Even M.I.A.'s bad vibes couldn't tamp down the campy joy on stage Sunday.
It's a credit to cinematography and choreography that for the near entirety of a Super Bowl halftime performance with so, so much to look at, Madonna remained the center of attention. That is, until the end, when white light and smoke engulfed her and she dropped down through the stage, out of sight. The camera pulled back to reveal the stadium floor's graphical display glistening with the final words on halftime 2012: "World Peace."
World peace? Really?
Well, sure. Madonna's exquisite pep rally was nothing more, and certainly nothing less, than 12 minutes of broadly pitched, seen-it-before, feel-good material. Why shouldn't it end with the most broadly pitched, heard-it-before, feel-good message?
To listen to Madonna's work over the years, in the periods of both calculated provocation and shamanistic woo-woo, is to hear her repeatedly deliver empty-sounding lines that all come from pretty much the same guiding principal: music = love = dancing = understanding = peace. And so it was on Sunday, where high-kicking, flirtatious, lip-syncing Madonna pulled off the impression that she was genuinely having fun. Peace was with her even during her opening turn as a war goddess, carted in by a phalanx of Spartan soldiers. The soundtrack, "Vogue," was enhanced for this performance by sword-unsheathing sound effects presumably lifted from the Game of Thrones editor's room. But the lyrics remain as forgettable and as instructive as they ever were: "You try everything you can to escape / The pain of life that you know," and then, of course, "Let your body move to the music." There it is: Madonna philosophy 101. Pop philosophy 101.
And that philosophy was expressed in nearly every enthralling, ridiculous second of Madonna's show Sunday. On paper, it could have been a disaster. Here were four themed birthday parties thrown in succession, and the themes were played out: ancient Greece, boy-band break dance, Bring It On cheerleading, Sister Act choir. But, of course, this is part of the genius of pop music, the way it wrings pleasure out of recognition. The other part of pop's appeal—the visceral, thump-your-chest, move-your-feet, impress-your-eyes, wag-your-tongue part—came across flawlessly. There was the crowd-pleasing trio of marching bands, gospel choirs, and acrobats. The tight, tight pacing and gee-whiz set-changes. The well-placed celebrity cameos, in which each supporting star was used for what they're actually supposed to be used for, from LMFAO's campy shuffling, to Nicki Minaj's lighting flow and amusing facial expressions, to Cee-Lo's voice, to M.I.A.'s dyspepsia.
Speaking of M.I.A., she served up the one glitch (well, other than when Madonna stumbled off a bleacher) that's already dominating conversations. Our perennial, mind-numbing debate over obscenity is upon us again. Certainly, a middle-finger to America doesn't seem like it fits with he "world peace" party line. But here, too, was pop music reductio ad absurdum. Madonna, queen of attention-grabbing, stood astride the biggest stage in America, overseeing an immaculately planned tribute to music, spectacle, artifice, and herself. And there was her guest M.I.A., making good on her "Give Me All Your Luvin'" line that she "don't give a shit," playing the role she's always played, introducing a hint of shock, upstaging her hostess. Pop's insurgent-vs.-establishment meme lives on. "Music," went the chorus of the preceding song, "mix the bourgeoisie and the rebel." So it was at the Super Bowl. World peace indeed.
Russian billionaire Yuri Milner says if the space rock 'Oumuamua is giving off radio signals, his team will be able to detect them—and they may get the results within days.
The email about “a most peculiar object” in the solar system arrived in Yuri Milner’s inbox last week.
Milner, the Russian billionaire behind Breakthrough Listen, a $100 million search for intelligent extraterrestrial life, had already heard about the peculiar object. ‘Oumuamua barreled into view in October, the first interstellar object seen in our solar system.
Astronomers around the world chased after the mysterious space rock with their telescopes, collecting as much data as they could as it sped away. Their observations revealed a truly unusual object with puzzling properties. Scientists have long predicted an interstellar visitor would someday coast into our corner of the universe, but not something like this.
Russia's strongman president has many Americans convinced of his manipulative genius. He's really just a gambler who won big.
