“Although the scope of ‘The Generation’ may seem, literally, cosmic, it is in fact intimate and highly personal.”
The late graphic designer George Lois profoundly influenced generations of artists.
A short story
An interview with Fulton Leroy Washington
Fiction is often described as a mirror through which we see the world. What happens when a shard of glass must tell the entire story?
“In my work there’s a recurring theme of being out of step with the modern world.”
Popular novels don their summer gear.
“There’s no one the fiction writer can hide behind.”
Abbott Awaits makes the everyday aspects of parenting objects of tender observation.
Exploring the diversity of The Atlantic’s original fiction: Your weekly guide to the best in books
Sanjena Sathian on the thin border between the unreal and the real
Karen Brown on how reading puts us in control
Back at The Atlantic after the long pandemic exile, I discovered pages from an unfinished issue of the magazine, written and illustrated in a different world.
To the author Robert McGill, fiction’s job is to unsettle.
Paul Yoon on writing to recover what’s lost to the past
“You could say conspiracy theories are like bad fiction, which attempts to tie everything up and explain it all.”
Te-Ping Chen discusses the gift of imagining alternative realities in a society divided by class.
Tackling Proust’s famously massive work started as a challenge. Then it turned into something else.
“I’d never written fiction that stays with a single character for hundreds of pages; it almost felt like too much freedom.”
“The American experience for many people is the very act of questioning who we are.”