Amid the endless tiny indignities of air travel, only one true retreat remains.
The mediocre movie happens to be a fascinating vehicle for the star’s latest rebrand.
The TV adaptation is extremely loyal to Neil Gaiman’s original comic books—and that’s as enticing as it is frustrating.
HBO Max’s drastic decision to not release a completed movie is a reminder of the murky—and merciless—economics of streaming.
Hollywood’s critiques of the internet era are getting funnier and more sophisticated.
Small-budget, art-house, and international movies that are worthy of as much fanfare as the season’s blockbusters
The magnetically campy film was written by Joss Whedon but directed by a woman. Thank goodness.
Much like Brad Pitt before him, Ryan Gosling keeps falling into Hollywood's “cool guy” trap.
Fire of Love isn’t your typical nature film; it’s also a tragic love story.
You won’t be able to look away.
A slick movie adaptation of Where the Crawdads Sing doesn’t just sanitize the story; it obfuscates the questionable morality at the novel’s center.
The Jane Austen adaptation aims to be subversive when it could have just been sincere.
In a year of falling subscriber numbers and shaky stock prices, the streaming service is doubling down on expensive, risky blockbusters.
A televised 1990s killing in Zambia has striking similarities to Delia Owens’s best-selling book turned movie.
In defense of the babbling little cartoon blobs
Though Thor’s muscles are resplendent in Marvel’s latest film, his heart isn’t in it.
In a new comedy, Emma Thompson plays a woman who finally sees her body, the actor says, “as her home.” Her victory, in a post-Roe world, takes on the dimensions of tragedy.
The fragile little adventurer can teach us something powerful about navigating obstacles with grace.
Baz Luhrmann’s chaotic, maximalist approach works for one reason: The story of Elvis Presley should be a mess.
Halftime, the Netflix documentary about the performer, posits that rebirth is essential for the modern celebrity—but it takes a hidden toll.