—Bob Dylan broke his cryptic silence about receiving the Nobel Prize in Literature two weeks ago in an interview with a British newspaper. Will he attend the ceremony? “Absolutely,” he said. “If it’s at all possible.”
—Spanish Prime Minister Mariano Rojay received a narrow mandate from parliament to form a new government, ending 10 months of paralysis after two inconclusive elections.
—Icelandic voters are poised to hand the Pirate Party, a populist civil-libertarian party, the most seats in the Althing in Saturday’s parliamentary elections.
—We’re live-blogging the news stories of the day below. All updates are in Eastern Daylight Time (GMT -4).
Spanish Prime Minister Mariano Rajoy, seated, attends the investiture debate at the Parliament in Madrid on October 29. (Susana Vera / Reuters)
Spain’s parliament re-elected Prime Minister Mariano Rajoy on Saturday, ending 10 months of paralysis following two inconclusive elections last December and this June.
Neither Rajoy’s center-right People Party nor the opposition Socialist Party mustered a simple majority of seats in either general elections, forcing both sides into a protracted stalemate as they struggled to build coalitions with smaller parties to govern.
The stalemate ended when Ciudadanos, a centrist regional party from Catalonia, threw its support—and its 32 seats—behind Rajoy. The New York Timeshas more:
The Popular Party won the most votes in June’s election but, with just 137 of the 350 seats in Parliament, fell well short of a majority. The Socialists came in second, with 85 seats, their worst-ever result, but still sufficient for them to remain the largest left-wing political group, ahead of the far-left Podemos party.
In the coming weeks, Mr. Rajoy will present a budget for 2017 that will be the first major test of his ability to pass legislation without a parliamentary majority. He will be under pressure to make budgetary concessions to regional and left-wing parties, but his spending will be curtailed by deficit targets imposed by the European Union.
Mr. Rajoy is also under pressure to defuse a territorial dispute with Catalonia. Separatist parties control the Catalan regional Parliament and have pledged to hold an independence referendum by September, despite fierce opposition from Madrid and the courts.
Had legislators not granted Rajoy a slim mandate to govern, Spain would have been forced to call its third election in a year in an attempt to break the deadlock.
Birgitta Jónsdóttir of the Pirate Party reacts as she votes during the parliamentary election in Reykjavik. (Geirix / Reuters)
Icelandic voters are heading to the polls Saturday as the country holds its first parliamentary elections since the resignation of Prime Minister Sigmundur Davíð Gunnlaugsson in April.
Gunnlaugsson’s fall from power followed revelations in the Panama Papers, a cache of leaked documents from the corporate law firm Mossack Fonseca, that linked him to foreign creditors who profited from the collapse of Iceland’s banking sector.
Leading the latest opinion police is Iceland’s Pirate Party, a civil-libertarian party founded in 2012. It currently holds three seats in the Althing, Iceland’s parliament, but could emerge with the most seats of any party after the election. The Guardianhas more:
Riding a wave of public anger at perceived political corruption in the wake of the 2008 financial crash and the Panama Papers scandal in April, the Pirate party campaigns for direct democracy, full government transparency, individual freedoms and the fight against corruption.
Its radical platform, which also includes decriminalising drugs, offering asylum to whistleblowers such as Edward Snowden and relaxing restrictions on the use of the bitcoin virtual currency, has the backing of 21% of Icelanders, polls suggest, making it the country’s second-biggest party.
Its figurehead is Birgitta Jónsdóttir, a 49-year-old MP, poet and former WikiLeaks collaborator who has said she has no ambition to be prime minister but wants to sweep away a “corrupt and dysfunctional system.”
The election results will be announced Sunday morning local time.
Bob Dylan, who won the Nobel Prize for Literature earlier this month, finally acknowledged the honor on Friday. In an interview with the Daily Telegraph, the American folk bard said he might attend the awards ceremony in Stockholm in December.
“Absolutely,” he replied. “If it’s at all possible.”
Dylan cryptically did not elaborate on why he wouldn’t be able to attend. The Nobel Foundation subsequently released a statement that said Dylan had called the Nobel committee last week. “The news about the Nobel Prize left me speechless,” he said, according to the foundation. “I appreciate the honor so much.”
The Nobel committee announced Dylan had won literature’s most prestigious honor on October 13 for “for having created new poetic expressions within the great American song tradition.” He is the first musician to receive the prize. The choice caused a minor controversy within the literary world, with some praising the selection’s novelty while others dissented that a more traditional writer or poet was not honored instead.
