Terry Jones, the Florida Koran-burner, is helping to promote a movie vilifying Egypt's Muslims, and the Egyptian media got ahold of some clips.
Right now, protesters in Cairo are gathered at the U.S. embassy compound, where some have scaled the walls and pulled down the American flag, with which they've replaced a black flag bearing the prayer "There is no god but Allah and Mohammed is his messenger." They say they're protesting an American film that insults Prophet Mohammed. About half an hour in, someone took a photo that appears to show some of the protesters, of which Reuters estimates there to be 2,000, setting off celebratory fireworks.
The movie is called Innocence of Muslims, although some Egyptian media have reported its title as Mohammed Nabi al-Muslimin, or Mohammed, Prophet of the Muslims. If you've never heard of it, that's because most of the few clips circulating online are dubbed in Arabic. The above clip, which is allegedly from the film (update: Kurt Werthmuller, a Coptic specialist at the Hudson Institute, says he's confirmed the clip's authenticity) is one of the only in English.* That's also because it's associated with Florida Pastor Terry Jones (yes, the asshole who burnt the Koran despite Defense Secretary Robert M. Gates' pleas) and two Egyptians living in the U.S., according to Egyptian press accounts.* The Egyptians are allegedly Coptic, the Christian minority that makes up about a tenth of Egypt.
Obviously, there's a lot to this story that's still unclear. What we do know is that some members of Egypt's sometimes-raucous, often rumor-heavy media have been playing highly offensive clips from the highly offensive film, stressing its U.S. and Coptic connections. In the clip below, controversial TV host Sheikh Khaled Abdallah (known for such statements as "Iran is more dangerous to us than the Jews" and that Tehran had engineered a deadly soccer riot in Port Said) hypes the film as an American-Coptic plot and introduces what he says is its opening scene.
As the fervor has built, both the Coptic Church and the U.S. embassy to Egypt issued formal condemnations of the film. The latter, made just this morning, began, "The Embassy of the United States in Cairo condemns the continuing efforts by misguided individuals to hurt the religious feelings of Muslims." The statement also noted the September 11 anniversary, adding, "Respect for religious beliefs is a cornerstone of American democracy."
What exactly does the film say? It's still not clear, but it appears to compare Mohammed to a donkey and Muslims, according to one translation, to "child-lovers." The New York Times' Liam Stack, offering some offhand translations of the scene shown above, called it a "doozy." The man in the scene says of his donkey, "This is the first Muslim animal." He asks the donkey if it likes girls; when it doesn't answer, he bursts into laughter and says, "He doesn't like girls," according to Stack. Other scenes in the above clip seem to portray Muslim Egyptian characters, who for some reason all have strong New York accents, as immoral and violent, particularly toward the Christians whom they pursue with near-genocidal fervor. A number of Islam's founding figures, including the prophet, are accused of homosexuality and child molestation.
The movie, like Terry Jones himself and his earlier Koran-burning stunt, have received attention far beyond their reach, which would be modest if not for obsessively outraged media. And yet, here the movie is, not just offending apparently significant numbers of people, but producing real-world damage. That damage is apparently limited to one American flag (CNN at one point reported that it had been torn, rumors continue to circulate that it was burned) and presumably the evenings of the U.S. embassy staff, but the U.S.-Egypt relationship is tense enough, and Muslim-Coptic mistrust has already produced scant but horrifying violence against the Christian minority. That doesn't mean this incident will become anything more than a bizarre moment of cross-cultural misunderstanding (the protesters seem to assume that, as in Egypt, movies must secure the state's approval), but that it could go so far is yet another reminder of the tensions just beneath the surface in Egypt.
* Correction: This sentence originally credited Terry Jones with producing the film, as some Egyptian media had suggested. In fact, as the Wall Street Journalnow reports, Jones is playing a promotional role, but the film was in fact directed and produced by "an Israeli-American California real-estate developer who called it a political effort to call attention to the hypocrisies of Islam." Separately, members of a Libyan Islamist extremist group called Ansar al-Sharia attacked the U.S. consulate in Benghazi, Libya, over the film, firing at the building with a rocket-propelled grenade.
