Terry Jones, the Florida Koran-burner, is helping to promote a movie vilifying Egypt's Muslims, and the Egyptian media got ahold of some clips.
Right now, protesters in Cairo are gathered at the U.S. embassy compound, where some have scaled the walls and pulled down the American flag, with which they've replaced a black flag bearing the prayer "There is no god but Allah and Mohammed is his messenger." They say they're protesting an American film that insults Prophet Mohammed. About half an hour in, someone took a photo that appears to show some of the protesters, of which Reuters estimates there to be 2,000, setting off celebratory fireworks.
The movie is called Innocence of Muslims, although some Egyptian media have reported its title as Mohammed Nabi al-Muslimin, or Mohammed, Prophet of the Muslims. If you've never heard of it, that's because most of the few clips circulating online are dubbed in Arabic. The above clip, which is allegedly from the film (update: Kurt Werthmuller, a Coptic specialist at the Hudson Institute, says he's confirmed the clip's authenticity) is one of the only in English.* That's also because it's associated with Florida Pastor Terry Jones (yes, the asshole who burnt the Koran despite Defense Secretary Robert M. Gates' pleas) and two Egyptians living in the U.S., according to Egyptian press accounts.* The Egyptians are allegedly Coptic, the Christian minority that makes up about a tenth of Egypt.
Obviously, there's a lot to this story that's still unclear. What we do know is that some members of Egypt's sometimes-raucous, often rumor-heavy media have been playing highly offensive clips from the highly offensive film, stressing its U.S. and Coptic connections. In the clip below, controversial TV host Sheikh Khaled Abdallah (known for such statements as "Iran is more dangerous to us than the Jews" and that Tehran had engineered a deadly soccer riot in Port Said) hypes the film as an American-Coptic plot and introduces what he says is its opening scene.
As the fervor has built, both the Coptic Church and the U.S. embassy to Egypt issued formal condemnations of the film. The latter, made just this morning, began, "The Embassy of the United States in Cairo condemns the continuing efforts by misguided individuals to hurt the religious feelings of Muslims." The statement also noted the September 11 anniversary, adding, "Respect for religious beliefs is a cornerstone of American democracy."
What exactly does the film say? It's still not clear, but it appears to compare Mohammed to a donkey and Muslims, according to one translation, to "child-lovers." The New York Times' Liam Stack, offering some offhand translations of the scene shown above, called it a "doozy." The man in the scene says of his donkey, "This is the first Muslim animal." He asks the donkey if it likes girls; when it doesn't answer, he bursts into laughter and says, "He doesn't like girls," according to Stack. Other scenes in the above clip seem to portray Muslim Egyptian characters, who for some reason all have strong New York accents, as immoral and violent, particularly toward the Christians whom they pursue with near-genocidal fervor. A number of Islam's founding figures, including the prophet, are accused of homosexuality and child molestation.
The movie, like Terry Jones himself and his earlier Koran-burning stunt, have received attention far beyond their reach, which would be modest if not for obsessively outraged media. And yet, here the movie is, not just offending apparently significant numbers of people, but producing real-world damage. That damage is apparently limited to one American flag (CNN at one point reported that it had been torn, rumors continue to circulate that it was burned) and presumably the evenings of the U.S. embassy staff, but the U.S.-Egypt relationship is tense enough, and Muslim-Coptic mistrust has already produced scant but horrifying violence against the Christian minority. That doesn't mean this incident will become anything more than a bizarre moment of cross-cultural misunderstanding (the protesters seem to assume that, as in Egypt, movies must secure the state's approval), but that it could go so far is yet another reminder of the tensions just beneath the surface in Egypt.
* Correction: This sentence originally credited Terry Jones with producing the film, as some Egyptian media had suggested. In fact, as the Wall Street Journalnow reports, Jones is playing a promotional role, but the film was in fact directed and produced by "an Israeli-American California real-estate developer who called it a political effort to call attention to the hypocrisies of Islam." Separately, members of a Libyan Islamist extremist group called Ansar al-Sharia attacked the U.S. consulate in Benghazi, Libya, over the film, firing at the building with a rocket-propelled grenade.
“Look, Sessions gets the job. Right after he gets the job, he recuses himself,” Trump said. “So Jeff Sessions takes the job, gets into the job, recuses himself. I then have—which, frankly, I think is very unfair to the president. How do you take a job and then recuse yourself? If he would have recused himself before the job, I would have said, ‘Thanks, Jeff, but I can’t, you know, I’m not going to take you.’ It’s extremely unfair, and that’s a mild word, to the president.”
When it comes to health care and entitlements, the party’s policies don't always align with its coalition’s beliefs.
