Producer Marti Noxon has two shows about women’s pain and rage debuting this summer—and the timing couldn’t be better.
The 10-part Starz docuseries from Steve James follows students and faculty through an Illinois high school to explore racial inequity from a different angle.
The reaction to the former Cosby Show actor working a retail job says a lot about how Americans understand success.
Tom Clancy’s character—a former Marine, Wall Street millionaire, reluctant CIA agent, and loyal family man—has long been a symbol of a bygone era.
The finale to the HBO series revealed its villains, and how corrupted they’d become.
The new eight-part supernatural series about teenagers on the run feels like a weaker mishmash of other streaming hits.
With Camille Preaker, Zoe Barnes, and Rory Gilmore, Hollywood’s depictions of women reporters have never been further from reality.
The Hulu documentary by Bing Liu examines masculinity and trauma through the lens of three Illinois skateboarders.
Matt Groening’s new Netflix series pushes the envelope, but not far enough.
Why eavesdrops, hot mics, and other unorthodox recordings are such a staple feature of the 45th presidency
Peering into the secrets of Louisa May Alcott’s real life sheds light on her treasured coming-of-age tale.
The Amazon three-parter is a star-studded but ponderous tale about toxic family dysfunction.
Netflix’s Insatiable and AMC’s Dietland both feature fat heroines who are bullied for their body type. But they’re very different shows.
Never has the Roy legacy seemed more tragic, or more toxic.
Netflix’s new feature comedy starring Kristen Bell and Kelsey Grammer is unremarkable in every way except one: It’s barely funny.
As the Netflix series heads toward a possible final season, its conclusion could be hopeful or honest, but not both.
The NBC crafting competition is a balm for troubled times.
Despite the Netflix show’s reliable inconsistency, few series are as willing to take this many risks.
The new eight-part series supposedly travels to the most mad, macabre, and morbid places in the world.
The FX drama about the crack epidemic—which has added the crime writer Walter Mosley to its creative team—finds its groove.
In his new Showtime series Who Is America?, the British comedian shows the best and worst of his comedy.