The director caught backlash for criticizing the reign of Marvel films—but he’s not wrong about the threat they pose to the future of movies.
Daisy Haggard’s new Showtime series is a poignant, optimistic show about a woman’s return home after an 18-year prison sentence.
The newly rebranded Best International Film award calls attention to how unfair the Academy’s rules are for filmmakers outside the U.S. and Europe.
Tracking how we got from there to here: Your weekly guide to the best in books
In Noah Baumbach’s heartfelt divorce film, a couple’s conflicts stem from their inability to understand each other.
Magdalene, the avant-garde pop star’s triumphant second album, pairs tenderness and noise.
The first batch of episodes from Apple TV+’s flagship series included some uncomfortable conversations about the movement. Here’s why.
E. Jean Carroll’s defamation suit against the president pushes up against an obdurate truth: His very ubiquity has afforded him a kind of impunity.
Mike Flanagan’s follow-up to The Shining strives to pay homage to Stanley Kubrick’s classic and remain faithful to Stephen King’s original novel.
Last Christmas is filled with the kind of sincerity—mixed with just the right amount of cynicism—that’s been missing from movie screens.
As streaming services such as HBO Max tilt back toward older conventions, the all-at-once strategy pioneered by Netflix may find itself out of fashion.
The follow-up to a beloved novel of gay romance continues André Aciman’s exploration of desire that tests convention: “It’s not a subject that has ever interested me, ethics,” the author says.
In last night’s standout episode, the HBO drama closely examined themes and characters from the original graphic novel.
The Irishman ruminates on the stories and characters that have helped define the director’s career.
Edward Norton’s adaptation of the 1999 novel feels like a glassy diorama of a gumshoe thriller.
The star of the new Apple+ series For All Mankind has long specialized in offbeat characters. Now he’s shifting to more heroic material.
In a bizarre World Series in which the home team never won, the underdogs upset the juggernaut Houston Astros for the franchise’s first title.
The late actor, who died at the age of 77, was best known for his singular ability to convey fatherly frustration with comedic flair.
Harvey Weinstein’s detractors were told to “shut up.” Donald Trump’s hecklers were dismissed as “un-American.” What are the men’s defenders so afraid of?
Kasi Lemmons on the mythos of Harriet Tubman and why the director’s new film is like “12 Years a Slave meets Django Unchained meets Wonder Woman”