The title of director John Carney's new film, Begin Again, is technically a reference to an at-the-crossroads moment in the lives of its principal protagonists, played by Keira Knightley and Mark Ruffalo. But it might as well be a reference to Carney himself. A Dubliner and onetime bassist for the Irish band The Frames, Carney struck gold in 2007 with the musical romantic dramedy Once, one of the most winsome, satisfying movies of the decade. Made for less than $200,000, most of which was supplied by the Irish Film Board, the film was an unanticipated hit that went on to win an Oscar for Best Song and was later spun off into a Tony-Award-winning musical.
Carney has directed one other feature film since—Zonad, about a prison escapee who persuades an Irish town that he's an extraterrestrial—but Begin Again is essentially an effort to recapture the musical magic of Once with a bigger budget, larger stars, and the drowsy charm of Dublin replaced by the megawattage of New York City. It's an effort that is intermittently successful, though ultimately something is lost in translation.
The movie opens in a small subterranean club, where Gretta (Knightley) is reluctantly persuaded by a friend to take the stage and play a song she’s written. As she strums her acoustic and sings her melancholy lines, glassware clinks noisily and conversations continue unabated. (Shades of Diane Keaton's "It Had to Be You" performance in Annie Hall.) When Gretta finishes, the audience’s response is tepid at best—save for that of one man, Dan (Ruffalo), who claps his mitts forcefully, a maniacal grin plastered on his face. (He is, as we will soon learn, blotto.)