Jeffrey Goldberg

On the opening day of the impeachment trial, the Senate, in a party-line vote of 53–47, approved an organizing resolution establishing the ground rules for the trial and rejecting efforts by Democrats to compel the testimony of witnesses and the production of documents not included by the House in its impeachment inquiry. However, the resolution allows Democrats to renew their motions to subpoena witnesses and documents after House managers and the president’s defense lawyers have completed their opening statements. The fateful battle over witnesses will thus begin in earnest next week.

In December, Donald Trump became only the third U.S. president to be impeached. If Senate Majority Leader Mitch McConnell succeeds in his intention to prevent any witnesses from testifying, Trump will become the first president to be acquitted by an unconstitutional impeachment process.

On a sweltering July day, I follow Annise Dobson down an overgrown path into the heart of Seton Falls Park. It’s a splotch of unruly forest, surrounded by the clamoring streets and cramped rowhouses of the Bronx. Broken glass, food wrappers, and condoms litter the ground. But Dobson, bounding ahead in khaki hiking pants with her blond ponytail swinging, appears unfazed. As I quickly learn, neither trash nor oppressive humidity nor ecological catastrophe can dampen her ample enthusiasm.

At the bottom of the hill, Dobson veers off the trail and stops in a shady clearing. This seems like a promising spot. She kicks away the dead oak leaves and tosses a square frame made of PVC pipe onto the damp earth. Then she unscrews a milk jug. It holds a pale yellow slurry of mustard powder and water that’s completely benign—unless you’re a worm.

With much fanfare, The New York Times Magazine devoted an entire issue in August to what it called the 1619 Project. The project’s aim, the magazine announced, was to reinterpret the entirety of American history. “Our democracy’s founding ideals,” its lead essay proclaimed, “were false when they were written.” Our history as a nation rests on slavery and white supremacy, whose existence made a mockery of the Declaration of Independence’s “self-evident” truth that all men are created equal. Accordingly, the nation’s birth came not in 1776 but in 1619, the year, the project stated, when slavery arrived in Britain’s North American colonies. From then on, America’s politics, economics, and culture have stemmed from efforts to subjugate African Americans—first under slavery, then under Jim Crow, and then under the abiding racial injustices that mark our own time—as well as from the struggles, undertaken for the most part by black people alone, to end that subjugation and redeem American democracy.

Sometime this week, you might walk outside in broad daylight, look up at the sky, and see a luminous orb as bright as a full moon. Only it wouldn’t be the moon. It would be something far more explosive: the dazzling aftermath of a cataclysm hundreds of light-years away.

You’d be seeing the light from a supernova—the final, powerful flash of a dying star.

Or … you might see the regular old sky. Supernovas are nearly impossible to predict. But astronomers have recently started discussing the rare possibility with a bit more enthusiasm than usual, thanks to some odd behavior elsewhere in the Milky Way. If the supernova did show up tomorrow, it would be the celestial event of the year, perhaps even the century, leaving a cosmic imprint in the sky for all to see.

Christopher Hitchens and I weren’t close friends—I was a lesser planet in his orbit. Every so often I felt the rhetorical lash of his published words on my back, and then I tried to make him feel mine, and you can guess who got the better of those exchanges. They usually had to do with Iraq. We both supported the war, but I supported it in an ambivalent, liberal way, while Christopher supported it in a heroic, revolutionary way. The more I saw of the war, the deeper my despair became. Christopher made it a point of honor never to call retreat.

I know of many friendships that ended in those years, including a few of mine. But something strange happened between Christopher and me. For every time he called me a split-the-difference bien-pensant, and for every time I called him a pseudo–Lord Byron, we seemed to become better friends. We would say rude things about each other in print, and then we’d exchange tentatively regretful emails without yielding an inch, and then we’d meet for a drink and the whole thing would go unmentioned, and somehow there was more warmth between us than before. Exchanging barbs was a way of bonding with Christopher.

American exceptionalism takes on many forms, both flattering (our immigrant-founded start-ups) and unfortunate (our health-care prices). But perhaps no part of life in the United States is more unambiguously exceptional than this: We have so many damn bathrooms.