I. The Hack
The large, sunny room at Volgograd State University smelled like its contents: 45 college students, all but one of them male, hunched over keyboards, whispering and quietly clacking away among empty cans of Juicy energy drink. “It looks like they’re just picking at their screens, but the battle is intense,” Victor Minin said as we sat watching them.
Clustered in seven teams from universities across Russia, they were almost halfway into an eight-hour hacking competition, trying to solve forensic problems that ranged from identifying a computer virus’s origins to finding secret messages embedded in images. Minin was there to oversee the competition, called Capture the Flag, which had been put on by his organization, the Association of Chief Information Security Officers, or ARSIB in Russian. ARSIB runs Capture the Flag competitions at schools all over Russia, as well as massive, multiday hackathons in which one team defends its server as another team attacks it. In April, hundreds of young hackers participated in one of them.
Attacks on the special counsel aren’t about misconduct—instead, they’re aimed at discrediting the very idea of professionalism.
If you’re not a regular consumer of pro-Trump media outlets, it could be easy to underestimate or overlook the recent onslaught of attacks on Special Counsel Robert Mueller. There are a couple reasons for that. One is that this discourse exists almost entirely within that media ecosystem (which is distinct from, though overlapping with, the broader world of conservative media). The other is that critics have been calling for Mueller’s dismissal and an end to his probe since it was announced. Nonetheless, the intensity of the recent spree is notable, as is the gradual shift from ostensibly politically neutral critiques to openly partisan ones.
“Mueller is corrupt. The senior FBI is corrupt. The system is corrupt,” former House Speaker Newt Gingrich said on Fox News. The channel’s legal analyst Gregg Jarrett said Mueller was employing the FBI “just like the old KGB,” which Sean Hannity piously told viewers was “not hyperbole.” Using chilling language, Fox host Jeanine Pirro said, “There is a cleansing needed at the FBI and Department of Justice. It needs to be cleansed of individuals who should not just be fired but need to be taken out in handcuffs.”
The "Weinstein effect" continues to roil the nation’s power centers. But the allegations against the president have largely stayed in the background.
It’s been two months since the reckoning began. In early October, The New York Times and The New Yorker first published the alarming accounts of women who said they’d been assaulted by Hollywood mogul Harvey Weinstein. Rare is the day since then that women, and some men, haven’t come forward with accounts of sexual misconduct from famous and not-so-famous men alike.
Lurking in the background of the roiling debate about harassment and assault in American society are the allegations made against President Trump by at least 19 women, many of whom came forward after the release of the Access Hollywood tape in October 2016. Trump vociferously denies any wrongdoing. “Is the official White House position that all of these women are lying?” a reporter asked Sarah Huckabee Sanders, the White House press secretary, in late October. “Yeah, we’ve been clear on that from the beginning, and the president’s spoken on it,” Sanders replied.
The cryptocurrency is almost certainly due for a major correction. But its long-term value remains a mystery.
To call Bitcoin the biggest and most obvious bubble in modern history may be a disservice to its surreality.
The price of bitcoin has doubled four times this year. In early January, one bitcoin was worth about $1,000. By May, it hit $2,000. In June, it breached $4,000. By Thanksgiving, it was $8,000. Two weeks later, it was $16,000.
This astronomical trajectory might make sense for a new public company with accelerating profits. Bitcoin, however, has no profits. It’s not even a company. It is a digital encrypted currency running on a decentralized network of computers around the world. Ordinary currencies, like the U.S. dollar, don’t double in value by the month, unless there’s a historic deflationary crisis, like the Panic of 1837. Instead, bitcoin’s behavior more resembles that of a collectible frenzy, like Beanie Babies in the late 1990s.
There is clear evidence that it’s best to show children relationship skills that never escalate to physical harm.
Spanking looks to be instantlyeffective. If a child is misbehaving—if he keeps swearing, or playing with matches—and then you spank that child, the behavior stops immediately.
The effect is so apparently obvious that it can drive a sort of delusion. Lived experience tends to be more powerful than facts. One of the few memories that many people retain from early childhood is times they were spanked. The desire to believe it was “for our own good” is strong, if only because the alternative interpretation is bleak.
