It is a well-recognized feature of the holiday pilgrimage: We children pay homage and respect to our parents by fixing the problems we see in their information technology. We buy them new gizmos, too, and require them to learn how to 'Facetime' with grandkids or to get on Facebook to see pictures of the family. Point being, we ask our parents to figure out how to do new things all the time. And in many of those cases, we actually teach them how to do it: we lead the cursor around the screen and dictate hows and wherefores, while Bing Crosby plays in the background.
My own parents are quite technologically savvy. My mom might be the most prolific blogger I know and runs databases at work. My dad has a sweet Apple rig and has been using computers since Compaq's portables came in a little suitcase. They got our first computer when I was five (that'd be the mid 80s) and the Internet when I was 11 (that'd be the early 90s). Both are avid social media users. In other words, they're early adopters who are not afraid of technology.
And yet, when I go home sometimes, I realize that while my parents are good at doing the right things on their computers, they are terrible at doing the wrong things.
Let me explain.
It's hard to do something irreparable to your computer when you're messing around with a browser or iPhoto. Things are correctable. Settings can be reset. Problems can be fixed. So, it makes sense to simply try stuff. Click here, click there. Is the menu in this tab or that one? What happens if I change this radio button? What's this view look like?
In the argot of videogaming, you button mash until you find what works. And if you watch almost any kid with a digital device, this is how they work. Swipe, tap, click, shake, spin. They try it all until they've exhausted the interaction possibilities and understand what's supposed to happen.
Yet whenever my parents see me engaging in this time-honored learning practice, they get anxious. My dad peers over my shoulder, asking me what I'm doing. My mom asks me to slow down.
But I don't know what I'm doing until I've done it. So it doesn't make sense for me to narrate or for them to try to duplicate my actions. Because I'm not going to the right spot; I'm running a process of elimination on the wrong spots.
This methodology has served me well for decades now. But only with computers. When it comes to mechanical things, I find that I have the same problem that my parents do on the digital side. If you ask me to put together a piece of furniture or replace a headlight on a car or add a new wire to our electrical system, I worry that I'm going to break something. Permanently. The physical world is not the digital world and it is definitely possible to do permanent damage to things, your own body included. (And let's be honest: I was a big strong kid and I broke a lot of stuff trying to figure it out. I had an uncountable number of interactions with products that ended with the thing in one hand and a shard of plastic in the other.)
And yet I know that not everyone feels this way with physical systems. The atomic materials of the world make intuitive sense to a lot of people. People who feels this way know where they can poke and prod and push and pry and what they should leave alone. That frees them up to experiment with solutions in the white space between the DO NOT TOUCH lines of the mind.
So, from this observation spring two resolutions for 2013: 1) I want to learn how to make the right kinds of mistakes in the physical world. 2) When teaching, I'm going to show my parents (and others) how to screw up their technologies safely. I'll demonstrate how to break, not only how to fix.
If the president and his aides will tell easily disproven falsehoods about crowd sizes and speeches, what else will they be willing to dissemble about?
One of the many things that is remarkable about the Trump administration is its devotion, even in its first days, to a particular variety of pointless falsehood.
Mendacity among politicians and the spokespeople hired to spin for them runs across eras and aisles, though it is true that some are more honest than others, and Donald Trump was a historically dishonest presidential candidate. But the Trump administration has displayed a commitment to needlessly lying that is confounding to even the most cynical observers of American politics.
Popular demonstrations can bring change and topple governments. They can also spark retaliation from those in power.
The signs were so clever.
“We shall overcomb.”
“Viva la vulva.”
“I MAKE THE BEST SIGNS I REALLY DO EVERYONE SAYS SO THEY’RE TERRIFIC.”
Someone even made a papier-mâché vagina dentata.
