With her new book—the much-awaited sequel to The Handmaid’s Tale—the Canadian author is leading a resistance. But it’s not the one you might think.
Hulu’s latest British import is a delightful, openhearted comedy about a woman recovering from a nervous breakdown.
Recent television shows and news stories raise a similar question: Can systems of oppression function without the involvement of women?
A new Netflix series delves into a shadowy religious group with long-standing political ties to Washington. Is it as powerful as the show suggests?
Jesse Armstrong’s caustic HBO drama about a media dynasty is superb in Season 2.
In its third season, the Netflix comedy about women wrestlers takes an odd approach to storytelling.
The author, teacher, Nobel laureate, and grande dame of American letters has died at the age of 88.
In its final season, Orange Is the New Black faced a conundrum over its most pivotal character.
The HBO feature about a 16-year-old who discovers her assault has gone viral is a stunningly immersive work.
“I didn’t have a specific vision, because I was mostly terrified,” Jenji Kohan said of ending the Netflix series.
Could any show meet the expectations that the HBO series set?
Inside the decision to edit the controversial series
Four legs good, two legs completely bonkers
Game of Thrones dominated a surprisingly open-minded slate of nods that recognized critical favorites.
In a flashback episode, The Handmaid’s Tale tried to explain how one of its characters became a monster. But it missed the most crucial element of her personality.
Erin Lee Carr’s two-part HBO documentary thoughtfully complicates the narrative of a boy’s suicide, and of the girlfriend who encouraged the act.
The rollicking third season of Netflix’s nostalgic hit mines the conspiracy theories woven into pop culture.
The Starz series about a British agent with extraordinary abilities forgets to have fun.
The advice columnist’s account of being sexually assaulted by Donald Trump has more power than it might seem.
“They didn’t know what to do with a Latina girl.”
Showtime’s biopic about the former Fox News executive can’t find the core of its characters.