What makes the hot designer of the new iPad app Mixel tick?
On a frigid Sunday morning, shortly before 8 o'clock, Mister President was reluctantly convinced to go out for a walk. Mister President is the dog
adopted nearly nine years ago by designer-entrepreneur Khoi Vinh. The black Labrador-mix makes his way from Clinton Hill, Brooklyn over to Fort Greene
Park about three or four times a week, but has not kept particularly active on Twitter. He's only tweeted once in the past year, after vigorous activity at the close of the '00s.
As Mister President's spokesperson, Vinh admits his shortcomings. "Back when I didn't really understand Twitter, I thought it would just be funny to do it," he said, adding, "That's also back when I was single and childless. So I had a lot more time for those kinds of idle pursuits."
Vinh, the former Design Director for NYTimes.com who ushered the newspaper into viable digital life, is also the creator of a newly-launched iPad app, Mixel, a dedicated app for making collages. It recasts the white iPad screen as a sheet of scrap paper from a second-grade craft closet, with which art is made in a low-stakes, compulsive mode. Mixels are intended to be completed in minutes--which looks about right, upon a scroll through the gallery--to allow for "visual chatter."
Over the past year, Mixel has risen to dominate Vinh's pack of side projects. Most notable among them is his design blog, Subtraction, where he cheers or criticizes emerging digital ventures, muses on loftier aesthetic ideals, or posts pictures of his 2 year-old daughter, Thuy. She, like Mister President, has her own web presence; Vinh seems like someone who maintains a ghastly number of Tumblrs.
He sat on a park bench, looking out at dogs playing on the grass. Mister President was parked beside him. It had been a long week for the designer. Mixel appeared on the App Store to an encouraging amount of buzz. Vinh tried to explain how he tends to his artistic temperament. "My side projects have always been about design first and foremost. And trying to intellectualize design in some way, trying to bring my design perspective forward--" Mister President snoutily interrupted him. "He's bored," Vinh said, as he removed the leash. "Okay. Don't make a mess." The dog ran off to join the local dog circuit. He sniffed, he played. Dogs chased each other. Vinh watched.
Mixel is his latest attempt to bring his approach to art to the masses. The app is built for copying and riffing rather than originality, so that "every image in Mixel sort of has a social life of its own," Vinh explained. "A picture of a dog gets picked up, reused, socializes with other images. So you can follow that around and see how these ideas moved. We think that's really powerful, and it sort of teaches you a lot about visual expression and art, sort of following things around."
All the world's a collage, dogs or faces or trees appropriated over and over again, in spliced and re-sized renditions that can be redesigned and redistributed endlessly. If, as Khoi says, the hardest thing about collage is not having enough material to work with, Mixel offers unlimited scraps to satisfy those able to pluck just the right ones from the pile. But Vinh isn't concerned with that level of artistic judgment.
"It used to be that when you would sit in a classroom or at home with your friends drawing or cutting up magazines, the context was very encouraging. Like, 'That's fun, keep doing that,'" he said. But the rigors of adulthood take all that away. "Society basically tells everybody else you should stop embarrassing yourself." Only the perfectionists survive.
Vinh's design tendencies are undeniably sharp. He has a crisp aesthetic that favors a clean blueprint to let playfulness stand out against simplicity. When
he was an undergraduate at the Otis College of Art and Design, a small art school in California, Vinh thought he wanted to study drawing and painting.
But then, "I realized that all the problems I was interested in were really design problems. And the computer was really the gateway to design. " He taught himself how to code on nights and weekends, but even now, he says, "I wouldn't even
flatter myself by calling myself a bad developer." After working at agencies before, through, and after the Internet boom, he started at the Times in early 2006.
A few months after arriving at the Times, Vinh posted on his blog about illustrations on the internet. There aren't enough, he complained, and for that matter, hardly any drawings to speak of on Subtraction. "My ability to create pictures by hand is in a state of arrested development," he wrote. "It's been far too long since I've done it seriously enough to be able to produce anything satisfactory when I sit down with a pencil and a blank sheet of paper. That's something that I need to resolve, but not today."