Perhaps that explains what happened next. Reactions, oh, there were reactions! We ourselves reacted. Gawker's John Cook wrote an epically curmudgeonly post about it, which he followed by another that raised the question of nepotism, which was pithily visualized by World of Wonder's remixed Girls poster. Slate asked girls to weigh in; it also asked guys. Somehow Newsweek managed to shoehorn the show's awkward sex into a laugh-inducing attempt at trolling by Katie Roiphe, who'd already written about the show for Slate, as did her colleague, Troy Patterson, who also saw fit to refer to Roiphe in his review.
The conversation around Girls changed notably, when The New York Times' Jenna Wortham wrote a great piece on the Hairpin headlined "Where (My) Girls At," in which she said that she liked the show, but made the fair point that she wished she'd seen herself (e.g., a woman who is not white) in them a bit more. "They are us but they are not us," Wortham wrote. "They are me but they are not me." Per Wortham:
"So Girls is like indie SATC," I wrote. "Yeah" she replied. "And everyone on the show is white," I responded. "Yea,” she typed back. “Lots of White."
Thus began an onslaught of reactions as to race and the show, with Kendra James writing in Racalicious and Jezebel's Dodai Stewart adding her take. Because not only had the show been taken to task for the lack of diversity represented, there was also backlash against show writer Lesley Arfin, who responded to criticism over the lack of non-white main characters in Girls in perhaps the worst possible way, with a tweet on Monday that read: "What really bothered me most about Precious was that there was no representation of ME." The typical stuff we expect in this day and age of media rage and outrage ensued. Arfin deleted the tweet on Wednesday and apologized after much fervor. Then she deleted the apology. Maybe, she's learned a lesson about ironic racism—and maybe not.
Friday, The Atlantic's Ta-Nehisi Coates offered a measured response to the diversity discussion, writing:
With that said, I think storytellers--first and foremost--must pledge their loyalty to the narrative as it comes to them. I don't believe in creating characters out a of desire to please your audience or even to promote an ostensible social good. I think good writing is essentially a selfish act--story-tellers are charged with crafting the narrative the want to see. I'm not very interested in Lena Dunham reflecting the aspirations of people she may or may not know. I'm interested in her specific and individual vision; in that story she is aching to tell. If that vision is all-white, then so be it. I don't think a story-teller can be guilted into making great characters.
Yet, the tweet, of course, is a problem. Coates writes, "Nevertheless, I think it's only right to ask whether you really want black characters rendered by the same hands that rendered that tweet. Invisibility is problematic. Caricature is worse," and suggests, "If you can't find yourself on HBO, perhaps you can in
Matt Johnson,
Danielle Evans,
ZZ Packer or
Victor Lavalle. We fight for that ideal world where we represent across genres. But even as we expand our territory, we really should support the gains we've made."
As for the more micro diversity question, the show has been written, produced, and is in the can, so to speak—so debate, while good for the sake of debate and bringing these discussions into the open, isn't likely to change it.
And then, off the diversity discussion completely, we're back to talk of that awkward, awkward sex, and Lena Dunham's talk of losing her own virginity, the revelation coming in perhaps the most mainstream publication yet:
Us Weekly (after Dunham told her virginity story in
Rookie at the end of March). Exhausted yet?
The New York Times, which seems to have some sort of
Girls daily quota, asked Dunham to
share some of her reading habits.
Say what you will of all the discussion that came this week, people were definitely talking, and many of these talks are compelling discussions to have: So it seems the show is a hit—at least in that regard. And maybe that's most of the point. We've only seen one episode, and it's fed our news cycle for a week; it's like it's been around for a decade.
What's next for
Girls? As we go into next week, remember where we left our characters. Hannah's got to find a job, and, hopefully, a better man friend. Marnie needs to dump her doting boyfriend. Jessa is pregnant... and her cousin Shoshanna is a virgin. We'll be watching to see all of that develop, and probably thinking about the question of diversity, too, and whatever new controversies arise. Yep, we'll be watching—which is really all Dunham and her producing partner Judd Apotow wanted us to do in the first place. How do we know?
New York's Vulture told us he said it this week, but you'd be forgiven for missing that. There was a lot of
Girls news to take in.
This article is from the archive of our partner The Wire.
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