The Senate Republican health-care bill has been repeatedly crushed in a slow-motion collision between the party’s historic ideology and the interests of its modern electoral coalition. Yet congressional Republicans appear determined to plow right through the wreckage.
Even as the Senate’s latest effort to repeal the Affordable Care Act collapsed on Tuesday, the House Republican leadership released a 10-year federal-budget blueprint that points them toward a similar confrontation, between their dominant small-government dogma and the economic needs of their increasingly blue-collar and older white base.
John F. Kennedy famously said that failure is an orphan. But the failure, at least for now, of the GOP drive against the ACA has many parents. One was a distracted and ineffectual President Trump. Even higher on the list sits Senate Majority Leader Mitch McConnell, who displayed a blinding hubris that will forever cloud his previous reputation for legislative wizardry. Operating with unprecedented secrecy and insularity, McConnell degraded Senate tradition by refusing to hold any public hearings or committee votes on the legislation. His closed-door process provoked not only unified opposition from Democrats, but also every major medical stakeholder. He sought to pressure dissenting senators with unrealistic vote deadlines—then retreated as they repeatedly called his bluff.
A new study explores why the latter are far more likely to opt for an elite college where they'd struggle than a so-so one where they'd excel.
There’s a saying in China that it’s better to be the head of a chicken than the tail of a phoenix. The premise of the aphorism—it’s better to be over-qualified than under-qualified relative to one’s surroundings—is so widely accepted that similar versions of it exist across cultures. In Japan, they tend to say that it’s better to be the head of a sardine than the tail of a whale. Americans and Brits often declare that it’s better to be a big frog (or fish) in a small pond than a little frog in a big pond.
Extensive research supports these axioms, particularly in the realm of education. Longitudinal studies have consistently shown that high-performing students at less-selective schools feel more competent, have higher GPAs, and have more ambitious career aspirations than low-performing students at more-selective schools.
Paul Behrends, a controversial staffer associated with the California congressman’s pro-Russia stances, was pushed out of his role on a subcommittee after questions were raised about a recent trip to Moscow.
Paul Behrends, a top aide to Representative Dana Rohrabacher, has been ousted from his role as staff director for the House Foreign Affairs subcommittee that Rohrabacher chairs, after stories appeared in the press highlighting his relationships with pro-Russia lobbyists.
“Paul Behrends no longer works at the committee,” a House Foreign Affairs Committee spokesperson said on Wednesday evening.
Behrends accompanied Rohrabacher on a 2016 trip to Moscow in which Rohrabacher said he received anti-Magnitsky Act materials from prosecutors. The Magnitsky Act is a 2012 bill that imposes sanctions on Russian officials associated with the 2009 death in prison of lawyer Sergei Magnitsky, who had been investigating tax fraud. Natalia Veselnitskaya, the Russian attorney and lobbyist who met with Donald Trump Jr. at Trump Tower last year, reportedly brought up the Magintsky Act during the meeting.
The story of a duel between two men, one who dies, and the nature of the quest to build artificial intelligence
Marion Tinsley—math professor, minister, and the best checkers player in the world—sat across a game board from a computer, dying.
Tinsley had been the world’s best for 40 years, a time during which he'd lost a handful of games to humans, but never a match. It's possible no single person had ever dominated a competitive pursuit the way Tinsley dominated checkers. But this was a different sort of competition, the Man-Machine World Championship.
His opponent was Chinook, a checkers-playing program programmed by Jonathan Schaeffer, a round, frizzy-haired professor from the University of Alberta, who operated the machine. Through obsessive work, Chinook had become very good. It hadn't lost a game in its last 125—and since they’d come close to defeating Tinsley in 1992, Schaeffer’s team had spent thousands of hours perfecting his machine.
Senator John McCain’s glioblastoma diagnosis revives a longstanding debate over the safety of wireless technology.
Senator John McCain’s brain cancer diagnosis is likely to revive a persistent and complex question about the safety of wireless technologies, like cellphones, that emit electromagnetic radiation.
For years, researchers have explored whether cellphone use can increase a person’s likelihood of getting cancer. And for years their findings have been mixed—and in many cases controversial. The consensus, if there is one, is that the health risks of regular cellphone usage are probably quite small, if they exist at all. But it’s hard to prove a negative, so the question remains open-ended.
Doctors discovered McCain’s glioblastoma after the 80-year-old senator underwent a procedure to remove a blood clot, his office announced in a statement from the Mayo Clinic Wednesday night. Glioblastoma is one of the most common and also one of the most aggressive kinds of brain tumor. Senator Ted Kennedy received a similar diagnosis in the spring of 2008. He died from the disease about 15 months later, in August 2009. Could there be a connection between the aggressive form of cancer in Kennedy’s brain and his cellphone usage? U.S. senators tend to do a good deal of business by phone, especially when they're in Washington and away from their constituencies.
