A sexist boss arrives in heaven. How to get him to realize he made life hell for others?
The North Carolina artist’s second album in a year, Kirk, confirms that no one else does what he does, and that he does a lot of it.
By revisiting their teen years, the rock duo’s new memoir, High School, and album, Hey, I’m Just Like You, dismantle cultural clichés about adolescence.
The Amazon show’s finale uses bombastic songs to convey its once-subtle message of hope.
A. C. Newman of the New Pornographers dissects how the late Ric Ocasek shaped his music.
Her 17-date Brooklyn residency forgoes many of the greatest hits and fleshes out her Madame X secret-agent character to spectacular effect.
The brattiness has dimmed. Their influence is wide. Their new album is very, very catchy.
After alleging that her ex-husband, Ryan Adams, derailed her career, the singer released her first single in a decade to address the feeling of losing control.
The late singer Ric Ocasek conquered the mainstream with oddball energy and an understanding of how machines can amp emotions.
It’s preposterous for Lana Del Rey and other musicians to deny that they’re playing characters. But in this pop landscape, that denial might be necessary.
The songwriter’s cybernetic new album, Charli, is a complement to the mainstream, not an invasion of it.
The ubiquitous singer/rapper’s third album, Hollywood’s Bleeding, goes darker but not deeper.
The supergroup puts a feminist spin on familiar traditions while still maintaining a classic feel.
The onetime child star is telling himself that he’s not alone in his struggles—and that his fans aren’t either.
Heavy and beautiful, the singer’s new album, Norman Fucking Rockwell, tells of women holding on in desperate times.
Beyoncé’s “If I Were a Boy” trick gets repeated on Swift’s Lover, but to illustrate sexist double standards with regard to reputations rather than relationships.
Missy Elliott’s brain-bending aesthetic coursed through standout, surreal performances from Lizzo and Miley Cyrus.
The first collection of new music from the rapper since 2005, Iconography doesn’t quite do what Elliott is known for: pushing boundaries.
The latest episode lays bare how Logan Roy always wins.
The pop star pushes herself in surprising ways on her new album, to mixed but often moving results.