The two-hour work, written and directed by Happy Valley’s Sally Wainwright, is a vibrant dramatization of how three sheltered women became such extraordinary novelists.
When it comes to the Brontë sisters, questions—and mythology—abound. How did three such relatively sheltered women, the daughters of a priest living in rural Yorkshire, write some of the most passionate and proto-feminist novels of the 19th century? To Walk Invisible, a two-hour drama airing on PBS on Sunday, touches on the fascinating contradictions of the Brontës, focusing on the three-year period when the sisters determined to publish their writing as a means of self-preservation. Aware of how they would be judged as women entering a man’s realm, they elected to use gender-neutral pseudonyms, so they could, as Charlotte explained in a letter, “walk invisible.”
To Walk Invisible is written and directed by Sally Wainwright, the creative force behind the BBC’s Last Tango in Halifax and Happy Valley. Like Happy Valley, a gritty drama about a forceful female police sergeant that’s developed an ardent American fanbase on Netflix, it draws much of its mood from the sullen bleakness of the Yorkshire landscape, suggesting a hostile, imposing environment that fosters strength in some and despair in others. In both dramas, Wainwright explores women forced to endure familial hardship: In the Brontë family, the burden is their brother, Branwell, whose descent into alcohol and drug addiction coincides with—and possibly spurs—the literary success of his sisters.