The people were so cheerful and happy to be with one another, forgetting the cold and enjoying what often seemed less like a protest and more like a block party. There were families there, with grandmas in wheelchairs and babies in strollers. They were ecstatic and in disbelief at the number of people. TheWashington Post reported that the organizers put the attendance at up to half a million. They had hoped for less than half that.
It was surreal how similar this all felt, and my Russian friends on social media confirmed it: “Totally Bolotnaya,” one of them wrote. Bolotnaya is the square in the center of Moscow, right across the river from the Kremlin, where on December 10, 2011 around 50,000 people came out to protest fraudulent parliamentary elections. They had expected 3,000 and were stunned by their success. It was cold and gray that day, too, and the feeling of being in that joyous crowd was unforgettable, which is why I remembered it so vividly today. It is the giddiness of watching people vent their political frustrations with a sense of humor and good cheer, and the euphoria of observing people discover that they are not alone, that there are thousands and thousands of people just like them.
Narcissism, disagreeableness, grandiosity—a psychologist investigates how Trump’s extraordinary personality might shape his possible presidency.
In 2006, Donald Trump made plans to purchase the Menie Estate, near Aberdeen, Scotland, aiming to convert the dunes and grassland into a luxury golf resort. He and the estate’s owner, Tom Griffin, sat down to discuss the transaction at the Cock & Bull restaurant. Griffin recalls that Trump was a hard-nosed negotiator, reluctant to give in on even the tiniest details. But, as Michael D’Antonio writes in his recent biography of Trump, Never Enough, Griffin’s most vivid recollection of the evening pertains to the theatrics. It was as if the golden-haired guest sitting across the table were an actor playing a part on the London stage.
“It was Donald Trump playing Donald Trump,” Griffin observed. There was something unreal about it.
The new president’s first actions in office suggest his style from the trail isn’t going away soon.
Inaugurations are America’s modern equivalents of Roman triumphs. Flanked by military and police vehicles, clad in the pomp of tradition, presidents of the United States take their solemn oaths and parade between the classical facades and colonnades lining Pennsylvania Avenue. Crowds of thousands—sometimes millions—of citizens look on. It is meant to be a celebration of the nation in all her stately, martial honor, and of the vir triumphalis who has claimed the status of its moral leader and commander-in-chief. But inauguration is also a transition, not only between presidents, but from the combat of the campaign to the peacetime of governance.
For President Donald Trump, however, that transition has not yet taken place. On Inauguration Day, Trump did not take off the laurel wreath and transform into a governor, but rather extended his fiery campaign. The earliest hours of his presidency suggest that, dogged by unprecedented public disapproval, confronting questions of legitimacy, relying on a base fueled by partisan conflict, and facing extensive grassroots opposition, Trump’s campaign will be indefinite.
In his first official White House briefing, Sean Spicer blasted journalists for “deliberately false reporting,” and made categorical claims about crowd-size at odds with the available evidence.
In his first appearance in the White House briefing room since President Trump’s inauguration, Press Secretary Sean Spicer delivered an indignant statement Saturday night condemning the media’s coverage of the inauguration crowd size, and accusing the press of “deliberately false reporting.”
Standing next to a video screen that showed the crowd from President Trump’s vantage point, Spicer insisted that media outlets had “intentionally framed” their photographs to minimize its size. After attacking journalists for sharing unofficial crowd-size estimates—“no one had numbers,” he said—he proceeded to offer a categorical claim of his own. “This was the largest audience ever to witness an inauguration, period, both in person and around the globe,” he said, visibly outraged. “These attempts to lessen the enthusiasm of the inauguration are shameful and wrong.”
Driven by opportunism, pragmatism, or fear, many begin to forget that they used to think certain things were unacceptable.
In The Captive Mind, Czeslaw Milosz tells a story about a man who ventures out in the immediate aftermath of the fall of a regime. Papers full of state secrets lie in the streets, their knowledge less important for the moment than that of where to find something to eat. A little boy plays in a bombed-out street, whistling a song about the leader. “The song remains, but the leader of yesterday is already part of an extinct past.”
