James Gray’s new film, starring Brad Pitt, is a quiet, character-driven drama disguised as a grand adventure through the cosmos.
The film’s costume designer, Mitchell Travers, talks about fur, glitter, and the characters’ changing relationships with wealth.
The second half of the Toronto International Film Festival featured some of the most hyped new titles of 2019.
On Becoming a God in Central Florida and The Righteous Gemstones, two shows about self-delusion and wealth, expose the costs of worshipping success.
The news that the show had hired its first Chinese American cast member was quickly overshadowed by reports that another new hire had a history of racist remarks.
While the songs of the influential musician, who died at 58, will endure, it’s hard to say that he was properly appreciated in his time.
Hustlers, the new movie anchored by Jennifer Lopez and Constance Wu, joins a slew of recent productions that focus on the bonds between dancers.
John Crowley’s take on Donna Tartt’s hit 2013 novel sticks closely to its source material, but fails to capture what makes the story compelling.
A controversial film about the band directed by the late photographer is an off-kilter masterpiece that reveals his singular eye.
Lorene Scafaria’s new film is a fabulous showbiz caper stuffed with great performances and elevated by an ingenious script.
First impressions of some of the festival’s buzziest films so far, including Knives Out, A Hidden Life, and Marriage Story
She Said, the behind-the-scenes telling of one of #MeToo’s most consequential journalistic stories, treats villainy as a systemic proposition.
After a grueling and dramatic final against tournament antihero Daniil Medvedev, the Spaniard inched closer to the men’s grand-slam record.
The 19-year-old Canadian’s victory over Serena Williams marks one of the most meteoric rises by a young tennis player in recent years.
Long heralded as a future No. 1, the world No. 78 is within striking distance of his first Grand Slam final.
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Oscar season is now under way, and TIFF will be a proving ground for highly anticipated movies such as Joker, Knives Out, and Harriet.
In trying to reverse a generation’s worth of losing, the team is loading up on stars and embracing the hype.
This year’s U.S. Open has no shortage of female players who could win the title, which has made for an exciting tournament—with one caveat.
The follow-up to 2017’s adaptation of Stephen King’s demented opus plays like a superhero movie—for better or for worse.