Terry Jones, the Florida Koran-burner, is helping to promote a movie vilifying Egypt's Muslims, and the Egyptian media got ahold of some clips.
Right now, protesters in Cairo are gathered at the U.S. embassy compound, where some have scaled the walls and pulled down the American flag, with which they've replaced a black flag bearing the prayer "There is no god but Allah and Mohammed is his messenger." They say they're protesting an American film that insults Prophet Mohammed. About half an hour in, someone took a photo that appears to show some of the protesters, of which Reuters estimates there to be 2,000, setting off celebratory fireworks.
The movie is called Innocence of Muslims, although some Egyptian media have reported its title as Mohammed Nabi al-Muslimin, or Mohammed, Prophet of the Muslims. If you've never heard of it, that's because most of the few clips circulating online are dubbed in Arabic. The above clip, which is allegedly from the film (update: Kurt Werthmuller, a Coptic specialist at the Hudson Institute, says he's confirmed the clip's authenticity) is one of the only in English.* That's also because it's associated with Florida Pastor Terry Jones (yes, the asshole who burnt the Koran despite Defense Secretary Robert M. Gates' pleas) and two Egyptians living in the U.S., according to Egyptian press accounts.* The Egyptians are allegedly Coptic, the Christian minority that makes up about a tenth of Egypt.
Obviously, there's a lot to this story that's still unclear. What we do know is that some members of Egypt's sometimes-raucous, often rumor-heavy media have been playing highly offensive clips from the highly offensive film, stressing its U.S. and Coptic connections. In the clip below, controversial TV host Sheikh Khaled Abdallah (known for such statements as "Iran is more dangerous to us than the Jews" and that Tehran had engineered a deadly soccer riot in Port Said) hypes the film as an American-Coptic plot and introduces what he says is its opening scene.
As the fervor has built, both the Coptic Church and the U.S. embassy to Egypt issued formal condemnations of the film. The latter, made just this morning, began, "The Embassy of the United States in Cairo condemns the continuing efforts by misguided individuals to hurt the religious feelings of Muslims." The statement also noted the September 11 anniversary, adding, "Respect for religious beliefs is a cornerstone of American democracy."
What exactly does the film say? It's still not clear, but it appears to compare Mohammed to a donkey and Muslims, according to one translation, to "child-lovers." The New York Times' Liam Stack, offering some offhand translations of the scene shown above, called it a "doozy." The man in the scene says of his donkey, "This is the first Muslim animal." He asks the donkey if it likes girls; when it doesn't answer, he bursts into laughter and says, "He doesn't like girls," according to Stack. Other scenes in the above clip seem to portray Muslim Egyptian characters, who for some reason all have strong New York accents, as immoral and violent, particularly toward the Christians whom they pursue with near-genocidal fervor. A number of Islam's founding figures, including the prophet, are accused of homosexuality and child molestation.
The movie, like Terry Jones himself and his earlier Koran-burning stunt, have received attention far beyond their reach, which would be modest if not for obsessively outraged media. And yet, here the movie is, not just offending apparently significant numbers of people, but producing real-world damage. That damage is apparently limited to one American flag (CNN at one point reported that it had been torn, rumors continue to circulate that it was burned) and presumably the evenings of the U.S. embassy staff, but the U.S.-Egypt relationship is tense enough, and Muslim-Coptic mistrust has already produced scant but horrifying violence against the Christian minority. That doesn't mean this incident will become anything more than a bizarre moment of cross-cultural misunderstanding (the protesters seem to assume that, as in Egypt, movies must secure the state's approval), but that it could go so far is yet another reminder of the tensions just beneath the surface in Egypt.
* Correction: This sentence originally credited Terry Jones with producing the film, as some Egyptian media had suggested. In fact, as the Wall Street Journalnow reports, Jones is playing a promotional role, but the film was in fact directed and produced by "an Israeli-American California real-estate developer who called it a political effort to call attention to the hypocrisies of Islam." Separately, members of a Libyan Islamist extremist group called Ansar al-Sharia attacked the U.S. consulate in Benghazi, Libya, over the film, firing at the building with a rocket-propelled grenade.
