{"article":{"__typename":"BlogArticle","id":"BlogArticle:39488","isTnfCompatible":true,"datePublished":"2010-04-26T16:00:00Z","title":"Open Thread at Noon","slug":"open-thread-at-noon","wordCount":25,"layout":"standard","isFreelance":false,"isPython3":true,"preview":null,"watsonInfo":{"topCategory":{"full":"","one":null,"two":null,"three":null,"four":null,"__typename":"WatsonTopCategory"},"categories":[],"__typename":"WatsonInfo","keywords":[]},"grapeshot":{"segments":[],"__typename":"Grapeshot"},"editorialMotivation":{"slug":"","__typename":"EditorialMotivation"},"editorialProject":null,"seoTitle":"Open Thread at Noon","shareTitle":"Open Thread at Noon","dek":"It's yours.","shareDek":"It's yours.","url":"https://www.theatlantic.com/entertainment/archive/2010/04/open-thread-at-noon/39488/","ampUrl":"https://amp.theatlantic.com/amp/article/39488/","fbiaUrl":"https://www.theatlantic.com/facebook-instant/article/39488/","canonicalUrl":"https://www.theatlantic.com/entertainment/archive/2010/04/open-thread-at-noon/39488/","hasMeter":true,"dateModified":"2013-09-06T18:30:17Z","shareImage2x1":null,"primaryChannel":{"displayName":"Culture","__typename":"Channel","slug":"culture"},"authors":[{"displayName":"Ta-Nehisi Coates","socialMedia":[],"__typename":"Author","id":"Author:1298","url":"https://www.theatlantic.com/author/ta-nehisi-coates/","ideasHeadshot":{"width":72,"height":72,"altText":"","srcSet":"https://cdn.theatlantic.com/thumbor/yunw9eRbfZsjZE7Bk0vopBIOxj0=/376x0:1873x1497/72x72/media/None/tnc_grey/original.png, https://cdn.theatlantic.com/thumbor/t5rL-_vXaNokGPcRiS1BaNe-ls8=/376x0:1873x1497/144x144/media/None/tnc_grey/original.png 2x","url":"https://cdn.theatlantic.com/thumbor/yunw9eRbfZsjZE7Bk0vopBIOxj0=/376x0:1873x1497/72x72/media/None/tnc_grey/original.png","__typename":"BasicImage"},"biography":{"short":null,"__typename":"Biography","default":"Ta-Nehisi Coates is a former national correspondent for The Atlantic. He is the author of The Beautiful Struggle, Between the World and Me, We Were Eight Years in Power, and The Water Dancer."},"headshot":{"width":100,"height":100,"altText":"","srcSet":"https://cdn.theatlantic.com/thumbor/0D6FHVGZQSimFM9BL0smXLOGv_I=/376x0:1873x1497/100x100/media/None/tnc_grey/original.png, https://cdn.theatlantic.com/thumbor/UJE0Psch5DOosGq_CUApfcwoJ_Y=/376x0:1873x1497/200x200/media/None/tnc_grey/original.png 2x","url":"https://cdn.theatlantic.com/thumbor/0D6FHVGZQSimFM9BL0smXLOGv_I=/376x0:1873x1497/100x100/media/None/tnc_grey/original.png","__typename":"BasicImage"}}],"channels":[{"slug":"culture","__typename":"Channel"}],"primaryCategory":{"__typename":"Channel","displayName":"Culture","url":"https://www.theatlantic.com/culture/"},"reviews":[],"shareImage1x1":null,"shareImage16x9":null,"shareImage4x3":null,"htmlContentSections":[{"main":"

It's yours. Hold your thoughts on Skip Gates and the slave trade (I know you have them). A post will be up later today.

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