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Naomi Elliott A Pop-Culture Time Capsule of the 2010s
The 27 works, moments, and objects that define the best—and worst—of the past decade
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Julieta Cervantes A New Way of Looking at To Kill a Mockingbird
The Broadway adaptation’s writer and star—Aaron Sorkin and Ed Harris, respectively—talk about updating and paying homage to Harper Lee’s American classic today.
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Matt Humphrey The Nostalgic End of Fleabag
As the groundbreaking show concludes with a final theater run in London, audiences are left to grapple with its meaning.
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Walter McBride / Contributor The Man Who Transformed Broadway
The legendary producer Hal Prince prevailed through changing tastes and times, and helped pioneer the creation of the “concept musical.”
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Alessandra Mello / Berkeley Repertory Theatre The Tony-Nominated Play That Savages the U.S. Constitution
Heidi Schreck’s What the Constitution Means to Me appears to tout radical change, but it stops just short of being revolutionary.
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Joan Marcus When the U.S. Constitution Is the Source Material for Your One-Woman Play
Heidi Schreck’s Tony-nominated Broadway show is as “messy” and full of contradictions as the founding document itself.
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Little Fang Oklahoma! Gets a Dark, Brilliant Remake
More than 75 years after the classic Rodgers and Hammerstein musical debuted, a daring new production seeks to re-create the frisson of the original—with some changes.
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Michael Brosilow / National Theatre A Controversial Play Asserts the Humanity of Sex Offenders
Bruce Norris’s Downstate, at London’s National Theatre, makes a provocative case for the redemption of child abusers.
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Emilio Madrid-Kuser / Broadway.com The Mixed Reception of the Hamilton Premiere in Puerto Rico
Political discord coupled with the lingering effects of 2017’s Hurricane Maria challenged the arrival of the famed musical.
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HBO Brexit Is Chaos. The Movie About It Is Anything But.
In a new HBO film starring Benedict Cumberbatch, James Graham turns a polarizing national moment into a surprisingly cohesive and engaging story.
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Annie Sullivan / Smithsonian John Leguizamo’s Required Reading for America
Inspired by his one-man show, Latin History for Morons, the comedian recommends three books that challenge one-sided narratives of the past.
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Brinkhoff / Mogenburg A Classic Sondheim Musical Gets a Thrilling Twist
Marianne Elliott’s gender-flipped Company mines modern ambivalence about marriage.
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Ryan Melgar Portrait of an Artist as an Old Man: Mel Brooks in His 90s
The comic has stormed though 75 years of show business; he remains prodigal in expression, memory, and imagination.
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Joan Marcus How Do Carousel and My Fair Lady Fare in 2018?
With their themes of female subjugation, the plays have always had unsatisfactory endings. Two musical revivals attempt to complicate the equation.
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Simon Annand / Young Vic The Inheritance and the Ambitions of Queer Art
A new, two-part play in London affirms the importance of connecting with the cultural past.
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David Sandison / The Young Vic The Spectacular Humanity of The Jungle
A new play about the Calais migrant camp complicates the polarized narratives about the refugee crisis.
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Marc Brenner / Almeida Theatre Reimagining The Twilight Zone for the 21st Century
With a theatrical adaptation opening in London, and a planned CBS revival helmed by Jordan Peele, what can the Rod Serling anthology series say about modern life?
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George Hammerstein / Getty / Zak Bickel / ... 'Casting Couch': The Origins of a Pernicious Hollywood Cliché
How a seemingly innocuous phrase became a metonym for the skewed sexual politics of show business
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Paramount Pictures Mother!'s Theater of Cruelty
Darren Aronofsky’s film, a sensory assault, fits into a grand tradition of art that hopes to shock its audiences out of complacency.
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Johan Persson The Ferryman: Jez Butterworth on the Legacy of Hate
The playwright and screenwriter’s new London hit is set during the Troubles in 1981 Ireland, but the issues it considers are timeless.
