by Oliver Wang
This is a tangent off of last week's Earworms post but I was recently at the dinner table with my wife, torturing our 5 year old by "singing" the Doobie Brothers' "What a Fool Believes," but while the music of that song is hard to forget, I realized: "I have no idea what the hell Michael McDonald is singing beyond the song title." I would just adlib some scatting to fill in the blanks for the rest of the song, which is to say: everything but the title lines.
So I decided to look up the lyrics of the tune and *long whistle*. I'm not trying to bag on McDonald and Kenny Loggins for their songwriting talent, but for such a catchy tune, the lyrics are...well...a hot mess. As my wife put it, it's like they had a poem and they had a melody and they decided to make the two fit, no matter how convoluted the end product may be.
"No wise man has the power/to reason away?" Really? Have you ever tried to sing the word "power" in a way that sounds "lyrical"?
Yet, for all this, the song still works as a song, especially a pop song that will now be stuck in your head through the weekend (by the way: you're welcome). And it's not as if there isn't a gazillion other pop songs that are equally catchy yet with equally ill-fit lyrics. But delving into "What a Fool Believes" is like the proverbial trip to the sausage factory: sometimes it's better just not knowing all the details.
You could say this is another example of forcing lyrics to fit a song but in this case, the more you dig into what Juvenile is actually saying, it only makes the end effort more impressive.