Claire Boucher's making like the dog ate her homework, or at least like she doesn’t know she’s a genius. Over the weekend, the electronic musician known as Grimes posted a music video with a note explaining that the accompanying song, “REALiTi," is a rough cut: “i lost the ableton file, so its not mixed or mastered. i tried to doctor the mp3 into a listenable state, but it was poorly recorded in the first place and never meant to be heard by anyone, so its a bit of a mess haha.”
Yes, haha—the song is fabulous. Part robo-Stomp-march and part whooshing synth symphony, the arrangement demands to be dissected with oversized headphones (is that a “Sandstorm” sample?). Boucher’s wispy voice swirls all over the scales in the verses, and then locks into a chorus hook that etched itself into my head, at least, on first listen. Whatever the recording-quality issues Boucher's referring to in her intro text, they don't prevent the song from sounding airier, lusher, and more ornate than anything on the radio.
Radio, by the way, is where the track could have ended up. After the release of her acclaimed 2012 album Visions—full of freaky, glittering sound collages and a handful of more straightforward jams that immediately became indie-pop canon—Boucher went about embracing her more commercial tastes, recording a set of songs aimed at being the kind of thing Rihanna might sing. The first release from those efforts, “Go,” divided listeners; lots of people loved it for its epic, looping sound, but others thought it came across like pandering. "It upsets a lot of my fans, and I get why it upsets them," Boucher later told The New York Times, adding that she then threw out the album because "it sucked."