I finally took some time to give a few serious spins to Kendrick Lamar's Good Kid, M.A.A.D. City. Bad on me. Really bad on me. Good Kid is not simply one the best hip-hop albums I've ever heard, but one of the most moving pieces of art I've seen/heard in a long, long, long time. I sort of initially bristled at the notion of comparison to Illmatic--my personal favorite ever--but it is exactly the right comparison. Nas was able to do was conjure the chaos of inner city black America in the late '80s and '90s. Now Kendrick Lamar summons it nearly 20 years later (with more focus, by the way) and virtually nothing has changed.
Good Kid chronicles a 17-year-old's effort to visit a romantic interest, and the kind of violence that haunts such a pedestrian effort. This scenario is right out of my young Baltimore city life. I used to love The Wonder Years. But Kevin Arnold didn't have to roll five deep to go see Winnie Cooper. That was the street law when I young man, and it's depressing to hear that it still is today. But it shows how violence warps the most ordinary routine.
Lamar's album is, in part, about the consequences of forgetting that law. But more than that it's also about the people who enforce it. Everyone should listen to "The Art Of Peer Pressure." It is commentary on everything from Chicago to Steubenville. Everyone should listen to "Black Boy Fly." All I can tell you is the feeling behind "Two niggas making it had never sounded logical" mirrors my own feelings as a child.
A word on "bitch." I initially felt that the album was a beautifully produced work of misogyny. That mostly came from me giving a quick, inattentive listen. Good Kid deserves a lot better. It is that rare rap record that actually abandons triumphalism, invulnerability, and wears the mask. Rappers like to claim to be broadcasters, not endorsers. Except it's usually clear that they think, say, guns are pretty cool. This was that rare rap record where I thought the reflection to endorsement ratio was roughly 20 to one.
This is a great album--one that I wish had been around when I was 13. Non-rap fans should give this a listen. it is some of the best word-smithing, sentence-crafting, and beat production that hip-hop has to offer. And it is how it feels to be a black boy in the mad city. Hip-hop is obsessed with soldiers. This may be the first great record I've heard by someone obsessed with speaking as a civilian. And there have always been more of us than them.
MORE: Another quick note. Hip-hop has long been obsessed with "confessionals" and showing that gangstas have sensitive sides too. Usually this just comes off as whining. Puffy's "No Way Out" is a classic of Whine-Rap, as is almost everything Kanye West does. Rappers who whine tend to talk about Jesus a lot.
Of course not all rappers who talk about Jesus are whining. Kendrick Lamar is the MC that every other whine-rapper thinks he is. Their idea of making sensitive art is to cut a track say "HEY THIS IS ME BEING SENSITIVE. THUGS CRY TO GIRL. AND IT IS WRONG THAT I AM OBSESSED WITH WHITE WOMAN. BUT BLACK GIRLS BE BITCHEZ (DON'T JUDGE ME. JUST SAYIN.)"
Whereas Good Kid doesn't talk. It just kinda is. As great art always is.
Trump’s attacks on the free press don’t just threaten the media—they undermine the public’s capacity to think, act, and defend democracy.
Are Donald Trump’s latest attacks on the press really that bad? Are they that out-of-the-ordinary, given the famous record of complaints nearly all his predecessors have lodged? (Even George Washington had a hostile-press problem.)
Are the bellows of protest from reporters, editors, and others of my press colleagues justified? Or just another sign that the press is nearly as thin-skinned as Trump himself, along with being even less popular?
I could prolong the buildup, but here is the case I’m going to make: Yes, they’re that bad, and worse.
I think Trump’s first month in office, capped by his “enemy of the people” announcement about the press, has been even more ominous and destructive than the Trump of the campaign trail would have prepared us for, which is of course saying something. And his “lying media” campaign matters not only in itself, which it does, but also because it is part of what is effectively an assault by Trump on the fundamentals of democratic governance.
Plagues, revolutions, massive wars, collapsed states—these are what reliably reduce economic disparities.
Calls to make America great again hark back to a time when income inequality receded even as the economy boomed and the middle class expanded. Yet it is all too easy to forget just how deeply this newfound equality was rooted in the cataclysm of the world wars.
The pressures of total war became a uniquely powerful catalyst of equalizing reform, spurring unionization, extensions of voting rights, and the creation of the welfare state. During and after wartime, aggressive government intervention in the private sector and disruptions to capital holdings wiped out upper-class wealth and funneled resources to workers; even in countries that escaped physical devastation and crippling inflation, marginal tax rates surged upward. Concentrated for the most part between 1914 and 1945, this “Great Compression” (as economists call it) of inequality took several more decades to fully run its course across the developed world until the 1970s and 1980s, when it stalled and began to go into reverse.
The journalist’s comments suggest gay men enjoy sex with children—an idea that has been widely debunked.
In the comment that cost him his book deal and speaker slot at the Conservative Political Action Conference, the Breitbart journalist and right-wing provocateur Milo Yiannopoulos defended “relationships in which those older men help those young boys to discover who they are.”