And the world wants to know why. The internet is filled with long threads, on sites such as Quora and Reddit, in which users swap theories on “What’s the American obsession with bathrooms all about?” and “Why do houses in the US have so many bathrooms?” “There are so many incredible America decadences that are mind boggling to foreigners when we first arrive here, and the sheer number of bathrooms in suburban houses is very high on the list," Tom Gara, an Australian who edits opinion pieces for BuzzFeed News, wrote on Twitter.

College-sports fans have generally become desensitized to the cognitive dissonances of the NCAA’s amateurism policies. The rules, which prevent the payment of cash or other “extra benefits” to student athletes or their families, are necessary to retain the purity of amateur competition, according to the association. Without such restrictions, supporters argue, NCAA sports would devolve into just another minor league of professional sports, with capitalism becoming the athletes’ sole driving source of loyalty to their university. These guidelines usually operate in the public consciousness as a low hum—background noise that doesn’t distract from the compelling sporting events that audiences allow themselves to enjoy. But every now and then, the humming erupts into a roar. And in those moments, viewers are forced to confront the system they have embraced. Odell Beckham Jr. delivered one of those moments last week.

Days after finishing Cheer, Netflix’s popular new docuseries about a cheerleading team’s pursuit of its 14th national championship in 19 years, two scenes keep replaying in my head. In one, an athlete named TT arrives to practice with a back injury sustained at an event with a club cheerleading team, and Navarro College’s head cheerleading coach, Monica Aldama, forces him to practice, punishing him for failing to put her team first. As practice wears on, TT’s injury is exacerbated while catching female cheerleaders as they plunge to the ground. By the end of the scene, he’s sobbing.

In the second, an athlete named Morgan clutches her ribs and writhes in pain on the floor. She was injured on the opposite end of competitive cheerleading’s basic tandem: repeatedly falling from great heights with only the arms of her teammates to cushion her. She’s ignored by the coaches and, afraid to tell Aldama that she’s injured, confides in a teammate that she might sneak off to the hospital for treatment in between practices. At the ER, Morgan refuses treatment because the muscle relaxers she’s prescribed would keep her from participating in that afternoon’s practice. She leaves, against medical advice and with a warning that more stress on her ribs could damage her organs or kill her, and returns to the gym. When told that Morgan had been to the ER, Aldama appears annoyed. Morgan practices.

Representative Tulsi Gabbard today filed a defamation lawsuit against Hillary Clinton in federal court.

The basis for the suit is a comment Clinton made to the former Obama-campaign manager David Plouffe in an October 2019 podcast. Clinton suggested that Republicans were grooming an unnamed person as a third-party candidate. She added:

She’s the favorite of the Russians. They have a bunch of sites and bots and other ways of supporting her so far. And that’s assuming Jill Stein will give it up, which she might not because she’s also a Russian asset. Yeah, she’s a Russian asset.

Gabbard claims that the “she” in the above paragraph refers to herself, and not to Jill Stein.

It’s hard to take seriously Gabbard’s feelings of affront. Gabbard is herself one of the most vituperative people in U.S. politics. She replied to the Plouffe podcast with a multipart tweet that opened: “Great! Thank you @HillaryClinton. You, the queen of warmongers, embodiment of corruption, and personification of the rot that has sickened the Democratic party.” Her lawsuit brims with rhetoric far more malignant than anything Clinton said about that unnamed person to David Plouffe.  

The tax code is progressive. Economists and analysts and politicians agree on very little when it comes to economic policy, but on that they broadly concur. Rich people fork over a higher percentage of their earnings to the government than poor people do, and the whole of government acts as a kind of Robin Hood Rube Goldberg machine, taking from the well-off and redistributing to the less fortunate.

Or perhaps not. In a new paper, the influential tax economists Emmanuel Saez and Gabriel Zucman of UC Berkeley, advance their argument that the tax code is not progressive at all. Right now, Republican and Democratic politicians alike are not soaking the rich; they’re watering their gardens. And some of the leading left-of-center candidates for president would not do much to change that.