The film is poised to gross at least $100 million on a comparatively small budget—yet another reminder that audiences will pay to see diverse stories.
Maren Ade’s nearly three-hour German film might sound like a tough sell—but it’s a remarkably unique work of 21st-century humor.
Ben Affleck’s follow-up to the Oscar-winning Argo struggles to tell a grand story of Prohibition-era crime in Boston and Tampa.
Peter Berg’s latest re-creation of real-life events again stars Mark Wahlberg, this time at the center of the 2013 Boston Marathon bombing.
The long-tenured host might be moving to a weekly, or all-digital, format in the coming years—another major shift for an ever-evolving genre.
Damien Chazelle’s film is a self-aware throwback—one that portrays the limits of worshiping the past.
The Emma Stone and Ryan Gosling-starring musical was a record winner of the night, though Moonlight took the final Best Picture trophy.
Jim Jarmusch’s new film stars Adam Driver as a bus-driving poet.
Journalists keep invoking Nate Parker’s rape case when discussing the sexual-harassment lawsuits against the Manchester by the Sea star. But the comparison does more harm than good.
Star Trek returns, Girls concludes, winter comes to Game of Thrones, and streaming TV continues its steep climb.
There will be sequels, superheroes, and Star Wars, but there’s plenty more on the horizon, too.
The Atlantic looks back at key cinematic moments in 2016, this time Andrea Arnold’s electrifying road movie.
The Atlantic looks back at key cinematic moments in 2016, this time David Mackenzie’s pulpy West Texas bank-robber drama.
The Atlantic looks back at key cinematic moments in 2016, this time Josh Kriegman and Elyse Steinberg’s documentary about the titular, doomed politician.
The iconic actress, writer, and comedian—who died at the age of 60—was the kind of star Hollywood only sees once in a lifetime.
J.A. Bayona’s tear-jerking fantasy film doesn’t come close to earning its inevitably devastating emotional climax.
The Atlantic looks back at key cinematic moments in 2016, this time a dystopian comedy about love and relationships.
The Atlantic looks back at key cinematic moments in 2016, this time an escapist 1970s throwback from Richard Linklater.
The Atlantic looks back at key cinematic moments in 2016, this time a sweeping drama from one of today’s most acclaimed Chinese filmmakers.
The right-wing firebrand, who has recanted much of his extreme rhetoric, said he saw a lot of himself in the TBS show host.