I'm not going to pick sides on the TechCrunch saga that's bouncing around the Internet right now, but I do think it's more important than it appears on the surface. In essence, TechCrunch's founder Mike Arrington wants to run an investment fund that would put money into the companies that his website covers. Prominent journalists like David Carr and Kara Swisher argue that this is an unbelievable conflict of interest. The drama continues, but Arrington is going to run the fund and TechCrunch will continue, probably without him.
Here's what's interesting about this situation to me: the set of solutions to common information problems that we call journalism is coming unglued as different types of publications become possible on the Internet.
The generally accepted sense of journalistic ethics says you shouldn't have financial conflicts of interest and that this is not negotiable at the individual level. Journalism ethics reside in publications and more broadly within the idea of the fourth estate.
But the specific ethical principles of journalism were only true for certain types of publications, largely newspapers and magazines aka the mainstream media (MSM). Now, we've got a whole bunch of new types of publications with readerships rivaling the MSM but that are something different altogether.
Many websites are functioning largely as trade magazines that occasionally commit acts of journalism. TechCrunch, and Mashable to an even greater extent, are more like the new American Thresherman and Farm Power or Stone World or Successful Farming than they are the new New York Times. But it's hard to know when they're acting like the Times and when they are acting like Plumbing and Mechanical Magazine.
Even the news that they break would generally come out via a press release in due time. People care about what they write, and they beat other people to the information, but the scoops are fundamentally benign. (This company got some money, that company has a new app, another may do something that alters the competitive landscape.) Trade magazines have been doing this kind of thing for as long as there have been trade and magazines.
What TechCrunch figured out is that tech industry news could could really work as a mass-market sized play. When millions of freelancers act as one-person companies, business-to-business publications acquire a new, much larger audience. In other words, many, many people consider themselves part of the tech industry. All that user-centered innovation that people like MIT's Eric Von Hipple talk about? This is one sign of it. When people cobble together tech tools to build other tech tools, they need to know about all the new ones in glorious detail.
John Bethune has been watching the trade publication industry for 27 years and now runs B2BMemes.com. He said that it would be very "unusual" for a trade magazine writer to be investing in the companies that they cover. He noted that the American Society of Business Publication Editors states clearly in its code of ethics that such activity are off-limits. "Editors and staffers should not invest in, or hold stock of, any company that they will cover or be likely to cover," the code says.
That's not to say that there are not conflicts for business-to-business publication journalists. They have to deal with ethical issues constantly as advertising sales' teams try to bring in business.
Ethics tends to devolve to the sole journalist more than residing at the publication level, Bethune said. "With the trade press, you've got conflicts built in and the life of the trade journalist is learning to live with those conflicts and do the best that each one can to do as ethical a job as they individually feel they can," Bethune said. "In the trade press more than news journalism, ethics is more of an individual issue than a company issue. "
I talked to a couple of trade magazine editors to see how the Arrington move struck them. Maureen Alley, who edits Residential Design and Build magazine, was the first trade magazine editor I spoke with. Alley felt that there was a pretty clear ethics foul in what Arrington was up to. "The way journalism is now is that you have people who don't know anything about journalism ethics writing journalism-type things," Alley said. "No matter what type of reporting you're doing, you still need those ethics. Michael Arrington obviously doesn't see the value in these ethics."
When I asked Alley if she thought she could start a design and build business while running her company, she said no. "I don't think that could fly," she said. "It's not fair to the other businesses."
John Austen of the UK's Locks and Security Monthly, though, didn't think that there was such a clear ethical line. He thought someone could have one business in an industry while running a publication about that industry, "provid[ed] they keep them separate and don't use the one as a bandwagon to promote the other." Austen himself "ran a publication and also looked after the PR interests for a number of companies in that field."
Austen emphasized that trade magazines can't forget where their money ultimately comes from. "We're always trying to strike a balance between content/reader interest and knowing those [advertisers] that keep us going," Austen said. "We are in the real world."
My point here is that this story has gained incredible traction because it is The New AOL (TM) and TechCrunch versus The New York Times. But this is a forever problem when it comes to information. Bias in journalism has been the default assumption forever. David Carr-style journalism ethics was an important invention developed to fight pervasive bias. It didn't just happen. It partially solved the trustworthiness problem, at least temporarily.
Trade magazines have had to deal with these conflicts for a long time too in very intense ways. When the trade magazine association decides something is out of bounds, it's worth considering how big the change that Arrington wants to make to the journalism ethics toolbox.