Do you know someone who needs hours alone every day? Who loves quiet conversations about feelings or ideas, and can give a dynamite presentation to a big audience, but seems awkward in groups and maladroit at small talk? Who has to be dragged to parties and then needs the rest of the day to recuperate? Who growls or scowls or grunts or winces when accosted with pleasantries by people who are just trying to be nice?
A best-selling author submits a draft to his editor. Hijinks ensue.
I had written five books for Scott Moyers, following him as he moved from editing jobs at Scribner’s to Random House and then to Penguin Press. We worked well together, and in part thanks to his strong editing hand, my last three books had been bestsellers.
So what happened when I finished years of work and sent him the manuscript of my sixth book stunned me. In fact, I was in for a series of surprises.
They began about 18 months ago, after I emailed to him that manuscript, a dual appreciation of Winston Churchill and George Orwell. When I had begun work on it, in 2013, some old friends of mine thought the subject was a bit obscure. Why would anyone care how two long-dead Englishmen, a conservative politician and a socialist journalist who never met, had dealt with the polarized political turmoil of the 1930s and the world war that followed? By 2016, as people on both the American left and right increasingly seemed to favor opinion over fact, the book had become more timely.
More comfortable online than out partying, post-Millennials are safer, physically, than adolescents have ever been. But they’re on the brink of a mental-health crisis.
One day last summer, around noon, I called Athena, a 13-year-old who lives in Houston, Texas. She answered her phone—she’s had an iPhone since she was 11—sounding as if she’d just woken up. We chatted about her favorite songs and TV shows, and I asked her what she likes to do with her friends. “We go to the mall,” she said. “Do your parents drop you off?,” I asked, recalling my own middle-school days, in the 1980s, when I’d enjoy a few parent-free hours shopping with my friends. “No—I go with my family,” she replied. “We’ll go with my mom and brothers and walk a little behind them. I just have to tell my mom where we’re going. I have to check in every hour or every 30 minutes.”
Those mall trips are infrequent—about once a month. More often, Athena and her friends spend time together on their phones, unchaperoned. Unlike the teens of my generation, who might have spent an evening tying up the family landline with gossip, they talk on Snapchat, the smartphone app that allows users to send pictures and videos that quickly disappear. They make sure to keep up their Snapstreaks, which show how many days in a row they have Snapchatted with each other. Sometimes they save screenshots of particularly ridiculous pictures of friends. “It’s good blackmail,” Athena said. (Because she’s a minor, I’m not using her real name.) She told me she’d spent most of the summer hanging out alone in her room with her phone. That’s just the way her generation is, she said. “We didn’t have a choice to know any life without iPads or iPhones. I think we like our phones more than we like actual people.”
My boyfriend expected me to be lean and muscular. But I couldn't live up to that standard, and neither can a lot of guys--and we shouldn't have to.
I didn't know I was skinny-fat until my Russian boyfriend told me so. Actually, I didn't even know that was a thing until he told me so.
I did, however, suspect something was wrong with my body the first night I stayed over his house.
I went to use the bathroom in the middle of the night, and ran into his roommate, Julio. I don't remember what he said, but I remember where he looked. He seemed to direct his entire conversation--and disgust--at my exposed midsection.
Also known as my love handles.
Julio (gay) and my boyfriend both possess the envious V-shape: broad shoulders narrowing down to a waist that hasn't smelled a carb in years. Their arms are huge, their chests are cut, their abs are visibly defined.
The country’s exceptionally thin safety net prompts residents—especially those with less-steady employment—to view partnership in more economic terms.
Over the last several decades, the proportion of Americans who get married has greatly diminished—a development known as well to those who lament marriage’s decline as those who take issue with it as an institution. But a development that’s much newer is that the demographic now leading the shift away from tradition is Americans without college degrees—who just a few decades ago were much more likely to be married by the age of 30 than college graduates were.
Today, though, just over half of women in their early 40s with a high-school degree or less education are married, compared to three-quarters of women with a bachelor’s degree; in the 1970s, there was barely a difference. The marriage gap for men has changed less over the years, but there the trend lines have flipped too: Twenty-five percent of men with high-school degrees or less education have never married, compared to 23 percent of men with bachelor’s degrees and 14 percent of those with advanced degrees. Meanwhile, divorce rates have continued to rise among the less educated, while staying more or less steady for college graduates in recent decades.