Some focus on the largest figures, like total student debt ($1.3 trillion) and average debt ($30,000.) So why is the most dangerous student loan number less than $5,000?
"I feel I kind of ruined my life by going to college," Jackie Krowen said. She first took out student loans at 19, to go to community college in Oregon. She borrowed more when she transferred to Portland State University, and even more to go to nursing school at the University of Rochester in New York. Now, more than $150,000 in debt, Krowen toldConsumer Reports that she cannot buy a house and fears the specter of her non-dischargeable debt will follow her for the rest of her life.
I read Jackie’s story earlier this summer, and I thought about it constantly while reading the student debt report from the White House's Council of Economic Advisers, which was released today. There’s no doubt that Jackie’s situation is disturbing and sad. It’s not unique: There are many students for whom college is not that promised ticket to the middle class, but rather an albatross that punishes their early adulthood. They are tens of thousands of dollars in debt, in jobs paying half what they expected to earn after college. They cannot buy a home, start a business. They are even afraid to get married and have a kid.
Many point to unromantic 20-somethings and women’s entry into the workforce, but an overlooked factor is the trouble young men have in finding steady, well-paid jobs.
TOKYO—Japan’s population is shrinking. For the first time since the government started keeping track more than a century ago, there were fewer than 1 million births last year, as the country’s population fell by more than 300,000 people. The blame has long been put on Japan’s young people, who are accused of not having enough sex, and on women, who, the narrative goes, put their careers before thoughts of getting married and having a family.
But there’s another, simpler explanation for the country’s low birth rate, one that has implications for the U.S.: Japan’s birth rate may be falling because there are fewer good opportunities for young people, and especially men, in the country’s economy. In a country where men are still widely expected to be breadwinners and support families, a lack of good jobs may be creating a class of men who don’t marry and have children because they—and their potential partners—know they can’t afford to.
Most of the country understands that when it comes to government, you pay for what you get.
When I was a young kid growing up in Montreal, our annual family trips to my grandparents’ Florida condo in the 1970s and ‘80s offered glimpses of a better life. Not just Bubbie and Zadie’s miniature, sun-bronzed world of Del Boca Vista, but the whole sprawling infrastructural colossus of Cold War America itself, with its famed interstate highway system and suburban sprawl. Many Canadians then saw themselves as America’s poor cousins, and our inferiority complex asserted itself the moment we got off the plane.
Decades later, the United States presents visitors from the north with a different impression. There hasn’t been a new major airport constructed in the United States since 1995. And the existing stock of terminals is badly in need of upgrades. Much of the surrounding road and rail infrastructure is in even worse shape (the trip from LaGuardia Airport to midtown Manhattan being particularly appalling). Washington, D.C.’s semi-functional subway system feels like a World’s Fair exhibit that someone forgot to close down. Detroit’s 90-year-old Ambassador Bridge—which carries close to $200 billion worth of goods across the Canada-U.S. border annually—has been operating beyond its engineering capacity for years. In 2015, the Canadian government announced it would be paying virtually the entire bill for a new bridge (including, amazingly, the U.S. customs plaza on the Detroit side), after Michigan’s government pled poverty. “We are unable to build bridges, we're unable to build airports, our inner city school kids are not graduating,” is how JPMorgan Chase CEO Jamie Dimon summarized the state of things during an earnings conference call last week. “It’s almost embarrassing being an American citizen.”
Twenty years ago, Luc Besson’s visually stunning film hinged its story not on action or violence, but on love.
The most radical element of Luc Besson’s 1997 space opera The Fifth Element is not the absurdly opulent future-costumes designed by Jean Paul Gaultier. It isn’t the bizarre Southern twang of the Hitler haircut-sporting villain Zorg (Gary Oldman), nor is it Chris Tucker’s performance as an intergalactic sex symbol who hosts a radio show. It’s that Bruce Willis cries at the opera. In budget, in scale, and in casting, The Fifth Element feels like any other big Hollywood sci-fi movie, featuring popular English-speaking actors running around a high-concept world, complete with lavish sets and CGI effects. But not many blockbusters would let its male star weep at a musical performance.
That set piece comes in the middle of the film as Willis’s character, Korben Dallas, a gun-wielding space cowboy with spiked, peroxide-blonde hair, takes in a show by the blue alien singer Diva Plavalaguna (Maïwenn). Besson’s film has, up until now, been a relentless blitz of action, as Korben follows the mysterious Leeloo (Milla Jovovich) across the galaxy to help retrieve mystical stones that will help her save the world from a great, encroaching evil. But for a second, the movie grinds to a halt, letting Korben take in the extraterrestrial songstress’s solo with tears in his eyes.