A chilly, Nordic mood ultimately can’t save the ill-plotted adaptation of Jo Nesbø’s bestselling crime novel.
The filmmakers don’t want me to disclose very much about the movie. But I can say this: It's terrific.
Judi Dench is again marvelous as Queen Victoria, despite the film’s upbeat and ahistorical politics.
While the sequel shares some of its predecessor’s strengths, this installment of the comic-action franchise is broader and less original.
The writer-director Darren Aronofsky’s metaphor-rich horror movie is a work of amazing ambition—and definitely not for everyone.
The latest adaptation of Stephen King’s classic horror novel privileges CGI scares over dread and nuance.
Putting next to no effort into his films is the secret to sustaining his reputation.
Taylor Sheridan has crafted an uneven, but potent, vengeance film rooted in the death of a young Native American woman.
Despite moments of emotional power, Kathryn Bigelow's film offers a narrow and unnuanced portrait of the city's 1967 riots.
Epic yet intimate, the director's new war film is boldly experimental and visually stunning.
Sony's collaboration with Marvel Studios gets so many things right, it’s almost difficult to list them all.
Edgar Wright's pop-infused car flick is a delight at any speed.
This installment marks director Michael Bay's final outing, but the loud, unpleasant franchise isn't planning to go away.
Another disappointing sequel suggests the studio's consistent excellence is now a thing of the past.
A lovely, subtle performance by Rachel Weisz is let down by a film too staid and ambivalent.
A little humor and charm—plus a breakout performance by Gal Gadot—can go a long way.
The latest installment in the flagging franchise, Dead Men Tell No Tales, offers a dreary, imitative voyage.
Ridley Scott's latest movie wisely focuses on extraterrestrial suspense, not windy philosophizing.
For 15 years, the animation studio was the best on the planet. Then Disney bought it.
Guy Ritchie's would-be franchise is dull, clumsy, and derivative.