In 2009, the Argentine player was primed to lead a youth movement in men’s tennis and shift the demographics of the game. It didn’t happen, but he may have a second chance this year.
The viral responses to the company’s new campaign featuring Colin Kaepernick reinforce the stakes of his protests—and misunderstand what motivated the brand in the first place.
The start of TIFF, alongside events in Venice and Telluride, signals the beginning of Oscar season, with movies like First Man, If Beale Street Could Talk, A Star Is Born, and Widows on the horizon.
The 10-part Starz docuseries from Steve James follows students and faculty through an Illinois high school to explore racial inequity from a different angle.
The reaction to the former Cosby Show actor working a retail job says a lot about how Americans understand success.
The French director Jacques Audiard discusses adapting Patrick deWitt’s novel The Sisters Brothers into a darkly funny film starring John C. Reilly and Joaquin Phoenix.
Some presidential estates and other historical sites have struggled to reconcile founding-era exceptionalism with the true story of America’s original sin.
A new graphic novel from the artist Lisa Hanawalt (BoJack Horseman) gives an old genre the kind of heroine it’s never seen before.
The rapper’s surprise new album, Kamikaze, insults those who’ve leached away his buzz—but also reiterates what their appeal is.
Marie Severin, the trailblazing comic-book artist who drew some of pop culture’s most iconic characters, died Thursday at the age of 89.
Rachel Heng’s debut novel turns the cultural imperatives of health into commands of a totalitarian state.
Bloom, the second album from the aspiring pop star, puts a modest, queer twist on familiar formulas.
Tom Clancy’s character—a former Marine, Wall Street millionaire, reluctant CIA agent, and loyal family man—has long been a symbol of a bygone era.
Lenny Abrahamson’s adaptation of Sarah Waters’s novel stars Domhnall Gleeson as a doctor who gets wrapped up with a decaying aristocratic family in postwar Britain.
By building a promotion around poor on-field performance, the team may have offered a grim look at the future of one of pro sports’ most controversial practices: tanking.
The OWN series, which follows the leading family of a Memphis mega-church, cleverly dramatizes the gap between its characters’ sanctified public personas and their private misdeeds.
Chris Weitz’s new film stars Oscar Isaac as one of the agents who captured the Nazi war criminal Adolf Eichmann (played by Ben Kingsley) and transported him to stand trial in Israel.
As the once-ubiquitous pop producer accused of abuse by Kesha continues his court battle against her, the appealing new voice of Kim Petras sells his songs.
With a surprise performance Sunday evening, the comic joins a cadre of men who have begun reentering the public eye after misconduct accusations.
The actor gave a fascinating interview on the film industry that included a dismissive remark about the superhero genre. But his broader frustrations are perhaps less controversial.