A new company is bringing the engineering savvy of rocket science to the design of the high-heeled shoe. Can stilettos that are actually comfortable to wear change centuries’ worth of symbolism?
With the latest effort at ‘location-based entertainment,’ the movie-inspired theme park has shed all of the heady idealism of the past.
A movie that celebrates the sacrifices of working-class women would like the women of today to ‘do something’ to change the world.
How outrage replaced fear as the point of Halloween
The hashtag and all its forms have productively broadened our definition of what “attraction” actually means.
For normals, ‘What are you watching?’ is a simple question. For politicians, though, it's more complicated.
This spring, Native American cast members walked off the set of the Netflix movie. Now, they’re barely in the previews.
When it comes to politics, the Late Show host seems most comfortable staying in character.
Chris Christie’s run-in with Amtrak’s most contentious travel option is a reminder that silence, for better or for worse, can’t be bought.
Back to the Future II got a lot wrong about the world of 2015—but it got the most important thing very, very right.
Candidates singing and saxophone-ing on TV is a time-honored campaign tradition. It’s also an extremely silly one.
Aaron Sorkin’s new film unwittingly reveals how male and female workplace relationships have changed for the better.
With Oprah as the Late Show guest on Thursday, the two swapped favorite Bible verses and discussed the differences between “belief” and “faith.”
A new app developed by The Office’s B.J. Novak demonstrates how lists are the perfect medium for a moment obsessed with inclusion and identity.
The demise of naked-ladies-in-the-magazine is not (really) about the availability of porn. It's about the mutability of masculinity.
If there’s one thing network TV could use more of, it’s characters who suddenly burst into song.
With his latest show, Karl Lagerfeld found yet another way to put the “conspicuous” in “conspicuous consumption.”
By balancing its epic score with ABBA and David Bowie, Ridley Scott’s film reimagines the final frontier as a place of whimsy, not wonder.
The Smithsonian’s African American History Museum, with the help of a worldwide network of scholars, will display pieces of the formerly sunken São José.
Everybody, the movement’s co-founder says, has a civic duty to “stand on the side of people who have been oppressed for generations.”
Flying robots: a fun new thing for everyone—from normals to celebrity wedding planners—to worry about when planning a ceremony