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M A Y 2 0 0 0 WATERBORNEby Linda Gregerson | |||||||||||||
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(For help, see a note about the audio.) Also by Linda Gregerson: Safe (1990) For the Taking (1993) Target (1996)
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1. The river is largely implicit here, but part of what becomes it runs from east to west beside our acre of buckthorn and elm. (And part of that, which rather weighs on Steven's mind, appears to have found its way to the basement. Water will outwit a wall.) It spawns real toads, our little creek, and widens to a wetland just across the road, where shelter the newborn fawns in May. So west among the trafficked fields, then south, then east, to join the ample Huron on its curve beneath a one-lane bridge. This bridge lacks every grace but one, and that a sort of throwback space for courteous digression: your turn, mine, no matter how late we are, even the county engineers were forced to take their road off plumb. It's heartening to think a river makes some difference. 2. Apart from all the difference in the world, that is. We found my uncle Gordon on the marsh one day, surveying his new ditch and raining innovative curses on the DNR. That's Damn Near Russia, since you ask. Apparently my uncle and the state had had a mild dispute, his drainage scheme offending some considered larger view. His view was that the state could come and plant the corn itself if it so loved spring mud. The river takes its own back, we can barely reckon fast and slow. When Gordon was a boy they used to load the frozen river on a sledge here and in August eat the heavenly reward -- sweet cream -- of winter's work. A piece of moonlight saved against the day, he thought. And this is where the Muir boy drowned. And this is where I didn't. 3. Look: the river lifts to its lover the sun in eddying layers of mist as though we hadn't irreparably fouled the planet after all. My neighbor's favorite spot for bass is just below the sign that makes his fishing rod illegal, you might almost say the sign is half the point. The vapors draft their languorous ex- curses on a liquid page. Better than the moment is the one it has in mind.
Linda Gregerson is the author of the forthcoming Negative Capability: Essays on Contemporary American Poetry. All material copyright © 2000 by The Atlantic Monthly Group. All rights reserved. |
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