The discreet, disorienting passions of the Victorian era
Even by the formidable standards of eminent Victorian families, the Bensons were an intimidating lot. Edward Benson, the family’s patriarch, had vaulted up the clerical hierarchy, awing superiors with his ferocious work habits and cowing subordinates with his reforming zeal. Queen Victoria appointed him the archbishop of Canterbury, the head of the Anglican Church, in 1883. Edward’s wife, Minnie, was to all appearances a perfect match. Tender where he was severe, she was a warmhearted hostess renowned for her conversation. Most important, she was Edward’s equal in religious devotion. As a friend daringly pronounced, Minnie was “as good as God and as clever as the Devil.”
All five of Edward and Minnie Benson’s adult offspring distinguished themselves in public life. Arthur Benson served as the master of Magdalene College at Cambridge University, wrote the lyrics to Edward Elgar’s hymn “Land of Hope and Glory,” and was entrusted with the delicate task of co-editing Queen Victoria’s letters for publication. His brother Fred was a best-selling writer, well known today for the series of satirical Lucia novels (televised for the second time in 2014, on the BBC), which poked good-natured fun at the pomposities of English provincial life. Their sister Margaret became a pioneering Egyptologist, the first woman to lead an archaeological dig in the country and to publish her findings. Even the family’s apostate, the youngest brother, Hugh, a convert to Roman Catholicism, was considered a magnetic preacher and, like his brothers, was an irrepressible author of briskly selling books. All told, the family published more than 200 volumes.
Derek Thompson is a senior editor at The Atlantic, where he writes about economics, labor markets, and the media. He is the author of the book Hit Makers.
