Between 1968 and ’75, he plugged into the musical zeitgeist and opened his music to distortion and groove-based repetition, either transcending or repudiating his roots in acoustic jazz.
A fantastically entertaining—and bankable—athlete shies away from the chance to reclaim MMA glory.
The feral genius of Australia’s Les Murray
What made him one of rock’s most potent lyricists
The new Daily Show host, Trevor Noah, is smooth and charming, but he hasn’t found his edge.
The star podcaster’s success is rooted in his early-career failure and despair.
How a con-artist father and treason in MI6 created the bard of the Cold War
How long can the legends of heavy metal keep on rocking?
The curious boom of broadcasted genitalia
Stories of the famous writers of Oxford
The insidious message of Disney and Nickelodeon
What MoMA gets right and wrong in its controversial exhibition on the Icelandic pop icon
Weighing whether the writer is a real custodian of journalistic values or just an overqualified provocateur
The case for canonizing G. K. Chesterton, the bombastic man of letters and paradoxical militant for God
A new book suggests that the love song has always been among the most revolutionary of musical forms.
The hidden-camera show What Would You Do? reveals the persistence of American decency.
Dylan Thomas embodied the essence of poetry—even if his poems themselves have not held up well.
The secret ingredient of Robin Williams’s greatest role: grief
In her memoir, Lena Dunham, the creator of Girls, opens a new chapter in her campaign of self-exposure.
In his new book, Greil Marcus brings us The History of Rock ’n’ Roll in Ten Songs. But rock only needs one—Jimi Hendrix's 1968 “Voodoo Child (Slight Return).”