Susan Spungen

“How to Build a Life” is a column by Arthur Brooks, tackling questions of meaning and happiness. Click here to listen to his podcast series on all things happiness, How to Build a Happy Life.

“Happiness in intelligent people is the rarest thing I know,” an unnamed character casually remarks in Ernest Hemingway’s novel The Garden of Eden. You might say that this is a corollary of the much more famous “Ignorance is bliss.”

The latter recalls phenomena such as the Dunning-Kruger effect—in which people lacking skills and knowledge in a particular area innocently underestimate their own incompetence—and the illusion of explanatory depth, which can prompt autodidacts on social media to excitedly present complex scientific phenomena, thinking they understand them in far greater depth than they really do.

In 2018, I paid a man a couple hundred dollars to repeatedly jam several needles into the skin of my right wrist. I felt as if I were being attacked by a microscopic cavalry of crabs. Into every jab went black ink, eventually forming the shape of double quotation marks. It was my first tattoo, and likely not my last.

In the thousands of years that tattoos have been around, not much has changed. The practice still involves carving wounds into permanent, inked-in shapes that we find aesthetically pleasing. But much of tattooing remains mysterious: Scientists still aren’t sure what makes certain tattoos fade fast, why others stick around when they’re supposed to disappear, or how they react to light. One of the strangest and least-studied enigmas, though, is how tattoos survive at all. Our immune system is constantly doing its darndest to destroy them—and understanding why it fails could clue us in to one of our bodies’ most important functions, even when we leave the skin blank.

These days, when I explain to a fellow parent that I write novels for children in fifth through eighth grades, I am frequently treated to an apologetic confession: “My child doesn’t read, at least not the way I did.” I know exactly how they feel—my tween and teen don’t read the way I did either. When I was in elementary school, I gobbled up everything: haunting classics such as The Witch of Blackbird Pond and gimmicky series such as the Choose Your Own Adventure books. By middle school, I was reading voluminous adult fiction like the works of Louisa May Alcott and J. R. R. Tolkien. Not every child is—or was—this kind of reader. But what parents today are picking up on is that a shrinking number of kids are reading widely and voraciously for fun.

In 2017, I was trying to write How to Be an Antiracist. Words came onto the page slower than ever. On some days, no words came at all. Clearly, I was in crisis.

I don’t believe in writer’s block. When words aren’t flowing onto the page, I know why: I haven’t researched enough, organized the material enough, thought enough to exhume clarity, meticulously outlined my thoughts enough. I haven’t prepared myself to write.

But no matter how much I prepared, I still struggled to convey what my research and reasoning showed. I struggled because I was planning to challenge traditional conceptions of racism, and to defy the multiracial and bipartisan consensus that race neutrality was possible and that “not racist” was a definable identity. And I struggled because I was planning to describe a largely unknown corrective posture—being anti-racist—with long historical roots. These departures from tradition were at the front of my struggling mind. But at the back of my mind was a more existential struggle—a struggle I think is operating at the front of our collective mind today.

“While the U.S. has many vital national interests,” Florida Governor Ron DeSantis wrote recently, “becoming further entangled in a territorial dispute between Ukraine and Russia is not one of them.”  

The comments inspired a wave of disapproval from conservatives and Republicans, including The Wall Street Journal’s editorial page and the Washington Post columnist George Will, who quipped, “If that is his settled view after the dust settles and he elaborates on this, then he’s not fit to be president, period.”

As an inveterate critic of Woodrow Wilson, Will should know better. DeSantis was merely taking a realist foreign-policy stance at a time when elites in both parties have gotten into a dangerously Wilsonian frame of mind. With support for Ukraine aid falling among Republicans, DeSantis’s comments were also more in tune with where GOP voters are, and are likely to be in the months ahead.

When the Federal Reserve board last met, at the end of January, its main concern was whether it needed to continue hiking interest rates aggressively in order to bring down inflation. When it met yesterday, it had a whole new pile of concerns, including, most importantly, whether further interest-rate hikes would destabilize more banks and aggravate the mini banking crisis we’ve been living through since the failure of Silicon Valley Bank on March 10. Those concerns help explain why, even with inflation still high, the Fed chose to raise rates only a quarter of a point.

The fact that six weeks ago almost no one was talking about banks’ balance sheets, let alone bank runs, and today everyone is makes it seem as though this crisis came out of nowhere. But its true origins go back almost exactly three years, to spring 2020. The banking system’s current woes are in a real sense a product of the pandemic.

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On the days she’s feeling most generous toward men—say, when she sees a handsome man on the street—Helena Lee can sometimes put her distaste aside and appreciate them as “eye candy.” That’s as far as she goes: “I do not want to know what is inside of his brain.” Most of the time, she wants nothing at all to do with men.

“I try to have faith in guys and not to be like, ‘Kill all men,’” she says. “But I’m sorry, I am a little bit on that side—that is, on the extreme side.”  

Her father, she says, was abusive and moved out when she was 6, and she has lived with her mother and grandmother ever since, a mini-matriarchy that suits her fine. She wears her hair in a bob, and on the day we met, she had on a black-denim button-down and a beige trench coat. In college, male classmates told her she’d be cuter if she “fixed her gay style.” The worst part, she said, was that they were surprised when she was offended—they thought they’d paid her a compliment. She is 24, studying for civil-servant exams, and likes reading Andrea Dworkin, Carl Sagan, and the occasional romance novel, which she considers pure fantasy.

Here is a story I have heard from more than one professional philosopher, though it has never, at least not yet, happened to me: You are sitting on a plane, the person next to you asks what you do, you tell them you are a philosopher, and they ask, “So, what are your sayings?” When a philosopher opens their mouth, people expect deep things to come out of it. Philosophers don’t always enjoy this; to avoid it, they might even say instead, “I am a professor” or “I teach Plato” or “I am in academia.”

When I was an undergraduate pondering what to do next, a professor of mine—not a philosopher—advised me, “Even if you get a Ph.D. in philosophy, don’t ever call yourself a philosopher. Kant, Socrates—those people were philosophers; you’re someone who reads or thinks about philosophy.” He felt that by calling myself a philosopher, I would be putting on airs, claiming to be deeper than I was. I did get a Ph.D. in philosophy, and I do call myself a philosopher, and that does, just as the professor feared, sometimes lead to disappointed expectations.

There’s a moment in Parade, the musical revival that opened last week on Broadway, that encapsulates the show’s subversiveness. It’s also the moment that seals the demise of the drama’s protagonist, Leo Frank.

Frank, played by Ben Platt, is on trial for the murder of Mary Phagan, a 13-year-old girl who was found dead in the Atlanta factory where he served as superintendent in 1913. (The plot is based on a true story.) A nerdy northern Jew in Georgia, Frank is an easy target for the ire of the public and the prosecution. In a taut and tense courtroom scene, he is implicated by a succession of coached but compelling witnesses. The most damning testimony comes from a janitor, Jim Conley (Alex Joseph Grayson), who claims that the Jew stereotypically attempted to buy his silence, recalling Frank’s words in a sinister song:

Israel now finds itself in one of the gravest crises it has ever known. Even after the assassination of Prime Minister Yitzhak Rabin, the dangers the country faced were less tangible: In November 1995, it was clear that a new prime minister would be instated in a lawful, orderly transition. The situation now is different. Three of the Israeli Parliament’s most extremist, nationalistic members—Minister of Justice Yariv Levin; Constitution, Law and Justice Committee Chair Simcha Rothman; and Benjamin Netanyahu, the near-omnipotent prime minister—are acting with all their might and no qualms to create a new legal system in place of the present one, which they claim discriminates against them and does not represent their worldview or values.