Radio City Music Hall, 2009
Eliza Williams reviews a new exhibition of photographs by Christopher Thomas:
The effect of witnessing these familiar places in such stillness is a little disquieting but mostly feels a rare treat. Somewhat remarkably, Thomas hasn't employed any trickery to capture them empty of people - he simply got there very early in the morning.
We want to hear what you think about this article. Submit a letter to the editor or write to letters@theatlantic.com.
2006-2011 archives for The Daily Dish, featuring Andrew Sullivan