this case by Harvey—a small man, but an enormous parasite, often seen slurping through a straw on some kind of mega-smoothie or protein shake as if on the marrow of Shia LaBeouf. T-shirted, buff, and health-nut radiant, Harvey stands with his elbows resting atop a cubicle partition—the height of which fortuitously promotes biceps-display and a mild flaring of the lats—and faces his swivel-chaired staffers.
“We’ve got Clay Matthews leaving the Nike Store,” they offer, or “We’ve got Balthazar Getty at the King’s Road Cafe.” They show him the clip, and then they say nasty little things about it, everyone chipping in. Harvey laughs, but you won’t, the wit on offer being approximately at the level of a YouTube comments thread. Actually, this is a YouTube comments thread, in the flesh, as it were—a cumulative soul-suck, a leering pig pile of insult. Surveying shots of Lindsay Lohan under house arrest, on her sunny rooftop, the TMZers begin their troll-riffs. “She’s gonna have a nasty tan line,” says Boyish Cheeks, “’cause I got a photo of her little ankle bracelet she has to wear now, the monitoring one.” “That girl can’t even get tan,” says Heavy-Metal Guy. “Yeah, she just gets extra freckly,” contributes Gadfly at the Back. “They’re doin’ her a favor,” decides Heavy-Metal Guy, “keepin’ the freckles off her ankle!” Heh, heh, heh. Jade plants droop, AC drones, and all the babies in Limbo throw up.
Who are these staffers? Is it a great job for a young person, an oppor-toon-ity, working for TMZ? Did Harvey find them all in a back alley, torturing cats? They don’t look like hissing slobs—they’re quite presentable and even attractive. But the mark is upon them, discernibly. Small signals of moral rot are being sent—the eye-flicker, the distorted nostril—as they slag off Julia Roberts or The Situation. Blond Girl is slumped and catty; Heavy-Metal Guy talks in a whiny-snivelly voice, suggestive of detachment or severance from the deeper portions of his personality. Look out, kids: the wind will change and you’ll be stuck like that, a stroke-victim sneer fixed on your face.