When authoritarians fall from power, even if they are secretly mourned, they must be publicly forgotten. Yet they remain as traces within the bodies of their people. The muscle memory to salute, to sing their songs, to fear their wrath, can be hard to shake. My years of studying Mussolini and his two-decade long regime have taught me not to underestimate the individual and collective work of disentanglement that comes with the ruler’s fall from power.
In its first episode of the new administration, the NBC sketch show skewered Vladimir Putin, Kellyanne Conway, and the “lower-case KKK.”
Donald Trump didn’t make an appearance on the first Saturday Night Live of his presidency, at least not in the guise of his TV alter ego, Alec Baldwin’s pouting, preening impersonation. But Trump’s presence dominated the show, from the cold open featuring Beck Bennett as a joyful Vladimir Putin to a video skit in which Kate McKinnon’s Kellyanne Conway sang a musical tribute to her newfound fame. This much was clear: The NBC sketch show has no intention of easing up on the new commander-in-chief, and at times seemed to actively position itself as a force of resistance.
SNL’s determination to keep being a thorn in the side of the 45th president, who’s complained on Twitter that its portrayal of him is a “complete hit job,” was crystallized in the opening monologue of the January 21st episode, delivered by the comedian and first-time host Aziz Ansari. For almost nine minutes, Ansari pondered the new president (“He’s probably at home right now watching a brown guy make fun of him”), Islamophobia in the media, and the alt-right, which he dubbed the “lower-case KKK.”
A history of the first African American White House—and of what came next
In the waning days of President Barack Obama’s administration, he and his wife, Michelle, hosted a farewell party, the full import of which no one could then grasp. It was late October, Friday the 21st, and the president had spent many of the previous weeks, as he would spend the two subsequent weeks, campaigning for the Democratic presidential nominee, Hillary Clinton. Things were looking up. Polls in the crucial states of Virginia and Pennsylvania showed Clinton with solid advantages. The formidable GOP strongholds of Georgia and Texas were said to be under threat. The moment seemed to buoy Obama. He had been light on his feet in these last few weeks, cracking jokes at the expense of Republican opponents and laughing off hecklers. At a rally in Orlando on October 28, he greeted a student who would be introducing him by dancing toward her and then noting that the song playing over the loudspeakers—the Gap Band’s “Outstanding”—was older than she was.
The Women’s March on Washington was a protest that also, in its own way, marked a peaceful transition of power.
WASHINGTON, D.C.— In the middle of the National Mall, on the same spot that had, the day before, hosted the revelers who had come out for the inauguration of Donald Trump, a crowd of people protesting the new presidency spontaneously formed themselves into a circle. They grasped hands. They invited others in. “Join our circle!” one woman shouted, merrily, to a small group of passersby. They obliged. The expanse—a small spot of emptiness in a space otherwise teeming with people—got steadily larger, until it spanned nearly 100 feet across. If you happened to be flying directly above the Mall during the early afternoon of January 21, as the Women’s March on Washington was in full swing, you would have seen a throng of people—about half a million of them, according to the most recent estimates—punctuated, in the middle, by an ad-hoc little bullseye.
Images of today’s marches in Washington, New York, Denver, Chicago, Boston, Los Angeles, Seattle, and from other cities in England, Ghana, France, Canada, Serbia, Australia, Kenya, Germany, India, and many more.
In Washington, DC, today, hundreds of thousands of protesters filled the streets in a demonstration called the Women’s March on DC, while even more marched in cities across the United States and around the world, one day after the inauguration of President Donald J. Trump. Larger-than-expected crowds of women and their allies raised their voices against the new administration, and in support of women's rights, health issues, equality, diversity and inclusion. Below are images of today’s marches in Washington, New York, Denver, Chicago, Boston, Los Angeles, Seattle, and from other cities in England, Ghana, France, Canada, Serbia, Australia, Kenya, Germany, India, and many more.