White Music For Black People

Some initial impressions on the new Yeah Yeah Yeahs joint. I really, really like Karen O's voice, and I can't even tell you why. It really is the weirdest thing. I didn't come up in the church, but like a lot of black folks, my ideal is Aretha--in other words when I say I like someone's voice, I'm usually saying I think they can blow. I don't think Karen O "can blow." And I don't much care. She makes me feel like singing. I don't know what else to say about that. Besides, we live in an age of oversinging--too many motherfuckers doing the technical Aretha thing, but without any real passion.

More on the album itself--I think I must be the only person who's liked each one of the YYY albums better than the last. I know Show Your Bones had its critics. I think It's Blitz may be my favorite--but I should give it more time. "Dragon Queen," "Soft Shock," "Hysteric" and "Little Shadow" are just great.

I think my opinions are shaped by basically missing any music created by white people during the mid to late 80s. Kids like me would have been dismissed as "acting white" for listening to a ban like the Yeah Yeahs Yeahs. OK, that's dishonest--I would have been the one doing the dismissing. What can I say? I was young and stupid, and thought the Bomb Squad and Marle Marl created the world. To get a listen from me, you had to run game--think George Michael who half my hood thought was black. We couldn't get cable in the city, and so we missed a lot of videos. (Hell, even Madonna got cut off, post "Get Into The Goove.")

Kenyatta, who did listen to a lot of white 80s acts, was saying how much of the stuff I'm digging today is derived from her childhood. I can vaguely hear that. But not really. The YYYs offer a shot at redemption, a chance at forgiveness for that imaginary black kid who I mocked as white because he dug Flock Of Seagulls. Forgive me Derwin. Everyone else, cop It's Blitz. Derwin already has it.