Leonardo's Notebook Digitized in All Its Befuddling Glory

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The British Library has been digitizing some of its prize pieces and they announced a new round of six artifacts had been completed including Beowulf, a gold-ink penned Gospel, and one of Leonardo Da Vinci's notebooks.

"Each of these six manuscripts is a true splendour, and has immense significance in its respective field, whether that be Anglo-Saxon literature, Carolingian or Flemish art, or Renaissance science and learning," Julian Harrison, the library's curator of medieval artifacts, blogged. "On Digitised Manuscripts you'll be able to view every page in full and in colour, and to see the finer details using the deep zoom facility."

All of these texts can be appreciated on a visual level, particularly because the scans are so good. Even the grain of the paper is fascinating.

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Or here's a few Da Vinci drawings, including what appears to be a doodle of a man's head. 

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But there is a fundamental inscrutability to these texts to the untrained eye. Not only is the language unfamiliar, and the script, in Leonardo's case, a simple code, but without the context of the times, it's hard to make heads or tails of them, aside from aesthetic appreciation. 

Of course, I'm happy such objects exist in more accessible, digital formats, but what the primary documents remind me is how important the interpreters of these works are. The raw documents do not make sense without the added layer of analysis that comes from the scholars who study these works. 

Perhaps we can read this as a kind of parable for opening up data and archives. The digitization of key historical artifacts does not replace historians so much as make their work more visible to different audiences. The necessity of what they do is made plain.

An earlier version of this article incorrectly stated the digitizing institution was the British Museum, not the British Library. We regret the error.
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Alexis C. Madrigal

Alexis Madrigal is the deputy editor of TheAtlantic.com, where he also oversees the Technology Channel. He's the author of Powering the Dream: The History and Promise of Green Technology. More

The New York Observer has called Madrigal "for all intents and purposes, the perfect modern reporter." He co-founded Longshot magazine, a high-speed media experiment that garnered attention from The New York Times, The Wall Street Journal, and the BBC. While at Wired.com, he built Wired Science into one of the most popular blogs in the world. The site was nominated for best magazine blog by the MPA and best science Web site in the 2009 Webby Awards. He also co-founded Haiti ReWired, a groundbreaking community dedicated to the discussion of technology, infrastructure, and the future of Haiti.

He's spoken at Stanford, CalTech, Berkeley, SXSW, E3, and the National Renewable Energy Laboratory, and his writing was anthologized in Best Technology Writing 2010 (Yale University Press).

Madrigal is a visiting scholar at the University of California at Berkeley's Office for the History of Science and Technology. Born in Mexico City, he grew up in the exurbs north of Portland, Oregon, and now lives in Oakland.

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