A Beautifully Choreographed Stop-Motion Film About Light and Shadow

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Juan Pablo Zaramella's short film Luminaris makes clever use of natural daylight and time-lapse photography to tell a love story. Sans dialog, the film plays with visual jokes and unexpected plot twists.  In a review for Short of the Week, James McNally explains that "the film took more than two years to make, mainly due to the unpredictability of weather conditions and especially the movement of the sun, which changed the shadows on the locations every day." The cinematography alone is stunning, capturing pristine patterns of shadow across Buenos Aires' cityscape.

For more work by Juan Pablo Zaramella, visit http://www.zaramella.com.ar/. 

Via Short of the Week

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Kasia Cieplak-Mayr von Baldegg is a senior associate editor at The Atlantic. She curates the Video channel. More

Cieplak-Mayr von Baldegg's work in media spans documentary television, advertising, and print. As a producer in the Viewer Created Content division of Al Gore's Current TV, she acquired and produced short documentaries by independent filmmakers around the world. Post-Current, she worked as a producer and strategist at Urgent Content, developing consumer-created and branded nonfiction campaigns for clients including Cisco, Ford, and GOOD Magazine. She studied filmmaking and digital media at Harvard University, where she was co-creator and editor in chief of H BOMB Magazine.

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