The director Autumn de Wilde’s precise aesthetic is an ideal match for the rigid social rules of Jane Austen’s classic novel.
Netflix’s sequel to its viral hit To All the Boys I’ve Loved Before doesn’t have the magic of the original film. But that’s part of the point.
The new film about the super-speedy video-game mascot is actually just dull.
The film is a faithful rendering of 2014’s Force Majeure—and Will Ferrell doesn’t belong in it.
In The Photograph, starring Issa Rae and Lakeith Stanfield, the director Stella Meghie embraces darker lighting and story lines alike.
“Lose Yourself” was not celebrating any anniversary, nor gaining new relevance. But it did pass the time okay.
The recalcitrant star—who won his first Oscar last night for Joker—turned industry recognition into an opportunity.
When Bong Joon Ho accepted the directing trophy for Parasite, his heartfelt remarks flipped a predictable-seeming ceremony into must-see live television.
Bong Joon Ho’s drama became the first South Korean film to nab the top prize. But its success as a global phenomenon was cemented long before last night.
The new horror film from the creators of Goodnight Mommy features a nightmarish battle of wills between two kids and a mother figure whom they don’t entirely trust.
Female writers, directors, and producers were pioneers of the silent-film era—but were pushed out of the industry as its influence grew.
The bombastic new film Birds of Prey helps the popular character build her own legacy apart from the Joker.
The film legend, who died at age 103, was a bridge between cinema’s fusty beginnings and its more adventurous future.
In Birds of Prey, both Harley Quinn and the studio behind her are reckoning with past mistakes.
Kitty Green’s new film portrays the cover-up of abusive behavior as both a menial everyday task and a slow process of desensitization.
Can Parasite triumph over 1917? Will Brad Pitt win his first acting Oscar? Here is The Atlantic’s forecast.
The title character of Kitty Green’s new movie works for a man so nebulously threatening that the camera never shows his face.
With the 2020 presidential election approaching, this year’s festival featured titles that stressed activism through art.
Studios are betting on films such as Palm Springs and Minari to earn box-office success as well as critical praise.
The festival’s showcase of movies by Janicza Bravo, Eliza Hittman, Kirsten Johnson, and others could be a sign of positive change in an industry struggling to diversify.