MAN AND THE ECHO

MAN
IN a cleft that’s christened Alt
Under broken stone I halt
At the bottom of a pit
That broad noon has never lit,
And shout a secret to the stone.
All that I have said and done,
Now that I am old and ill,
Turns into a question till
I lie awake night after night
And never get the answers right.
Did that play of mine send out
Certain men the English shot?
Did words of mine put too great strain
On that woman’s reeling brain?
Could my spoken words have checked
That whereby a house was wrecked?
And all seems evil until I
Sleepless would lie down and die.
ECHO
Lie down and die.
MAN
That were to shirk
The spiritual intellect’s great work
And shirk it in vain. There is no release
In a bodkin or disease,
Nor can there be a work so great
As that which cleans man’s dirty slate.
While man can still his body keep,
Wine or love drugs him to sleep,
Waking he thanks the Lord that he
Has body and its stupidity,
But body gone he sleeps no more
And till his intellect grows sure
That all’s arranged in one clear view
Pursues the thoughts that I pursue, Then stands in judgment on his soul,
And, all work done, dismisses all
Out of intellect and sight
And sinks at last into the night.
ECHO
Into the night.
MAN
O rocky voice,
Shall we in that great night rejoice?
What do we know but that we face
One another in this place —
But hush, for I have lost the theme,
Its joy or night seems but a dream.
Up there some hawk or owl has struck,
Dropping out of sky or rock,
A stricken rabbit is crying out
And its cry distracts my thoughts.

THE CIRCUS ANIMAL’S DESERTION

I

I SOUGHT a theme and sought for it in vain,
I sought it daily for six weeks or so.
Maybe at last, being but a broken man,
I must be satisfied with my heart, although
Winter and summer till old age began
My circus animals were all on show,
Those stilted boys, that burnished chariot,
Lion and woman and the Lord knows what.

II

What can I but enumerate old themes,
First that sea-rider Usheen led by the nose
Through three enchanted islands, allegorical dreams,
Vain gaiety, vain battle, vain repose,
Themes of the embittered heart, or so it seems,
That might adorn old songs or courtly shows;
But what cared I that set him on to ride,
I, starved for the bosom of his fairy bride.
And then a counter-truth filled out its play,
‘The Countess Cathleen’ was the name I gave it;
She, pity-crazed, had given her soul away
But masterful Heaven had intervened to save it.
I thought my dear must her own soul destroy,
So did fanaticism and hate enslave it,
And this brought forth a dream and soon enough
This dream itself had all my thought and love.
And when the Fool and Blind Man stole the bread
Cuchullaln fought the ungovernable sea;
Heart mysteries there, and yet when all is said
It was the dream itself enchanted me:
Character isolated by a deed
To engross the present and dominate memory.
Players and painted stage took all my love
And not those things that they were emblems of.

III

Those masterful images because complete
Grew in pure mind, but out of what began?
A mound of refuse or the sweepings of a street,
Old kettles, old bottles, and a broken can,
Old iron, old bones, old rags, that raving slut
Who keeps the till. Now that my ladder’s gone
T must lie down where all the ladders start
In the foul rag and bone shop of the heart.

POLITICS

‘In our time the destiny of man presents its meanings in political terms.’

THOMAS MANN

How can I, that girl standing there,
My attention fix
On Roman or on Russian
Or on Spanish politics,
Yet here’s a traveled man that knows
What he talks about,
And there’s a politician
That has read and thought.
And maybe what they say is true
Of war and war’s alarms,
But O that I were young again
And held her in my arms.