John McWhorter isn't concerned about increasing profanity in pop music:
Language is all about creeping numbness, jokes wearing thin, feeling devolving into gesture. Terrible once meant truly horrific. The will we use to mark the future once meant that you quite robustly “willed” to do something, but diluted into just indicating that sometime you would. Hence a burnt steak as terrible, a good movie as awesome, trivial terms like shopaholic based on the glum source alcoholic, and just as naturally, we now have snowpocalypses, and even what we process as irresponsibly casual usages of Holocaust.
Profanity is hardly immune to this inexorable weakening, and as such, what we process as a peculiar encroachment of curse words into the public sphere is actually a matter of the words ceasing to be curses in any coherent sense.
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