TechCrunch's MG Siegler wrote on his personal blog, "The market will decide. All this back-and-forth is meaningless," but that strikes me as precisely incorrect. The market for information is predicated on the trustworthiness of that information. The back-and-forth is what creates the perception of that trust or lack thereof.
The New York Times doesn't operate with its current sense of ethics or purpose solely because they are a company full of great guys, but because they think it's a competitive advantage to be seen as fair and objective and trustworthy. The problem is that operating the way they do is expensive and slow.
TechCrunch's team is proposing that their own version of journalism, in which some pieces of the ethical machine have been tightened up (e.g. more transparency) while others have been loosened (e.g. investing in companies you cover is OK), is just as good as the Times' version. It certainly is cheaper and faster, but it gains those advantages by devolving responsibility to the individual, not the publication. It's every woman for herself. And we know how well that has worked out for the trade publications.
"As the industry has declined over the last 20 years, the pressure from sales to do whatever you can do bring in those advertisements, most of the guidelines have fallen by the wayside," Bethune told me.
Arrington may be able to walk the ethical tightrope, but if he erodes journalism's institutional ethics, he may do a lot more damage than promoting or ignoring a few tech startups would.
The Islamic State is no mere collection of psychopaths. It is a religious group with carefully considered beliefs, among them that it is a key agent of the coming apocalypse. Here’s what that means for its strategy—and for how to stop it.
What is the Islamic State?
Where did it come from, and what are its intentions? The simplicity of these questions can be deceiving, and few Western leaders seem to know the answers. In December, The New York Times published confidential comments by Major General Michael K. Nagata, the Special Operations commander for the United States in the Middle East, admitting that he had hardly begun figuring out the Islamic State’s appeal. “We have not defeated the idea,” he said. “We do not even understand the idea.” In the past year, President Obama has referred to the Islamic State, variously, as “not Islamic” and as al-Qaeda’s “jayvee team,” statements that reflected confusion about the group, and may have contributed to significant strategic errors.
Even when a dentist kills an adored lion, and everyone is furious, there’s loftier righteousness to be had.
Now is the point in the story of Cecil the lion—amid non-stop news coverage and passionate social-media advocacy—when people get tired of hearing about Cecil the lion. Even if they hesitate to say it.
But Cecil fatigue is only going to get worse. On Friday morning, Zimbabwe’s environment minister, Oppah Muchinguri, called for the extradition of the man who killed him, the Minnesota dentist Walter Palmer. Muchinguri would like Palmer to be “held accountable for his illegal action”—paying a reported $50,000 to kill Cecil with an arrow after luring him away from protected land. And she’s far from alone in demanding accountability. This week, the Internet has served as a bastion of judgment and vigilante justice—just like usual, except that this was a perfect storm directed at a single person. It might be called an outrage singularity.
The new version of Apple’s signature media software is a mess. What are people with large MP3 libraries to do?
When the developer Erik Kemp designed the first metadata system for MP3s in 1996, he provided only three options for attaching text to the music. Every audio file could be labeled with only an artist, song name, and album title.
Kemp’s system has since been augmented and improved upon, but never replaced. Which makes sense: Like the web itself, his schema was shipped, good enough,and an improvement on the vacuum which preceded it. Those three big tags, as they’re called, work well with pop and rock written between 1960 and 1995. This didn’t prevent rampant mislabeling in the early days of the web, though, as anyone who remembers Napster can tell you. His system stumbles even more, though, when it needs to capture hip hop’s tradition of guest MCs or jazz’s vibrant culture of studio musicianship.
A controversial treatment shows promise, especially for victims of trauma.
It’s straight out of a cartoon about hypnosis: A black-cloaked charlatan swings a pendulum in front of a patient, who dutifully watches and ping-pongs his eyes in turn. (This might be chased with the intonation, “You are getting sleeeeeepy...”)
Unlike most stereotypical images of mind alteration—“Psychiatric help, 5 cents” anyone?—this one is real. An obscure type of therapy known as EMDR, or Eye Movement Desensitization and Reprocessing, is gaining ground as a potential treatment for people who have experienced severe forms of trauma.
Here’s the idea: The person is told to focus on the troubling image or negative thought while simultaneously moving his or her eyes back and forth. To prompt this, the therapist might move his fingers from side to side, or he might use a tapping or waving of a wand. The patient is told to let her mind go blank and notice whatever sensations might come to mind. These steps are repeated throughout the session.
