The world sometimes seems dark. Humor, mined from the absurd, can help us see another side of the pain. That sensibility animates the author Paul Auster’s memoir Hand to Mouth, which follows his early failures as a writer. It also powered work by Auster’s inspiration Samuel Beckett, who wrote the hilarious Watt while on the run from the Gestapo. The memoirist Sean Wilsey even remarked in a column for The Atlantic that good writers must find the funny side of the most painful situations after distance and reflection.
Many of the strongest humor writers tackle tough topics by balancing uncomfortable emotions with laughter. Raphael Bob-Waksberg, the showrunner for the ingenious and darkly comedic TV series BoJack Horseman, finds heart in even the silliest conceits in his short-story collection, Someone Who Will Love You in All Your Damaged Glory. Some Trick, a story collection by the writer Helen DeWitt, spins bizarre premises to fully realized, almost anguished conclusions. By fully inhabiting the minds of the protagonists of her book, Such a Fun Age, the novelist Kiley Reid shows deep empathy while also exposing ridiculousness. The result is a funny and insightful look at the complicated dynamics of race and class.
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“The BoJack showrunner’s debut short-story collection, Someone Who Will Love You in All Your Damaged Glory, channels much of the same caustic humor and heartrending dialogue as the Netflix series.”
“She is especially fond of taking a weird, unlikely premise and then developing it rigorously, with the iron logic of a crazy person.”
“The overarching joke of Such a Fun Age is that while the white characters fret over what black people think of them and their progressive values, the black characters are busy getting on with their lives and trying to keep up with one another.”
“Both [Paul] Auster and Beckett famously embrace the comic horror of being held helpless in absurd situations. For both writers, humor is a way out, a means to dignify and redeem what might otherwise be anguished, insufferable.”
📚 Hand to Mouth, by Paul Auster
📚 Watt, by Samuel Beckett
“I don’t think I’m ever ready to write about an experience or period of my life until I have distance from it—the kind of distance laughter signifies.”