{"article":{"__typename":"MagazineArticle","id":"MagazineArticle:308456","pdfUrl":"","categories":[],"content":[{"__typename":"ArticleLegacyHtml","tagName":"HR","idAttr":"","className":"","style":"","innerHtml":""},{"__typename":"ArticleLegacyHtml","tagName":"DIV","idAttr":"","className":"","style":"","innerHtml":"

"}],"editorialProject":null,"primaryCategory":{"__typename":"Channel","displayName":"Culture","url":"https://www.theatlantic.com/culture/","slug":"culture"},"reviews":[],"embeds":[{"type":"iframe","src":"https://www.theatlantic.com/video/embed/?brightcove_id=899514411001","__typename":"Embed"}],"authors":[],"preview":null,"layout":"standard","secondaryByline":"","dek":"GRAPHIC DESIGNER, PENTAGRAM
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\r\nProject: Create Logo for the New World Symphony in Miami
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\r\nAn award-winning designer, Bierut is a partner in the New York design firm Pentagram. He was commissioned by Michael Tilson Thomas at the New World Symphony to create a new logo inspired by the Frank Gehry-designed performance hall.","url":"https://www.theatlantic.com/magazine/archive/2011/05/michael-bierut/308456/","title":"Michael Bierut","seoTitle":"Michael Bierut","dateModified":"2015-09-17T14:17:40Z","datePublished":"2011-04-02T15:07:42Z","hasMeter":true,"primaryChannel":{"displayName":"Culture","__typename":"Channel","slug":"culture"},"shareImage1x1":null,"shareImage16x9":null,"shareImage4x3":null,"shareImageDefault":null,"shareImageSquareDefault":null,"shareImageLeadArt":null,"shareDek":"GRAPHIC DESIGNER, PENTAGRAM\r\n\r\n\r\n\r\nProject: Create Logo for the New World Symphony in Miami\r\n\r\n\r\n\r\nAn award-winning designer, Bierut is a partner in the New York design firm Pentagram. He was commissioned by Michael Tilson Thomas at the New World Symphony to create a new logo inspired by the Frank Gehry-designed performance hall.","shareText":null,"shareTitle":"Michael Bierut","issue":{"url":"https://www.theatlantic.com/magazine/toc/2011/05/","issueName":"May 2011","__typename":"MagazineIssue","slug":"201105"},"editorsNote":null,"leadArt":null,"narratedAudio":null,"narratedAudioImage":null,"fbiaUrl":"https://www.theatlantic.com/facebook-instant/article/308456/","canonicalUrl":"https://www.theatlantic.com/magazine/archive/2011/05/michael-bierut/308456/","syndication":"ALL","shareImage2x1":null,"shareImageSmall":null,"channels":[{"slug":"culture","__typename":"Channel"}],"watsonInfo":null,"slug":"michael-bierut","grapeshot":{"segments":["gv_safe","gb_safe","pos_bofa-kwlist","pos_lexus_fy23","pos_safe_core","pos_safe_strict","gs_fineart","gs_busfin","gs_fineart_design","gs_busfin_business_marketing","gs_business_marketing","gs_busfin_business","gs_busfin_indus","gs_busfin_indus_advertising","gs_business","gs_entertain_mus_classical","gs_entertain_music","gs_entertain","gs_entertain_mus","gs_attractions","gs_attractions_museums"],"__typename":"Grapeshot"},"advertisingInfo":{"disableHouseAd":false,"__typename":"AdvertisingInfo"},"isArchive":false}}

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