In 2004, people in the U.K. consumed more alcohol than ever before. How did they get there?
I first met alcohol in the late 1980s. It was the morning after one of my parents’ parties. My sister and I, aged 9 or 10, were up alone. We trawled the lounge for abandoned cans. I remember being methodical: Pick one up, give it a shake to see if there’s anything inside, and if there is, drink! I can still taste the stale, warm metallic tang of Heineken (lager; 5 percent alcohol by volume) on my tongue. Just mind the ones with cigarette butts in them.
Other times we’d sneak a sip of Dad’s Rémy Martin VSOP (cognac; 40 percent) when he wasn’t looking, even though we didn’t like the taste. It came in a heavy glass bottle that he kept in the sideboard. He’d pour himself a glass at night, the ice cubes clinking as he walked to his small office to make phone calls. On special occasions—family birthdays, Christmas lunch—we even got to drink legitimately: usually half a glass of Asti Spumanti (sparkling wine; around 7.5 percent), served in the best glasses.
A new study found that people who identify as Slytherins may be measurably different from the Hufflepuffs of the world.
I’m not particularly proud of this fact, but here it is: Pottermore, the Harry Potter-themed website unveiled by J.K. Rowling in 2012, has peered deep into my soul, evaluated its findings, and pronounced me a Hufflepuff.
Fans of the series will know why this is upsetting. For all the non-Harry Potter buffs reading this, though, here are three quick points of explanation. One: At Hogwarts, the wizards’ academy that serves as the backdrop for most of the series, students are sorted into one of four houses, each with its own distinctive character. Two: On Pottermore, fans can take a personality quiz to do the same. Three: Hufflepuff’s defining trait is “nice.” Its mascot is a badger. Its members, if Hogwarts were an American high-school cafeteria, would be the ones in the corner, frantically combing the trash for their retainers.
An analysis to see if the algorithms behind the new emoji contribute to political bubbles in America
James Berri traveled three hours to Sacramento earlier this month for his first Pride parade, one of hundreds of annual LGBTQ celebrations across America. Berri also talked about the experience on Facebook, reading and reacting to other people’s posts with thumbs-up likes and Facebook’s new rainbow “Pride” emoji. Throughout June, the platform is offering a rainbow flag alongside likes, hearts, and angry faces that people can click on to react to others’ posts and comments. Yet Berri, a 21-year-old transgender artist, is conflicted over the fact that not everyone can use this new rainbow button.
Back in Fresno, Berri wondered how Facebook decides who’s eligible. “Why don’t they have it, too?” he asked, referring to friends sitting with him in a salon in the larger, less-prominent California city. “It makes me confused for my friends.”
Recep Tayyip Erdogan is thinking about his legacy—and his own mortality. He desires power, but not necessarily for its own sake.
Politicians—especially ideological ones—have to eventually deal with the “then what?” question. With Turkish President Recep Tayyip Erdogan’s narrow victory in a tense April referendum granting him sweeping new powers (amid opposition allegations of voter fraud), he could very well dominate the country’s politics through 2029. He would have more than a decade to reshape Turkey, altering the very meaning of what it means to be Turkish.
In the first decade of its rule, beginning in 2002, Erdogan’s Islamist-rooted Justice and Development Party (AKP) presided over a rapidly growing economy, pushed through liberal reforms, and sidelined a military that had undermined Turkish democracy in a series of coups over the course of six decades. Could that, though, really have been all the AKP and its fiery, erratic leader hoped to accomplish?
She lived with us for 56 years. She raised me and my siblings without pay. I was 11, a typical American kid, before I realized who she was.
The ashes filled a black plastic box about the size of a toaster. It weighed three and a half pounds. I put it in a canvas tote bag and packed it in my suitcase this past July for the transpacific flight to Manila. From there I would travel by car to a rural village. When I arrived, I would hand over all that was left of the woman who had spent 56 years as a slave in my family’s household.
The ways some “healthy voice hearers” cope might be able to help people with psychotic disorders.
Jessica Dorner was lying in bed at her cousin’s house when her grandmother, a “pushy lady” in an apron who had been dead for several years, appeared in front of her. “I know you can see me,” Jessica heard her say, “and you need to do something about it.”