It’s in the face of personal experiences like these that science has been flailing for generations. Some 81 percent of Americans believe spanking is appropriate, even though decades of research have shown it to be both ineffective and harmful. The refrain I keep hearing is, “Well, I got spanked, and I turned out okay.”
The depiction of uncomfortable romance in "Cat Person" seems to resonate with countless women.
Recent months make it seem like humanity has lost the instruction manual for its “procreate” function and has had to relearn it all from scratch. After scores of prominent men have been fired on sexual-assault allegations, confusion reigns about signals, how to read them, and how not to read into them. Some men are wondering if hugging women is still okay. Some male managers are inviting third parties into performance reviews in order to avoid being alone with women. One San Francisco design-firm director recently said holiday parties should be canceled, as The New York Times reported, “until it has been figured out how men and women should interact.”
Into this steps “Cat Person,” a New Yorker fiction story by Kristen Roupenian that explores how badly people can misread each other, but also how frightening and difficult sexual encounters can be for women, in particular. “It isn’t a story about rape or sexual harassment, but about the fine lines that get drawn in human interaction,” Deborah Treisman, The New Yorker’s fiction editor, told me.
Students don't seem to be getting much out of higher education.
I have been in school for more than 40 years. First preschool, kindergarten, elementary school, junior high, and high school. Then a bachelor’s degree at UC Berkeley, followed by a doctoral program at Princeton. The next step was what you could call my first “real” job—as an economics professor at George Mason University.
Thanks to tenure, I have a dream job for life. Personally, I have no reason to lash out at our system of higher education. Yet a lifetime of experience, plus a quarter century of reading and reflection, has convinced me that it is a big waste of time and money. When politicians vow to send more Americans to college, I can’t help gasping, “Why? You want us to waste even more?”
Kristen Roupenian’s viral New Yorker short story is not an essay—but many have seen it as one.
In fiction-writing—before characters can be developed, before plots can be sketched, before tensions can be introduced, and attendant arcs molded and stretched—the author must first make a series of much more basic decisions: How will the story be told? Who, in the context of the story itself, will tell it? Who will be given a person and a voice within this hermetic little universe? Who will not? Why? Why not? These are the defining cosmological questions of every work of fiction, the ones that will shape everything else that comes to exist in the author’s—and the story’s—manufactured world.
Kristen Roupenian, in “Cat Person,” the New Yorker short story that has been, and continues to be, going viral, selected as her storyteller a classic, third-person omniscient narrator: the Godlike entity, seeing all and telling some. And then Roupenian—the subsidiary, and yet much more complicated decision—focused her narrator’s attentions entirely on the perspective of her protagonist, a 20-year-old college student named Margot. It is from Margot’s perspective—her perspective as filtered through this particular story’s author-God—that Roupenian’s story unfolds: Margot meets a man named Robert, several years her senior, and then successively flirts with him, texts with him, goes on a date with him, sleeps with him, and, finally, breaks up with him.
The authors of a new book argue that government regulations have been giving an unfair advantage to those already on top.
Why has inequality increased so much over the past 40 years? Common answers to that question cite changes in trade, technology, globalization, and education. Cheap imports from low-wage countries, in particular China, sapped domestic manufacturing. Companies offshored jobs, fired people, and hired robots. Demand for skilled workers far outstripped the demand for unskilled workers, depressing earnings for those without an advanced degree.
In their excellent, slim new book, Brink Lindsey and Steven Teles—the former the director of the Open Society Project at the libertarian think tank the Niskanen Center, the latter a political scientist at Johns Hopkins—point to an important and overlooked additional cause. InThe Captured Economy: How the Powerful Become Richer, Slow Down Growth, and Increase Inequality, they argue that it is not just that technology and offshoring have wiped away middle-income jobs, but that high-income individuals and big-profit businesses have rewritten the rules of the economy, “capturing” the regulatory system and using it to squeeze out their competition. The result is both greater inequality, and a more sclerotic economy.