
The Dirtbag Is Back
A returning cultural archetype is indifferent to power and extremely adept at enjoying meaninglessness. What a relief.
A returning cultural archetype is indifferent to power and extremely adept at enjoying meaninglessness. What a relief.
The brand sold itself using an upside-down logic: that women need to suffer to be deemed desirable.
His post-insurrection-speech rehearsals are even more revealing—and disturbing—than the final version.
A new book argues that giving space to strange phenomena helps us pay better attention to the crises of our time.
Much like Brad Pitt before him, Ryan Gosling keeps falling into Hollywood's “cool guy” trap.
Brother Alive feels like the first work of fiction since the beginning of the pandemic that reflects the mood of the city.
Worrying about climate change is now just part of life on Earth: Your weekly guide to the best in books
Seeking health advice on the web is precarious. But for some people, internet strangers provide helpful information and emotional support.
Fire of Love isn’t your typical nature film; it’s also a tragic love story.
You won’t be able to look away.
The pop star’s new album continues her heartwarming world-domination plan.
A new book argues that dreams are a portal to animal consciousness.
Nathan Fielder’s superpower is pushing any situation into its most awkward territory. In his new series, he goes a step further.
A slick movie adaptation of Where the Crawdads Sing doesn’t just sanitize the story; it obfuscates the questionable morality at the novel’s center.
The Jane Austen adaptation aims to be subversive when it could have just been sincere.
In a year of falling subscriber numbers and shaky stock prices, the streaming service is doubling down on expensive, risky blockbusters.
A Q&A with the author on the various ways the Republican subjects of his new book, Thank You for Your Servitude, revealed themselves
The new FX/Hulu series The Bear brilliantly analyzes the ways in which male-dominated environments are set up to fail.
There’s a troubling logic to the familial relationships in Douglas Stuart’s novels.
A televised 1990s killing in Zambia has striking similarities to Delia Owens’s best-selling book turned movie.