12-LA-DAY

Lawrence Weschler interviews photographer Michael Light on his new book LA Day/LA Night, shot from the air:

ML: One of the things I learned after doing the night work was that whatever one might think about L.A., it is actually something else. It’s far more than one’s cheap and hackneyed preconceptions. It shifts constantly. Color work on an overcast day; the difference in seasons; puffy Hudson River School clouds in between spring rainstorms versus late-fall harshnessit’s startling. ...

LW: It reminds me of an L.A. cinematographer who once said to me, watching the sun setting and all the changes in the light, “God, the effects that guy gets with just one unit.”

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