I’m alone now much more than I used to be. I cook alone, work alone, and occasionally walk alone. The pandemic has limited my social life and forced me into a period of isolation, just as it has for so many others. Sometimes this solitude feels like a restorative pause; other times it just feels lonely.
Literature can capture the breadth of these experiences. Some writers explore the nature of solitude by focusing on those living extremely isolated lives. The journalist Michael Finkel profiled a hermit who lived entirely alone for 27 years (excluding one encounter with a passerby) in The Stranger in the Woods. In the fictional The Gradual Disappearance of Jane Ashland, the novelist Nicolai Houm also follows a solitary character—this time a creative-writing professor who ends up isolated in the Norwegian wilderness. In other books, writers explore more uncommon experiences with aloneness. Ruminative works that combine elements of fiction and memoir by writers such as Karl Ove Knausgaard and Chris Kraus feature narrators who emphasize their distance from other people. The novelist Amy Tan says that she writes strong characters by focusing on their uniqueness—all the factors that make them different from others.
Kristen Radtke’s upcoming book Seek You: Essays on American Loneliness covers a broad range of these lonely experiences. In 2018, the author asked people about the loneliest they’d ever felt. The answers, some of which are excerpted in The Atlantic, are quietly sad, showing the emptiness of moments without companionship.
Every Friday in the Books Briefing, we thread together Atlantic stories on books that share similar ideas. This week’s newsletter is written by Kate Cray. The book she’s reading next is How Beautiful We Were, by Imbolo Mbue.
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