In Bureaucratics, Jan Banning's photographs help readers identify with the government inefficiency we love to hate
Unless you've lived in a country plagued by the kind of
institutional inefficiency characteristic of oppressive political
regimes (like I have--hello, motherland),
you can never fully appreciate the sometimes comic, often tragic, and
invariably debilitating magnitude of red tape. Now, thanks to Dutch
historian and documentary photographer Jan Banning, you can: in Bureaucratics,
he brings a conceptual, typological approach to the dreariest of desk
jobs, blending humor and absurdity with an astute portrait of
sociopolitical ineptitude.
"Bureaucratics [is] the product of an anarchist's heart, a historian's mind and an artist's eye. It is a comparative photographic study of the culture, rituals and symbols of state civil administrations and its servants in eight countries on five continents, selected on the basis of political, historical and cultural considerations." Jan Banning
The countries represented are Bolivia, China, France, India, Liberia, Russia, the United States, and Yemen. In each, Banning visited dozens, in some cases hundreds, of offices across the spectrum of services and executive levels.
To
preserve a maximum degree of authenticity, he kept the visits
unannounced, preventing the subjects from tidying up for the interview.
Even
the visual narrative of the book exudes the monotony of its subject
matter: shot from the same height, with the same and from the same
distance, and framed in an appropriately square format, the 50 subjects
may vary greatly in age, appearance, and location, but appear somehow
homogenous in their shared slavery to paperwork.
Poignant and petrifying in its institutional honesty, Bureaucratics
holds up a mirror against humanity's most ineffectual attempts at
self-organization, and at the same time manages to elicit newfound
empathy for these very human wardens of the red tape prison.
This post also appears on Brain Pickings.
Images: Jan Banning
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