“If you think strong statements or mere pressure from the U.S. will be sufficient to really convince Pakistan to change its calculus, that is like really living in a fool’s paradise.”
“We can no longer be silent about Pakistan’s safe havens for terrorist organizations, the Taliban, and other groups that pose a threat to the region and beyond,” said President Trump in a Monday night speech outlining his new strategy for the war in Afghanistan. With those words, he gave perhaps the strongest public criticism by a U.S. president of Pakistan’s policy in that war, but also echoed a widely held view among U.S. national-security experts. “Pakistan has much to gain from partnering with our effort in Afghanistan. It has much to lose by continuing to harbor terrorists.”
But Pakistan itself has been the victim of several high-profile terrorist attacks in recent years, and its government quickly declared the remarks about safe havens part of a “false narrative,” insisting that “No country in the world has suffered more than Pakistan from the scourge of terrorism. ... It is, therefore disappointing that the US policy statement ignores the enormous sacrifices rendered by the Pakistani nation in this effort.”
The nation’s current post-truth moment is the ultimate expression of mind-sets that have made America exceptional throughout its history.
When did America become untethered from reality?
I first noticed our national lurch toward fantasy in 2004, after President George W. Bush’s political mastermind, Karl Rove, came up with the remarkable phrase reality-based community. People in “the reality-based community,” he told a reporter, “believe that solutions emerge from your judicious study of discernible reality … That’s not the way the world really works anymore.” A year later, The Colbert Report went on the air. In the first few minutes of the first episode, Stephen Colbert, playing his right-wing-populist commentator character, performed a feature called “The Word.” His first selection: truthiness. “Now, I’m sure some of the ‘word police,’ the ‘wordinistas’ over at Webster’s, are gonna say, ‘Hey, that’s not a word!’ Well, anybody who knows me knows that I’m no fan of dictionaries or reference books.
Memorials to the Lost Cause have always meant something sinister for the descendants of enslaved people.
For most of my life I didn’t know Confederate statues could come down.
Throughout my childhood, those equestrian statues of victory, obelisks, and granite figures of soldiers were as immovable and immutable as the hills and the lakes. Other symbols of the South as it was before 1865 were also part of the fabric of reality. Old battle flags were inevitabilities, waving in the wind. Plantations might as well have been wonders of the world, and old battlefields holy places. Part of living in the South, just as much as eating and breathing were, was partaking in a perpetual reenactment.
In my hometown of Rocky Mount, North Carolina, we have our own little shrine to the Confederacy. The Nash County Confederate Monument is a column with one soldier standing atop its apex, surrounded by four shorter empty columns.The base is engraved with two rifles crossed.
The dangers of revealing the names and identities of white supremacists
After Charlottesville, white supremacists’ physical and digital presences—and the tactics used to combat them—are under renewed scrutiny.
There have been attempts, most prominently by Logan Smith, who runs the Twitter account Yes, You’re Racist, to tack real names and identities onto the pictures of people who showed up to rally for white supremacy in the city. Some people have called this “doxxing,” referring to the practice of figuring out the identity of an anonymous or pseudonymous person online and publishing their IRL details, usually to spur harassment.
The technique has been used online for decades. It gained widespread notoriety during the Gamergate saga, when a variety of unsavory far-right-wing figures doxxed women in the video-game media, but people all over the political spectrum have done their fair share. That’s led a lot of reasonable people to declare the tactic verboten, more or less, no matter the target. It’s just beyond the pale.
“Seeing a partial eclipse bears the same relation to seeing a total eclipse as kissing a man does to marrying him.”
Ever since it was first published in 1982, readers—including this one—have thrilled to “Total Eclipse,” Annie Dillard’s masterpiece of literary nonfiction, which describes her personal experience of a solar eclipse in Washington State. It first appeared in Dillard’s landmark collection, Teaching a Stone to Talk, and was recently republished in The Abundance, a new anthology of her work. The Atlantic is pleased to offer the essay in full, here, until the end of August.
It had been like dying, that sliding down the mountain pass. It had been like the death of someone, irrational, that sliding down the mountain pass and into the region of dread. It was like slipping into fever, or falling down that hole in sleep from which you wake yourself whimpering. We had crossed the mountains that day, and now we were in a strange place—a hotel in central Washington, in a town near Yakima. The eclipse we had traveled here to see would occur early in the next morning.