The authors in the running for Britain's most prestigious literary award come from seven countries and include seven women writers.
The longlist for the Man Booker Prize, one of the most prestigious literary awards, was announced Wednesday. For the second year, the prize was open to writers of any nationality who publish books in English in the U.K., and this year five American writers made the list of 13 contenders, chosen by five judges from a pool of 156 total works.
The U.S. is, in fact, the most well-represented country, with other entrants hailing from Great Britain, Jamaica, New Zealand, Nigeria, Ireland, and India. There are three debut novelists and one former winner on the list, and women writers outnumber men seven to six. From dystopian and political novels to a multitude of iterations on the family drama, the selections capture the ever-changing human experience in very different ways.
Members of Colombia's younger generation say they “will not torture for tradition.”
MEDELLÍN, Colombia—On a scorching Saturday in February, hundreds of young men and women in Medellín stripped down to their swimsuit bottoms, slathered themselves in black and red paint, and sprawled out on the hot cement in Los Deseos Park in the north of the city. From my vantage point on the roof of a nearby building, the crowd of seminude protesters formed the shape of a bleeding bull—a vivid statement against the centuries-old culture of bullfighting in Colombia.
It wasn’t long ago that Colombia was among the world’s most important countries for bullfighting, due to the quality of its bulls and its large number of matadors. In his 1989 book Colombia: Tierra de Toros (“Colombia: Land of Bulls”), Alberto Lopera chronicled the maturation of the sport that Spanish conquistadors had introduced to South America in the 16th century, from its days as an unorganized brouhaha of bulls and booze in colonial plazas to a more traditional Spanish-style spectacle whose fans filled bullfighting rings across the country.
Forget credit hours—in a quest to cut costs, universities are simply asking students to prove their mastery of a subject.
MANCHESTER, Mich.—Had Daniella Kippnick followed in the footsteps of the hundreds of millions of students who have earned university degrees in the past millennium, she might be slumping in a lecture hall somewhere while a professor droned. But Kippnick has no course lectures. She has no courses to attend at all. No classroom, no college quad, no grades. Her university has no deadlines or tenure-track professors.
Instead, Kippnick makes her way through different subject matters on the way to a bachelor’s in accounting. When she feels she’s mastered a certain subject, she takes a test at home, where a proctor watches her from afar by monitoring her computer and watching her over a video feed. If she proves she’s competent—by getting the equivalent of a B—she passes and moves on to the next subject.
The Vermont senator’s revolutionary zeal has met its moment.
There’s no way this man could be president, right? Just look at him: rumpled and scowling, bald pate topped by an entropic nimbus of white hair. Just listen to him: ranting, in his gravelly Brooklyn accent, about socialism. Socialism!
And yet here we are: In the biggest surprise of the race for the Democratic presidential nomination, this thoroughly implausible man, Bernie Sanders, is a sensation.
He is drawing enormous crowds—11,000 in Phoenix, 8,000 in Dallas, 2,500 in Council Bluffs, Iowa—the largest turnout of any candidate from any party in the first-to-vote primary state. He has raised $15 million in mostly small donations, to Hillary Clinton’s $45 million—and unlike her, he did it without holding a single fundraiser. Shocking the political establishment, it is Sanders—not Martin O’Malley, the fresh-faced former two-term governor of Maryland; not Joe Biden, the sitting vice president—to whom discontented Democratic voters looking for an alternative to Clinton have turned.
For anyone who has ever caught some treacly adult contemporary on the radio and wondered “Who on earth likes this stuff?” while twisting the dial, a new study might have an answer. A bunch of softies, that’s who.
In the paper, published recently in the online journal PLoS One, Cambridge psychologist David Greenberg theorized that music tastes are determined in part by peoples’ tendency to fall into one of two rough personality categories: empathizers or systemizers. Empathizers are people who are very attuned to others’ emotions and mental states. Systemizers are more focused on patterns that govern the natural and physical worlds.
Over the course of multiple experiments that included 4,000 participants, listeners took personality questionnaires and then listened to and rated 50 pieces of music.
An alpenhorn performance in Switzerland, a portrait of Vladimir Putin made of spent ammunition from Ukraine, Prince Charles surprised by an eagle, wildfire in California, a sunset in Crimea, and much more.
An alpenhorn performance in Switzerland, a portrait of Vladimir Putin made of spent ammunition from Ukraine, fireworks in North Korea, Prince Charles surprised by an eagle, wildfire in California, protests in the Philippines and Turkey, a sunset in Crimea, and much more.