The Cannes Film Festival is infamous for its protracted standing ovations. Thank “prestige hierarchy.”
New streaming services from Fox and the Weather Channel are betting big on the idea that an armchair meteorologist lives inside each of us.
After waiting years for her own movie, Natasha Romanoff has gotten a film that never fully embraces her in all her complicated glory.
The surreal, refreshing Zola posits that we use our digital personas to fool ourselves as much as to fool others.
With F9, the Fast and Furious franchise shows it still knows how to entertain. But it has never pulled more from the Looney Tunes playbook.
On the heels of WandaVision, two new series—Kevin Can F**k Himself and Physical—explore how pop culture can limit the roles that women play in real life.
For more than a decade, the studio’s films and shows have been paragons of careful continuity. So far, Loki does away with that.
Jon M. Chu, the director of In the Heights and Wicked, is finding a new edge in an old genre.
Here are 32 new films to see this season, whether you’re ready to return to theaters or want to stay on the couch.
This summer will see the release of a spate of new films, including long-delayed ones.
In the new Saw movie, Chris Rock pivots from comedy to torture porn disguised as political commentary.
She’s always been an A-lister. But her new film, Those Who Wish Me Dead, reflects Hollywood’s impulse to stifle female action heroes once they hit a certain age.
By the time you understand the billionaire’s motives, you’ve already been trolled.
This year’s Academy Awards tried to be like a movie. So we tried to review it like one.
Theaters barely survived the pandemic and can’t wait to welcome audiences back. Here’s what you can expect when you return.
For decades, the media have chronicled a Hollywood mega-producer’s reputation as a bully—and even praised him for it.
The monster film is all action, no meaning. What a relief.
For years, The Bachelor has been losing sight of the fantasy that made it so beloved. Now many of its most loyal fans have had enough.
Superfans campaigned for a do-over of a 2017 film. They got a four-hour runtime—and only a slightly better movie.
Disney’s new film is the latest to draw on the real world to create a fictional land. But well-intentioned details can carry a story only so far.