Spencer Kornhaber
Before joining The Atlantic as an editor in 2011, he was a staff writer at OC Weekly, an editor at Patch, and a freelancer for Spin and The A.V. Club. In 2019, he won the Excellence in Column Writing Award from NLGJA: The Association of LGBTQ Journalists. At The Atlantic, he covers pop culture and music.
-
![]()
Carlijn Jacobs / Parkwood Entertainment Beyoncé’s Renaissance Is a Big, Gay Mess
Hell yes!
-
![]()
Ewen Spencer The Problem With Saying Oontz Oontz
The story of dance music in America is a story of boom and backlash. As Beyoncé and Drake turn to house-inspired sounds, will the cycle happen again?
-
![]()
Mason Poole / A.M.P.A.S. / Getty The Pop Star We Need Right Now
Music and culture have changed dramatically since Beyoncé’s last album, but she’s poised to push them forward—again.
-
![]()
Atlantic Records Lizzo’s Music Really Is Special
The pop star’s new album continues her heartwarming world-domination plan.
-
![]()
Zik Images / Getty The Kate Bush Resurgence Is a Reminder That We Can Have Nice Things
Songs like “Running Up That Hill” stay in rotation not because of nostalgia but because they’re timeless.
-
![]()
The Atlantic; Cole Burston / Kevin Mazur / … Welcome to the Summer of Dancing and Darkness
Beyoncé and Drake are turning to house music to encourage listeners to let loose. But are we ready to submit?
-
![]()
Getty; Alex Cochran TikTok Killed the Video Star
MTV turned music into spectacle. The app is doing the opposite.
-
![]()
Erik Tanner for The Atlantic The Vindication of Jack White
An obsessive protector of rock’s past could hold the key to its future.
-
![]()
Jeong Park / Searchlight The Bittersweet Silliness of Hulu’s Fire Island
The smart new rom-com understands that vacation is not liberation.
-
![]()
Anton Coene Patriotic Songs for a Cruel Country
Wilco’s new album resets with a folkier sound—and a hunt for serenity.
-
![]()
Lillie Eiger / Sony Music Something’s Up With Harry Styles’s Vibe
Don’t be fooled by the pastel tones and gentle sounds of Harry’s House.
-
![]()
Oliver Munday / The Atlantic The Impossible Ambition of Kendrick Lamar’s New Album
Despite what the artist says on Mr. Morale & the Big Steppers, he’s still trying to save you.
-
![]()
Atsushi Nishijima / Apple TV+ / Charlie Le … Why the Puzzle-Box Sci-Fi of Severance Works
Where Lost and Westworld spun out, the Apple TV+ show’s contained world succeeds.
-
![]()
Kevin Mazur / Getty Arcade Fire’s Cringeworthy Dystopia
The spark and originality present in the band’s best work are missing from its latest album.
-
![]()
Jacob Mulka / Coachella Coachella Defeated My Cynicism About Music Festivals
Amid the sweat and superficiality of the first Coachella since 2019, the most maligned concert format felt vital again.
-
![]()
David Bornfriend / A24; Charlie Le Maignan / … Everything Everywhere All at Once Is Multiverse Storytelling at Its Best
How the film turns a comic-book trope into an unpretentiously profound message
-
![]()
VH1 Who’s Watching RuPaul’s Drag Race Now?
The show has evolved into a valuable institution—even if some viewers are sick of it.
-
![]()
Pixar / Disney / Charlie Le Maignan / … The Post-villain Era of Animation
Today’s Disney movies aren’t like the ones you grew up with. That isn’t a bad thing.
-
![]()
Paul Spella Have We Lost Patience for Prestige TV?
Better Call Saul is dazzling, and frustrating.
-
![]()
Mario Anzuoni / Reuters; Charlie Le Maignan / … Pop Music’s Nostalgia Obsession
Why do older sounds seem to dominate music lately?
/media/img/mt/2022/06/image_2/original.png)
/media/img/mt/2022/05/Atl_kendrick_v1/original.png)
/media/img/mt/2022/05/2/original.png)
/media/img/mt/2022/04/1-1/original.png)
/media/img/mt/2022/04/1/original.png)