In the video, a clip of an old podcast episode that was tweeted this weekend by the group Reagan Battalion, Yiannopoulos says he isn’t defending pedophilia, before adding that “in the gay world, some of the most enriching ... relationships between younger boys and older men can be hugely positive experiences.” (Yiannopoulos later blamed “sloppy phrasing," saying when he was 17 he was in a relationship with a 29-year-old man. The age of consent in the U.K. is 16.)
Neither truck drivers nor bankers would put up with a system like the one that influences medical residents’ schedules.
The path to becoming a doctor is notoriously difficult. Following pre-med studies and four years of medical school, freshly minted M.D.s must spend anywhere from three to seven years (depending on their chosen specialty) training as “residents” at an established teaching hospital. Medical residencies are institutional apprenticeships—and are therefore structured to serve the dual, often dueling, aims of training the profession’s next generation and minding the hospital’s labor needs.
How to manage this tension between “education and service” is a perennial question of residency training, according to Janis Orlowski, the chief health-care officer of the Association of American Medical Colleges (AAMC). Orlowski says that the amount of menial labor residents are required to perform, known in the profession as “scut work,” has decreased "tremendously" since she was a resident in the 1980s. But she acknowledges that even "institutions that are committed to education … constantly struggle with this,” trying to stay on the right side of the boundary between training and taking advantage of residents.
Joe Moran’s book Shrinking Violets is a sweeping history that doubles as a (quiet) defense of timidity.
The Heimlich maneuver, in the nearly 50 years since Dr. Henry Heimlich established its protocol, has been credited with saving many lives. But not, perhaps, as many as it might have. The maneuver, otherwise so wonderfully simple to execute, has a marked flaw: It requires that choking victims, before anything can be done to help them, first alert other people to the fact that they are choking. And some people, it turns out, are extremely reluctant to do so. “Sometimes,” Dr. Heimlich noted, bemoaning how easily human nature can become a threat to human life, “a victim of choking becomes embarrassed by his predicament and succeeds in getting up and leaving the area unnoticed.” If no one happens upon him, “he will die or suffer permanent brain damage within seconds.”
The Border Adjustment Tax, a proposal favored by House Speaker Paul Ryan, has aroused serious opposition from Republican senators.
Donald Trump is feeling good about taxes. In his gonzo press conference last Thursday, he assured Americans that “very historic tax reform” is absolutely on track and is going to be—wait for it!—“big league.” The week before, he told a bunch of airline CEOs that “big league” reform was “way head of schedule” and that his people would be announcing something “phenomenal” in “two or three weeks.” And at his Orlando pep rally this past weekend, he gushed about his idea for a punitive 35 percent border tax on products manufactured overseas. The magic is happening, people. And soon America’s tax code will be the best, most beautiful in the world.
But here’s the thing. What Trump doesn’t know about the legislative process could overflow the pool at Mar-a Lago. And when it comes to tax reform, even minor changes make Congress lose its mind. Weird fault lines appear, and the next thing you know, warring factions have painted their faces blue and vowed to die on the blood-soaked battlefield before allowing this marginal rate to change or that loophole to close.
Megaprojects are rarely, if ever, completed on schedule.
The construction of a massive wall along the border of the United States and Mexico is one of President Donald Trump’s central campaign promises. And it’s a promise he intends to keep.
Within days of taking the oath of office in January, Trump began laying the groundwork for the construction of a series of walls and fences that would span some 1,250 miles along the border. On Monday, the Department of Homeland Security issued a memo outlining its commitment to “begin planning, design, construction and maintenance of a wall” to deter and prevent illegal entry into the United States. The memo follows an executive order in which Trump called for the wall’s “immediate construction.”
The preconditions are present in the U.S. today. Here’s the playbook Donald Trump could use to set the country down a path toward illiberalism.
It’s 2021, and President Donald Trump will shortly be sworn in for his second term. The 45th president has visibly aged over the past four years. He rests heavily on his daughter Ivanka’s arm during his infrequent public appearances.
Fortunately for him, he did not need to campaign hard for reelection. His has been a popular presidency: Big tax cuts, big spending, and big deficits have worked their familiar expansive magic. Wages have grown strongly in the Trump years, especially for men without a college degree, even if rising inflation is beginning to bite into the gains. The president’s supporters credit his restrictive immigration policies and his TrumpWorks infrastructure program.
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Jewish Community Centers around the country have been bombarded by menacing phone calls. For the most part, people are sad, not scared.
The Nashville Jewish Community Center has now gotten so many telephone bomb threats that the dates run together, said Leslie Sax, the executive director. The first call came on January 9, when Nashville was one of the first 15 JCCs to get threats. The next call was January 18, accompanying yet another national wave. The latest was just this weekend, on Presidents’ Day, when 11 JCCs around the country were threatened, according to a spokesperson for the national organization. The Nashville facility, more full than usual with people exercising on the holiday weekend, was evacuated before security gave the all-clear.
“Most people just feel sadness—they’re sad that this is happening,” Sax said. “Everyone keeps saying they’re disheartened and frustrated.” But even though people are upset, they don’t seem to be scared. “I haven’t heard fear,” she said.