Jazz violinist Regina Carter explains how the jury considered the first rap, and pop, album to win the prestigious honor.
When violinist Regina Carter heard that Kendrick Lamar had won the Pulitzer Prize for Music, she was taken aback. “I was actually a bit shocked!” she says.
Her reaction wasn’t unique—the award for Lamar’s Damn is the most discussed prize in the category in years—but she at least had some warning: Carter served on the jury that selected the finalists for the Pulitzer. Still, after she and her peers sent the finalists on to the final jury, she didn’t learn who the winner was until Monday, along with everyone else.
As Spencer Kornhaber wrote, the decision to give the award to Lamar raises a host of provocative questions. Less provocative, but fascinating, is how the jury came to its choice. Carter was one member of the panel, along with music critic David Hajdu; Paul Cremo of the Metropolitan Opera; Farah Jasmine Griffin, a professor of English and African American studies at Columbia University; and composer David Lang. Carter, a distinguished and fiery violinist, represents the jazz world, though she has a foot in classical, as well: In 2001, she was chosen for the rare honor of playing Paganini’s violin. Carter also won a MacArthur “Genius” grant in 2006.