It was a lonely time in Jessica’s life. She was living away from home for the first time, and she thinks her grandmother was drawn by some sense of that. She eventually told her parents what happened, and according to her they were concerned, but not overly panicked. “My parents are probably the least judgmental people I know,” she said.
As Jessica tells it, over the next two years, spirits visited her every now and again. Her brother-in-law’s deceased father began forming before her, ghostlike, just as her grandmother did. And while the experiences were intense and at times made her feel “crazy,” she said, they were infrequent, and insists that they were never a real source of suffering.
The latest winner of RuPaul’s Drag Race is a politically engaged oddball—which is, in its way, pretty traditional.
If you’reever in need of perspective on whether our society is in true upheaval or if we’re only experiencing the same cultural battles that have raged forever, old Geraldo clips on YouTube will always offer some clarity. Recently I found myself binging on the talk show’s coverage of “club kids,” a scene of 1990s New York City partiers who wore fantastical and frequently gender-bending outfits. In various episodes over the years, Rivera invited them on and then scoffed at their floral masks and harlequin makeup, their coy references to drug use, and their queerness. Once, they inspired him to ask, somewhat in earnest, “It’s four in the morning—do you know where your children are?”
Last week, RuPaul retweeted a link to one of those episodes, from 1990, which featured him a few years before he became America’s most famous drag queen. Midway through, Rivera asked whether dressing outlandishly is an art, and RuPaul gave an exuberant yes. “I dropped out of society when Reagan got in office,” he added, then took the opportunity to rally the audience: “Everybody say ‘love!’ Everybody say ‘love!’”
Cecile Richards says the organization will not spin off its abortion services, even though Congress is threatening to remove the group’s funding.
The United States Congress is trying hard to defund Planned Parenthood, once and for all. For a period of one year, the proposed American Health Care Act would prohibit federal funds from going to non-profit organizations that provide family-planning services, including abortions, and get more than $350 million in reimbursements under Medicaid, which provides health insurance to the poor, the elderly, children, pregnant women, and people with disabilities. When the Congressional Budget Office evaluated this clause of the bill, it “identified only one organization that would be affected: Planned Parenthood Federation of America and its affiliates and clinics.”
If this bill goes through, it would represent an existential threat for Planned Parenthood. The organization would be less able to serve poor women who are covered by state Medicaid programs, and it would likely have to close clinics or reduce its services because of the loss of funding. The main motivation behind this provision—and others like it that have come up at the state level—is opposition to abortion. This has lead some, including Ivanka Trump, to wonder why Planned Parenthood doesn’t just spin off its abortion services into a separate organization.
A controversial new study raises questions about the optimal floor for pay.
Seattle’s decision to hike its minimum wage up to $13 an hour—on its way to $15—ended up costing its low-wage workers time on the job, hundreds of dollars of annual income, and a shot at a better livelihood.
That is a reasonable conclusion one could draw from a blockbuster, if not yet peer-reviewed, new study on the city’s famed minimum-wage increases. The research, performed by a group of academics from the University of Washington, looks at detailed data on the earnings and hours of workers affected by the hike of the wage floor from $9.47 an hour to $11 in 2015, and from $11 an hour to $13 an hour in 2016. It concludes that, for low-wage workers, that second wage increase reduced hours worked by nearly 10 percent and earnings by an average of $125 a month. The findings, though preliminary, call into question years of economic research and the decisions of dozens of states and cities to bump their wage floors up.
If the party cares about winning, it needs to learn how to appeal to the white working class.
The strategy was simple. A demographic wave—long-building, still-building—would carry the party to victory, and liberalism to generational advantage. The wave was inevitable, unstoppable. It would not crest for many years, and in the meantime, there would be losses—losses in the midterms and in special elections; in statehouses and in districts and counties and municipalities outside major cities. Losses in places and elections where the white vote was especially strong.
But the presidency could offset these losses. Every four years the wave would swell, receding again thereafter but coming back in the next presidential cycle, higher, higher. The strategy was simple. The presidency was everything.