The start of TIFF, alongside events in Venice and Telluride, signals the beginning of Oscar season, with movies like First Man, If Beale Street Could Talk, A Star Is Born, and Widows on the horizon.
The French director Jacques Audiard discusses adapting Patrick deWitt’s novel The Sisters Brothers into a darkly funny film starring John C. Reilly and Joaquin Phoenix.
Marie Severin, the trailblazing comic-book artist who drew some of pop culture’s most iconic characters, died Thursday at the age of 89.
Lenny Abrahamson’s adaptation of Sarah Waters’s novel stars Domhnall Gleeson as a doctor who gets wrapped up with a decaying aristocratic family in postwar Britain.
Chris Weitz’s new film stars Oscar Isaac as one of the agents who captured the Nazi war criminal Adolf Eichmann (played by Ben Kingsley) and transported him to stand trial in Israel.
The actor gave a fascinating interview on the film industry that included a dismissive remark about the superhero genre. But his broader frustrations are perhaps less controversial.
A planned 25th film about the British secret agent, starring Daniel Craig, is stuck in limbo. But beyond the production issues are deeper problems that come with constantly rebooting the character.
John Cho stars as a father looking for his missing daughter in a drama that plays out entirely on computer screens.
The film has passed $50 million within its first nine days of release, already sparking talk of a sequel. But producers should look beyond one potential new franchise.
Andrew Bujalski’s clever and funny new film follows a day in the life of the staff at a Hooters-like restaurant.
The showrunner recently departed ABC for the streaming network, joining the ranks of Ryan Murphy and Shonda Rhimes in the process.
Jon M. Chu’s adaptation of the best-selling novel is both a step forward for Hollywood and a throwback to the classic high-society comedy.
Josephine Decker’s new experimental work is centered on an exceptional performance from the total unknown Helena Howard.
Adding a “popular film” category and cutting technical awards to squeeze the ceremony into a three-hour time slot will only dilute the Academy’s brand.
The director’s newest film follows a policeman who successfully infiltrated the KKK in the 1970s, but the story it tells is also very much about the U.S. today.
The company announced a new, more restrictive plan for subscribers after its stock spiraled, but it has already left a lasting mark on theater chains.
Disney’s new take on the Winnie the Pooh property is a gentle, melancholic reminder that we should all relax once in a while.
A fantastic new retrospective series at Lincoln Center examines the work of women cinematographers, who are woefully underrepresented in the medium.
Desiree Akhavan’s Sundance-winning film follows a young gay woman, played by Chloë Grace Moretz, who is sent to conversion therapy.
The network has green-lit a feature-length finale for the show it canceled 12 years earlier.