Titanic, Hindenburg, and the Heroic Age of Postal Service

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A card belonging to Captain Albert Sammt, who survived the Hindenburg disaster by jumping from the ship's gondola/National Postal Museum

This Sunday, May 6, marks the 75th anniversary of the disaster of the Hindenburg, among other things a pioneer of transatlantic airmail.

A political target today, postal services were at their zenith in the early 20th century, when they stood for integrity, duty, punctuality -- and of course, secure jobs. Mail volume dropped during the Depression, but mass layoffs were avoided through normal retirement and attrition. The Postmaster-General of the time, James A. Farley, proved not only a master politician but also one of the greatest patrons of muralists since the Italian Renaissance. The main New York post office, renamed for him, was completed in the year of the Titanic, 1912. The RMS in that vessel's full name ("RMS Titanic") stood proudly for Royal Mail Ship, and both shipping lines and airlines relied in part on mail revenue.

An exhibition at the National Postal Museum in Washington, across the street from Union Station, has a small but moving exhibit of objects related to the Titanic and the Hindenburg. Below, a few samples from that collection:

One last curiosity: The Hindenburg also marked a high point of elegant smoking, to the extent of including an air-pressurized lounge where patrons could light up their Balkan Sobranies with flameless electric devices. Scary as the idea sounds, it had nothing to do with the catastrophe. I write about it here.

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Edward Tenner is a historian of technology and culture. He was a founding advisor of Smithsonian's Lemelson Center and holds a Ph.D in European history. More

Edward Tenner is an independent writer and speaker on the history of technology and the unintended consequences of innovation. He holds a Ph.D. in European history from the University of Chicago and was executive editor for physical science and history at Princeton University Press. A former member of the Harvard Society of Fellows and John Simon Guggenheim fellow, he has been a visiting lecturer at Princeton and has held visiting research positions at the Institute for Advanced Study, Woodrow Wilson International Center for Scholars, and the Princeton Center for Information Technology Policy. He is now an affiliate of the Center for Arts and Cultural Policy of Princeton's Woodrow Wilson School. He was a founding advisor of Smithsonian's Lemelson Center, where he remains a senior research associate.

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