Then followed silence. Dylan made only a brief, fleeting reference to the award on his website that day. To the foundation’s frustration, he also did not answer or return numerous calls from them. A committee member last week described his silence as “arrogant and impolite.”
The preponderance of the evidence suggests that social media is causing real damage to adolescents.
Social media gets blamed for many of America’s ills, including the polarization of our politics and the erosion of truth itself. But proving that harms have occurred to all of society is hard. Far easier to show is the damage to a specific class of people: adolescent girls, whose rates of depression, anxiety, and self-injury surged in the early 2010s, as social-media platforms proliferated and expanded. Much more than for boys, adolescence typically heightens girls’ self-consciousness about their changing body and amplifies insecurities about where they fit in their social network. Social media—particularly Instagram, which displaces other forms of interaction among teens, puts the size of their friend group on public display, and subjects their physical appearance to the hard metrics of likes and comment counts—takes the worst parts of middle school and glossy women’s magazines and intensifies them.
Every year thousands of Americans die on the roads. Individuals take the blame for systemic problems.
More than 20,000 people died on American roadways from January to June, the highest total for the first half of any year since 2006. U.S. road fatalities have risen by more than 10 percent over the past decade, even as they have fallen across most of the developed world. In the European Union, whose population is one-third larger than America’s, traffic deaths dropped by 36 percent between 2010 and 2020, to 18,800. That downward trend is no accident: European regulators have pushed carmakers to build vehicles that are safer for pedestrians and cyclists, and governments regularly adjust road designs after a crash to reduce the likelihood of recurrence.
But in the United States, the responsibility for road safety largely falls on the individual sitting behind the wheel, or riding a bike, or crossing the street. American transportation departments, law-enforcement agencies, and news outlets frequently maintain that most crashes—indeed, 94 percent of them, according to the most widely circulated statistic—are solely due to human error. Blaming the bad decisions of road users implies that nobody else could have prevented them. That enables car companies to deflect attention from their decisions to add heft and height to the SUVs and trucks that make up an ever-larger portion of vehicle sales, and it allows traffic engineers to escape scrutiny for dangerous street designs.
Omicron, also known as B.1.1.529, was first detected in Botswana and South Africa earlier this month, and very little is known about it so far. But the variant is moving fast. South Africa, the country that initially flagged Omicron to WHO this week, has experienced a surge of new cases—some reportedly in people who were previously infected or vaccinated—and the virus has already spilled across international borders into places such as Hong Kong, Belgium, Israel, and the United Kingdom. Several nations are now selectively shutting down travel to impede further spread. For instance, on Monday, the United States will start restricting travel from Botswana, South Africa, Zimbabwe, Namibia, Lesotho, Eswatini, Mozambique, and Malawi.
Diners, Drive-Ins and Dives is a mainstay of basic cable—and a rallying cry for a country that is losing touch with itself.
In 2007, in one of the first episodes of Diners, Drive-Ins and Dives, Guy Fieri visited Patrick’s Roadhouse, a railway-station-turned-restaurant in Santa Monica, California. The diner’s chef, Silvio Moreira, walked Fieri through the preparation of one of Patrick’s most notable dishes, the Rockefeller—a burger topped with mushrooms, sour cream, jack cheese, and … caviar. Fieri, looking playfully trepidatious, lifted the burger with both hands, said a fake prayer, and did what he would proceed to do thousands of times on the show: He took an enormous bite. And then he fell silent. “Wooow,” he commented, finally, shooting Moreira a what-have-you-done-to-me look.
“Different, huh?” Moreira said, grinning. “Yeah,” Fieri replied. The show’s camera discreetly cut away to the next scene.
People with scant illusions about Trump are volunteering to help him execute one of his Big Lies.
If Donald Trump had been supported only by people who affirmatively liked him, his attack on American democracy would never have gotten as far as it did.
Instead, at almost every turn, Trump was helped by people who had little liking for him as a human being or politician, but assessed that he could be useful for purposes of their own. The latest example: the suddenly red-hot media campaign to endorse Trump’s fantasy that he was the victim of a “Russia hoax.”
The usual suspects in the pro-Trump media ecosystem will of course endorse and repeat everything Trump says, no matter how outlandish. But it’s not pro-Trumpers who are leading the latest round of Trump-Russia denialism. This newest round of excuse-making is being sounded from more respectable quarters, in many cases by people distinguished as Trump critics. With Trump out of office—at least for the time being—they now feel free to subordinate their past concerns about him to other private quarrels with the FBI or mainstream media institutions. On high-subscription Substacks, on popular podcasts, even from within prestige media institutions, people with scant illusions about Trump the man and president are nonetheless volunteering to help him execute one of his Big Lies.
