{"article":{"__typename":"BlogArticle","id":"BlogArticle:17727","isTnfCompatible":true,"datePublished":"2009-05-18T16:00:00Z","title":"Open Thread At Noon","slug":"open-thread-at-noon","wordCount":7,"layout":"standard","isFreelance":false,"isPython3":true,"preview":null,"watsonInfo":{"topCategory":{"full":"","one":null,"two":null,"three":null,"four":null,"__typename":"WatsonTopCategory"},"categories":[],"__typename":"WatsonInfo","keywords":[]},"grapeshot":{"segments":["gs_science","pos_alcohol","pos_citibank","pos_disney_fxfargo","pos_hermes","pos_ibm","pos_mobkoi","an_bankofamerica_negative","an_facebook_safe","an_fidelity_safe","an_jpmc_safe","an_ms_safe","ap_alfaromeo_safe","ap_bankofamerica_safe","ap_citi_banking_safe","ap_citi_hurricanes","ap_citi_injury","ap_citi_naacp_safe","ap_citi_sex_safe","ap_citi_transportation_safe","ap_facebook_infeed_safe","ap_facebook_safe","ap_fidelity_safe","ap_gwp","ap_jpmc_safe","ap_ms_safe","ap_netflix_israeli_safe","ap_texas_shooting_safe","general_safe_gv"],"__typename":"Grapeshot"},"editorialMotivation":{"slug":"","__typename":"EditorialMotivation"},"editorialProject":null,"seoTitle":"Open Thread At Noon","shareTitle":"Open Thread At Noon","dek":"","shareDek":"","url":"https://www.theatlantic.com/entertainment/archive/2009/05/open-thread-at-noon/17727/","ampUrl":"https://amp.theatlantic.com/amp/article/17727/","fbiaUrl":"https://www.theatlantic.com/facebook-instant/article/17727/","canonicalUrl":"https://www.theatlantic.com/entertainment/archive/2009/05/open-thread-at-noon/17727/","hasMeter":true,"dateModified":"2009-05-18T15:35:20Z","shareImage2x1":null,"primaryChannel":{"displayName":"Culture","__typename":"Channel","slug":"culture"},"authors":[{"displayName":"Ta-Nehisi Coates","socialMedia":[],"__typename":"Author","id":"Author:1298","url":"https://www.theatlantic.com/author/ta-nehisi-coates/","biography":{"default":"Ta-Nehisi Coates is a former national correspondent for The Atlantic. He is the author of The Beautiful Struggle, Between the World and Me, We Were Eight Years in Power, and The Water Dancer.","__typename":"Biography"}}],"channels":[{"slug":"culture","__typename":"Channel"}],"primaryCategory":{"__typename":"Channel","displayName":"Culture","url":"https://www.theatlantic.com/culture/","slug":"culture"},"secondaryByline":"","reviews":[],"shareImage1x1":null,"shareImage16x9":null,"shareImage4x3":null,"shareImageDefault":null,"shareImageSquareDefault":null,"shareImageLeadArt":null,"shareText":null,"content":[{"__typename":"ArticleParagraphContent","idAttr":"","subtype":null,"innerHtml":"Like trees to branches, cliffs to avalanches..."}],"leadArt":null,"embeds":[],"categories":[],"editorsNote":null,"advertisingInfo":{"disableHouseAd":false,"__typename":"AdvertisingInfo"}}}