These statements relieve the speaker and the audience of the responsibility to think about Indigenous peoples, at least until the next public event.
In David Mamet’s film State and Main, a Hollywood big shot tries to shortchange a set hand by offering him an “associate producer” credit on a movie. A screenwriter overhears the exchange and asks, “What’s an ‘associate producer credit’?” The big shot answers: “It’s what you give your secretary instead of a raise.”
The practice of “land acknowledgment”—preceding a fancy event by naming the Indigenous groups whose slaughter and dispossession cleared the land on which the audience’s canapés are about to be served—is one of the greatest associate-producer credits of all time. A land acknowledgment is what you give when you have no intention of giving land. It is like a receipt provided by a highway robber, noting all the jewels and gold coins he has stolen. Maybe it will be useful for an insurance claim? Anyway, you are not getting your jewels back, but now you have documentation.
In 1927, when the word “latke” made its English debut, The American Mercurydefined the Hanukkah delicacy as “luscious … pancakes made of grated, raw potatoes, mixed with flour and shortening.” Almost 90 years later, Jews are still frying the potato pancakes, and serving them up as a holiday treat. “The point of latkes at Hanukkah is not the potato but the oil,” Joan Nathan explained to her readers in The New York Times this year. “What matters is the recounting of the miracle of one night’s oil lasting eight nights in the temple over 2,000 years ago.”
Each year, Jews throughout the United States mark the holiday by frying grated potatoes in olive oil, savoring a treat that is, as Nathan put it, “traditional, nostalgic, and crispy.”
A group of films, ranging from art-house gems to big blockbusters, that deserve a fresh look
Moviegoing is at a strange, tenuous moment. With pandemic fears still circulating, and many studios still delaying their films’ release dates, not everyone is comfortable going back to theaters yet. But this is also a time of extraordinary at-home accessibility for cinema, with many thousands of titles available to stream, or digitally rent and buy, every day. So I’ve returned to a topic that sustained me during 2020’s most isolated moments: celebrating underrated and unique movies in need of wider appreciation. The following 26 films cross every genre and range from art-house to blockbuster. They were all unappreciated by critics or audiences on release and deserve a fresh look.
Instead of using his acquittal to promote vigorous discussion, many administrators sent out statements decrying the verdict.
At universities, the recent acquittal of Kyle Rittenhouse should be an opportunity to study a divisive case that sparked complex debates about issues as varied as self-defense laws, guns, race, riots, the rights of defendants, prosecutorial missteps, media bias, and more. If administrators were doing their jobs, faculty and students would freely air a wide variety of viewpoints and have opportunities to better understand one another’s diverse perspectives. Instead, many administrators are preemptively imposing their preferred narratives.
The Rittenhouse saga began in Kenosha, Wisconsin, on August 25, amid rioting that followed the police shooting of a Black man. Rittenhouse, then 17, armed himself with an AR-15-style rifle and walked into the chaos, claiming that he intended to protect the community. He wound up shooting three men, killing two. Last week, a Wisconsin jury found him not guilty of murder, crediting his claim that, at the moment he fired, he feared for his life and acted in self-defense. This, many analysts argued, was a plausible conclusion to draw from Wisconsin law and video footage and testimony presented at trial.
Manufacturer inventories. Durable-goods orders. Nonfarm payrolls. Inflation-adjusted GDP. These are the dreary reportables that tell us how our economy is doing. And many of them look a whole lot better now than they did at their early-pandemic depths. But what if there’s another factor we’re missing? What if the data points are obscuring a deepening recession in a commodity that underpins them all?
Trust. Without it, Adam Smith’s invisible hand stays in its pocket; Keynes’s “animal spirits” are muted. “Virtually every commercial transaction has within itself an element of trust,” the Nobel Prize–winning economist Kenneth Arrow wrote in 1972.
But trust is less quantifiable than other forms of capital. Its decline is vaguely felt before it’s plainly seen. As companies have gone virtual during the coronavirus pandemic, supervisors wonder whether their remote workers are in fact working. New colleagues arrive and leave without ever having met. Direct reports ask if they could have that casual understanding put down in writing. No one knows whether the boss’s cryptic closing remark was ironic or hostile.
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